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346 pages, Paperback
First published April 1, 2004
One of the great advantages of a celebrity culture is the way it siphons off so many of the narcissistic and dysfunctional into areas where they can do the least societal damage.
Pop culture exists to delight us, and that’s the only justification it needs. If it fails to delight, no amount of justification or explanation will commend it to us… at the end of the century, the biggest-selling pop records (Whitney Houston’s devotional ballad, “I Will Always Love You”), the best-selling airport novels (The Bridges of Madison County), the highest-grossing motion pictures (Sleepless in Seattle) differs only in the details from their turn-of-the-century predecessors, from “After the Ball” or The Merry Widow or the novels of Gene Stratton-Porter.
Michael spent his childhood pretending to be grown-up enough to sing love songs with the Jackson Five. He’s spent his adulthood pretending to be a child.
While dreary executives fret about not wanting to take their work home with them, the creative soul faces the opposite problem: the eternal temptation to take his home to work.