It is 1994 and Japanese musical genius, Akio Takata, introduces his newly invented phenomenon the teen-girl pop group which appears seemingly out of nowhere to rule the pop music charts overnight. Having retired his multi-award-winning rock band to introduce his new project, Sister Stars, Takata’s corporation the Yatta!Concept and its young idols dominate the music charts from the release of their first single and bring the new sensation that is J-Pop to the world.
Takata's biggest fan, Hideo Michishige or 'Michi' to his friends is a salaryman who is obsessed with Takata's music and the most popular idol, the beautiful and co-incidentally named Hiromi Michishige. An accountant, Michi also holds a music degree with honours from Tokyo University and over the years has penned hundreds of songs in the Yatta!Concept style in homage to his hero.
Yasuo is a dance instructor and Michi’s best friend. Having met at a Sister Stars concert, their shared obsession with the Yatta!Concept and its idols has cemented their firm friendship throughout the years. Yasuo is known for his carefree approach to life, but this begins to change when financial pressures start to weigh on him and endanger his business. As the enormity of his position begins to dawn on him, he can see no way out but Michi’s generous nature and for the first time their friendship faces a true challenge.
Yuko Nakajima is a former leader of Sister Stars and after her graduation remains the one true paradigm of the idol world. Admired and respected by every young Yatta!Concept idol since, she was guaranteed fame and fortune from the very beginning of her pop career. Having enjoyed a stellar career even after her graduation she remains a household name in Japan and is recognised by old and young alike.
Yuko’s best friend and former idol, Ai ‘Mitai’ Mitaki, quickly discovers that fortune does not necessarily favour the graduated idol. Finding that her fame has dwindled following her time with Sister Stars, she struggles to eke out a living in the world of the often seedy B-grade Tokyo media scene. Her plight is exemplary of one of the drastic failings of Takata’s otherwise brilliant pop machine which offers few assurances for idols who are chewed up and eventually spat out into a disinterested world. Many have committed suicide rather than endure this plight.
Michi loses his job as a salaryman and subsequently has a chance meeting with Yuko's boyfriend, Shintaro who owns a business as a chauffeur to the rich and famous. In his new job as a driver with Shintaro's business, Michi soon finds Takata in the back of his limousine and discovers that he has been diagnosed with terminal cancer. In turn, Takata learns of Michi's devotion to his music and of his song writing ability at a time where his illness is preventing the completion of his magnum opus; Eleven, the album he must make before his death.
As a result, he and Michi are thrust together in a frantic quest to finish the Sister Stars, Eleven album and ensure the future survival of the Yatta!Concept - but a perplexing conundrum exists. Despite his rapidly failing health, Takata is determined to complete his last album and ensure that the success of his empire endures. Conversely and despite his devotion, Michi has always harboured concerns about Takata's dictatorial control over his idols. He secretly dreams of a fairer system for graduates and of the day when the widely publicised idol suicides will end forever.
Both together and at odds, their shared and individual goals will send them both on a thrilling adventure set in the busy streets of Tokyo and beyond; one that will not only fulfil their wildest dreams but will change the very face of J-Pop forever.
Set in the mid-1990s, this drama follows the the creation of what comes to be known as J-Pop. This book takes each “episode” and dives into how the characters deal with no longer being famous and the center of pop culture, learning to take new roles in life, the hardships and thoughts of suiside that some in the industry feel they have to do when they become less relevent, and so much more. This book is fun, but also is not afraid to try and delve into many of the issues that still plauge the asian pop world.
It almost read like a tv series. Each episode going deeper into the characters and the story.
I learned more about the J-Pop world than I ever dreamed I would by reading Priddle’s book. I do t mean that in a bad way, because I found it interesting. The book Reign of Hope: the Man Who Saved J-Pop was just something I picked up as a total diversion, nothing in my typical realm of interest and by the end I felt connected to the characters- none of whom had the slightest thing in common with me! The story is about a one man music empire about to end because the ruler who sits atop the throne of the economic, cash-making juggernaut is dying (not a spoiler) and has nobody to pass off his legacy to. Through a series of fortuitous events in the lives of several people a fun, hopeful story emerges. And I liked the story a lot. Enough to grant it four stars. It does need another round of copy editing, and there are some odd parts where it seems: 1. The person writing is British, which isn’t a problem, but the terminology isn’t consistent. 2. Some parts might be AI generated then pasted into the manuscript. 3. Some parts struggle to make a clear message, possibly poor translation from another language, possibly Japanese. Though I mention it here, I am not overly concerned about it, because I read it as a diversion and ended up getting a story with hope. Which is a nice turn these days.