I read no poetry growing up, but I loved rap music. The wordplay, multiple meanings, use of language and rhythm were spellbinding. One of the most exciting things were diss tracks (for instance Ether, Real Motherfucking G's, King of The Hill, T-Shirts and Buddens). When I saw this book, it reminded me of that thrill.
I hadn't read any of Tusiata's poetry before, but I had kept up a bit with the media sandstorm about her poem about Cook and the right-wingers obsessed with her. Seeing this cover made me laugh, and I knew this was going to be good.
The book starts with fire, where Tusiata lays waste to all of these right wing freaks. I loved it. This first section is called Werewolf.
The first page reminds me of the intro to DNA (Kendrick) where he samples Fox News' criticism of him. The first poem is a blackout version of the Cook poem (I think). Then there are bitingly sarcastic (literally, she becomes a werewolf) poems. I loved 'Big Fat Brown Bitch 1: She is on the cross: "All the women looking up, waiting for her resurrection." Which is what it was. That much criticism and disrespect can break a person, but thankfully Tusiata is striking back.
The 'Diary of a death threat' sequence is great. Actually, I think Tusiata excels in those sequences of poems. Another poem I loved was 'Big Fat Brown Bitch 23: She receives an election-year visit' and the following 'Macca girl's song':
"Don't move or I swear
I will defy my own fear and cut you
I will slash you
here on the cheek"
Ironically the poem I liked the least was the rap one.
'Dawn Raids Apology 2022' was excellent, maybe my favourite in the book. I liked the biblical allusions to make the point through irony that the dawn raids were not so distant in the past (in fact still ongoing).
The second section is about overcoming challenges, called 'The Big Fat Brown Bitch Jumps Over The Lazy Dog'. These challenges include racism, poverty, body shaming and more struggles of life. I liked 'Big Fat Brown Bitch 66: She performs and exorcism'. I don't know how those are numbered though.
The third section 'Miracles' is about close family, health and hopelessness. This was perhaps my least favourite section, not for any particular reason that I can think of. However I liked 'In isolation' and 'Hotel lobby with art'.
The last section 'Malu|Protection' is what it says it is. I liked this a lot. I felt like I was being tatau'd. I liked these and especially the closing poem, which was a beautiful end to the journey of this collection.
I really enjoyed this, and am giving it 5*. I am getting sleepier so I have run out of thoughts. Goodbye.