Complete Organ Method: A Classic Text on Organ Technique

by John Stainer, F. Flaxington Harker (Editor)

This classic method for beginners provides a brief history of the instrument followed by an explanation of organ construction, a thorough discussion of the various stops and their management, and a major section devoted to practical study. Seven organ pieces complete the original edition; 3 additional works have been added to this edition.

Genres: Music

222 pages, Kindle Edition

First published January 1, 1877

About the author

1840 1901

Reviews

[Carolyn Page · Rating 4 out of 5]

A simple explanation of the history, mechanics, and use of your basic church organ. Or, I should say, types of organs, because as far as I can tell every organ I've ever seen is different. The tone is almost like a classroom, with a teacher with a slight sense of humor. "Ladies should not wear shoes with heels that are too narrow or circular in design, unless they are willing to purchase freedom at the price of a boot". LOL!

The second half of the book is musical exercises. They should be very helpful!

[Steven · Rating 5 out of 5]

Speaking as a total beginner, the section on how the organ works probably has too much detail to be understood, although I do find it awesomely informative. However, the section on practical playing fulfilled my expectations. Exactly the kind of pedagogical method that I was looking for. Another pleasant surprise; I also just found out that John Stainer is the composer of the first choir song that I ever sang, his 'God so Loved the World' from his oratorio 'Crucifixion', which is such a gorgeous little piece.

[Mac · Rating 4 out of 5]

I have played the organ for about twenty years, but basically learned on the job (my training is as a pianist). Lately I have been reading textbooks to learn more about the organ and especially on proper pedaling technique. John Stainer's The Organ was noteworthy in that it really explained how organs work, including detailed mechanical diagrams. Of course, most organs now use electricity for most operations, even if they still produce sound through pipes (the organ I play is completely electric, with pipes merely as decoration).

What also stood out to me was Stainer's preference for playing pedal notes with alternating feet in places where I would probably use a heel-toe switch in one foot. But it was useful to practice the exercises in the book using his recommendation. I have begun experimenting with some of the techniques in my church playing. I'm glad for the broadened perspective and hope to keep building my skills.

[Ellaine Extracts · Rating 5 out of 5]

The organist who wishes to play with a proper expression of feeling is chiefly dependent on-
(I) The art of phrasing.
(2) The contrast between the legato and staccato style.
(3) The use of the Swell pedal.
(4) The selection of stops.