Broadway Nation: How Immigrant, Jewish, Queer, and Black Artists invented the Broadway Musical

by David Armstrong

A groundbreaking exploration that reveals the powerful impact of marginalized groups on the evolution of the Broadway Musical.

At the turn of the 20th century, immigrants, Jews, Queers, and African Americans faced exclusion from mainstream American society, with limited employment opportunities. They found their calling in the emerging field of "Show Business," particularly the burgeoning Broadway Musical. Their pioneering spirit not only seized this opportunity but also continued to shape and dominate the Broadway Musical for over a century, creating an art form that has deeply influenced American culture.

Throughout its history, the Broadway Musical has subtly and at times boldly championed human rights and liberal values, reflecting its creators' and performers' diverse backgrounds. Unlike previous works on musical theatre history, this book weaves these diverse threads into a comprehensive narrative, repositioning Black, Queer, and Women artists at the heart of the story, acknowledging their long-standing contributions often overlooked.

Broadway Nation is a valuable resource for both students and anyone seeking a deeper understanding of this beloved American art form. Readers will gain profound insights into the history and transformation of the Broadway Musical over a span of more than a century. Additionally, the book celebrates the remarkable artistry and craftsmanship of key figures, from George M. Cohan to Lin Manuel-Miranda, who have left an indelible mark on this extraordinary cultural phenomenon.

Genres: Theatre, Nonfiction

454 pages, Hardcover

Published July 24, 2025

About the author

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Reviews

[John · Rating 5 out of 5]

Just like his delightful and ongoing podcast, “Broadway Nation”, David Armstrong’s approach to musical theatre history here is truly unique. He focuses on the role that “outsiders”, immigrants, Jewish, queer, Black artists, and importantly, women, have played in the birth and growth of the art form. This focus allows even the most knowledgeable theatre person to see these works of art through new lenses. I loved how he set up the historical context for each of the innovations that he details with a clear love of the form and a deep knowledge of the canon. All of this is shared in a thoroughly enjoyable and informative manner. Recommended highly for theatre professionals, scholars, and fans alike. (I was sad when it ended.) A great achievement.