This collection of early short stories, mostly from the 1950s, displays Vonnegut's versatility--of subject matter, theme, and style; and also his grasping for an identifiable, unique personal style. At this point, he already is a mature, assured writer. Except for possibly "The Manned Missiles" (which nonetheless has the same clever twist ending as many of the other stories in this collection) all of the stories in this compilation are great. Vonnegut's command of narrative and descriptive detail are solid. His irreverance is not always as pronounced as it would be in his later novels, but one begins to spot several instances of trademark Vonnegutese (the phrase "being amphibious" in the story "Unready to Wear" feels like something out of "Slaughterhouse Five"). There's often a Runyonesque gentility and sense of irony in the pieces, and always great generosity and sympathy toward his characters--even the ones he mocks--and their dilemmas, some of which are small every day ones and some that are enormous in their moral and life-and-death implications. Written in a time of Cold War fears, the non-sci-fi pieces are mostly about everyday people trying to find value and purpose in small things, in traditions, in comradeship, in love, while larger corporate, technological and political imperatives pull at their souls.
The preface--a gracious and funny homage to his family and only a slight introduction to the works--was written circa 1968 when this collection appeared and gives us the familiar Vonnegut irreverence. In it, Vonnegut seems slightly embarrassed and ashamed about some of the early pieces therein, but he needn't have been. Actually, in a published grading of his own works (done years later), Vonnegut gave this collection a B- when stacked against the entirety of his ouevre. Not too bad. If it were an option, I'd give this collection four and a half stars. I'm recommending it strongly to all.
Several of the stories in the collection are science fiction and like a lot of science fiction from a half century ago the accuracy of the predictions offered are hit-and-miss. What strikes me most impressively, though, is how many of Vonnegut's ideas--whether later creators were aware of them or not--managed to show up in later written works, movies, tv shows, etc.
The human chess game played in "All the King's Horses" (1953) became the motif of a famous episode of the cult tv show, "The Prisoner" in 1967.
Bullard's exhortation and business advice to a stranger in "Tom Edison's Shaggy Dog" (1953) to "Go plastic, young man!" predates the more famous iteration of that same advice in the film, "The Graduate" 14 years later.
The much-quoted Vonnegut gem from this collection, "A sane person to an insane society must appear insane," has been paraphrased and restated ad infinitum in popular song and other entertainments ever since.
The computer blowing its lid in "EPICAC" is a motif that would show up several times in Star Trek.
Politically, the book offers a more moderate Vonnegut, but one of my favorite quotes (from the short story "Welcome to the Monkey House" about future sterilization taken to an extreme) shows his true (and good) colors, and his understanding of the ongoing modus operandi of right-wing types:
“If you go back through history, you’ll find that the people who have been most eager to rule, to make the laws, to enforce the laws and to tell everybody exactly how God Almighty wants things here on earth – those people have forgiven themselves and their friends for anything and everything. But they have been absolutely disgusted and terrified by the natural sexuality of common men and women.”