My growing interest writing about aging led me to Florida Scott-Maxwell's The Measure of My Days. She was born in Florida in 1883, went to NY at 15 to act, then married a Scot and moved to Scotland. She worked for women's suffrage, wrote, divorced, then became a Jungian analyst, and died about age 96.
This book is her personal memoir, a notebook really, published in 1968. I was drawn to the opening pages because she does not sugar-coat the experience of being old: she describes being old as as being "out of step" with her times, and being exhausted just by the small acts of daily life. She also describes how her 70s were quiet, but her 80s more passionate, "I grow more intense as I age," and being deeply disturbed by the outer world.
The notebook is her outlet, and she is clear that it holds all kinds of thoughts, even the most ugly prejudices and limitations, are entitled to be there.
She writes about the pressure of the old to be cheerful, to not be a "burden", and how that is enacted: by saying "it's ok" or "I'm fine" when family and friends ask, even when it is not.
Sections on women and religion do not resonate with me, but others are piercingly apt.
She is very strong about the need for every person to find, and be true to, an "inner way". "It is awful to have to be yourself." She sees society moving in a direction of sameness and conformity. She uses the term "non-ego patient" to refer to those who coast, who never live their own lives. About identity, she comments: "if we demand to be given it as a right, we have not even guessed that is is our life's work to create it." Yet the process is inevitably destructive - "every seed destroys its container." Yet there is also compassion - "no one lives all the life of which he is capable."
There are deep contradictions in her thinking that see recognises - she deplores hardship and suffering, yet finds it instills the kind of character she admires, often lacking in people who have not faced hardship.
She has a black humour that frightens me, yet I also admire.
"When a new disability arrives I look about to see if death has come, and I call quietly, 'Death, is that you? Are you there?' So far the disability has answered, 'Don't be silly, it's me.'"
Finally, there is her softer voice--if bed, bath, favourite foods bring one pleasure, then one has a hope of thriving when old. There might be some hope after all.