In which Data’s positronic pathways “conk out” over another idiosyncratic human linguistic gem!
Sir Arthur Conan Doyle created Sherlock Holmes, lovingly crafted his character, and re-created the atmosphere of Victorian London in which he solved his mysteries. So, when an author chooses to extend the Holmes canon in any fashion, it is inevitable that Conan Doyle’s work is the standard against which it will be judged. So it is with Gene Roddenberry’s Star Trek creation and the star-studded cast of actors – Patrick Stewart, Jonathan Frakes, Brent Spiner, Michael Dorn, et al – who made the characters come to life on both the big and the small screens. If the reader of any book that purports to be in The Next Generation universe doesn’t bring these actors, their foibles, their mannerisms, their strengths, their weaknesses, and their very manner of thinking to the mind of a Star Trek TNG fan, then that book can be written off as a failure.
For my money, REUNION succeeds in spades and is most definitely not that failure. I could easily picture myself back in front of the tube watching what has to qualify as one of my all-time favourite television programs.
PLOT #1: Picard’s former first officer is returning to his home planet to be installed as the ruler of the Daa’Vit empire. The political protocol of the “coronation” calls for the incoming emperor to be accompanied by an “honour guard” of trusted friends. But, as many of the officer’s of Picard’s first starship, the USS Stargazer, are re-united on the Enterprise for the trip to Daa’Vit, that erstwhile reunion turns deadly. One of those friends is obviously an assassin with a rather more violent agenda in mind. Readers are treated to a typical Star Trek soft sci-fi plot line (that, in literary terms, is a high tech sci-fi locked room mystery) showcasing dialogue, character, and personality driven action and decision-making – Data’s cocked head and puzzled blinking as he attempts to decipher the meaning of Geordi Laforge’s use of the idiom, “conk out”; Worf’s Klingon-based perceptions of duty and honour and his over-the-top notions of challenging himself with extreme “exercise” on the holodeck; Beverly Crusher’s continued mourning over the death of her husband, Jack; Number One’s innate attraction to the fairer sex (well, there HAD to be a replacement for Captain Kirk when William Shatner went into retirement … right?). In short, there is no question that REUNION could be seen as a screenplay for a television TNG episode without a single change being necessary.
PLOT #2: The hard sci-fi complement to PLOT #1. While the murder mystery unfolds inside the Enterprise, outside the ship there is a definite problem. The Enterprise is a caught in a sub-space slip-stream and despite Mr LaForge’s best engineering solutions to prod the engines into propelling the Enterprise out of the grip of the relentless current, the Enterprise ultimately finds itself driven beyond the Neutral Zone and deep into Romulan space. Oh, oh … and now Picard, looking down the barrels of fully-charged disruptors, is having a less than friendly, terse chat with the irate captain of a threatening Romulan War Bird. Diplomacy, of course, is the tactic of first resort, but prospects are not looking good!
I'm the first to admit that it's unlikely that anyone but a Trekkie will derive much enjoyment from REUNION, but THIS Trekkie enjoyed it to the extent of a 5-star rating and I expect it will make it to my Top Ten Favourites list for 2022. Definitely recommended.
Paul Weiss