Statler and Waldorf award a generous two stars
“Why do we ever come here, I guess we’ll never know…”
I don’t even know where to begin with this. The characters with all the depth of a paper doll, including undeveloped villains? Jane’s switch to the dark side is not believable; nor are Wickham’s and Jane’s machinations.
The inexplicable reason that the characters are younger than in canon (17 and 25)? It changes nothing in the plot.
Major Fitzwilliam’s ability to remove Mr Bennet from Longbourn and hand it to Mr Collins? Or should I mention that Elizabeth and Darcy’s story ends about 80% in?
Perhaps I should mention Elizabeth’s deep worry for the plight of Lydia and Kitty, only to decide she has two much to do at their new estate and maybe school will replace their need for love? No worries—Lady Anne takes the girls to Pemberley.
Characters beating dead horses? Elizabeth might as well have a calling card printed with “Banished to the dower house with her grandmother for six years.” A cue card at Longbourn would come in handy, for the countless—and I mean countless—number of folks who (rightly) tell Jane she has beauty, but is insipid and has no accomplishments or dowry. To wit, ““Have you never wondered why men call on you once or twice and then stop visiting, Miss Bennet? It is because you have nothing other than your looks to recommend you. You do not play, you do not read, or visit the poor—you have no conversation and only seem to be able to smile at them. And, quite frankly, were any of these gentlemen to hear how you speak of your sister, they would want nothing to do with you.” Jane was horrified by the idea. “There is nothing wrong with me. Mama has always told me I am far prettier than any girl in Meryton, and I deserve a wealthy man who would care for me and provide for Mama when my father passes. With the estate entailed away from the female line, it was my duty to marry well, and since I am so beautiful, surely a man will offer for me.”
I could start with any of those, but the biggest problem
is So. Much. Telling. and So. Little. Showing of pertinent information. The tale teems with useless details, including a treatise on a new carriage, which is never mentioned again: “With these discussions fresh in their minds, the couple embarked on their journey in the newly acquired carriage, a generous wedding gift from the Gardiners. The carriage offered ample space, a welcomed change for Fitzwilliam, who was both tall and well-built and had seldom experienced such comfort during his travels. Gardiner had astutely observed the awkward positioning of Fitzwilliam’s legs during travel, which undoubtedly led to discomfort. Therefore, shortly after Fitzwilliam made Elizabeth’s acquaintance, he commissioned a carriage with an extended body to ensure Fitzwilliam’s comfort. This considerate gesture was deeply appreciated, especially given the time they would spend travelling in the carriage during their extended wedding trip.”
Characters, meanwhile, speak in paragraphs: “Blushing furiously, Elizabeth struggled to reply, though she finally found the words. “I have enjoyed meeting Mr. Darcy and getting to know him. And I am very pleased to be here to meet you and Miss Darcy. It is quite a privilege to visit such a beautiful home.” Lady Anne looked around. “I have always appreciated the quiet elegance of Darcy House. When I married my husband, there was little I needed to do to redecorate this home to make it my own. My husband was never one for ostentation, and I could tell he did not like Matlock House when he called on me. I made sure Darcy House remained elegant but comfortable. My sister, Lady Catherine de Bourgh, preferred the ostentation of my mother. Her home, Rosings, is very … ornate, but it is uncomfortable. Of course, my sister prefers people to be uncomfortable in her presence since she thinks that gives her an advantage over them.”
The author’s writers’ group and editor did her no favors.