“A friend is someone who listens to stories they don’t believe and calls you a doorknob and yells at you about spoons that somehow manage to fall into your pouch and worries about you when you are off adventuring and gives you a hug and a plate of spiced potatoes when your safe.”
According to Tasselhoff Burfoot a bit, and I thought that passage sums up the heart of this series and Dragonlance, the series where the heroes “go out through the kitchen” rather nicely. I think, in many ways, Dragonlance is the OG variant of Critical Roles Vox Machina…it’s a D&D story that was born around a table amongst friends with laughter and adventure wandering always in its heart.
Herein I review “Dragons of Eternity” and give final thoughts on the series itself. My review takes the following format, in a vague and disorganized fashion:
-Reasons we should be grateful for all this and why it is well written.
-Concerns on time travel and other things.
-Final thoughts
“Dragons of Eternity” is the conclusion of Dragonlance Destinies (and possibly Dragonlance) and a story that really should be called and is proof positive that “Every Adventuring Party Needs a Cleric” … seriously it would solve so much. *spoiler* I kind of lost track of how many times people needed to travel to the time of the first appearance of Goldmoon and her staff at the inn making their appearance in order for her to heal someone. *spoiler*
I kind of had mixed feelings on this work. On one hand, this is in many ways a gift written by two living legends. Fans of Dragonlance should rejoice! The authors succeed where others have not-they are doing meaningful writing with the same characters and universe some 40 years after they first created it all. Robert Howard, in a letter to Lovecraft, I think, once commented that he could never contemplate going back to a prior character as he had moved on…yet here we have Weiss & Hickman adding on to beloved Dragonlance characters literally decades later…not an easy feet I’d think. And it needs to be emphasized that a lot of it was not just filler material or commentary -Raistlin’s character in particular was expanded on where we see sides of him that we hadn’t before. The second book did this best, but I hardly think the third book didn’t continue his character arch. A rare compliment to Caramon, his not betraying the party this time around, etc. etc. Tanis had some good bits too, my personal favorite being when he worries about cheating on Laurana with Laurana. As anticipated the Dark Universe did have some fun and interesting bits, such as Laurana’s gathering of rebels, and the Kit / Sky sections.
It shouldn’t also be remarked on how versatile and entertaining the authors are-some passages read as full of fire and steal and stars as much as anything Howard or Leiber might have done (in particular the Age of Humma sections), while other sections are as funny as something written by Terry Pratchet (Kender and Gnome sections, but many others too). That’s part of the charm of their writing and Dragonlance, well, that and all the Dragon, Knights, and magic, of course.
I should note that I was surprised at the amount of bloodshed in these works. Not a criticism, just surprising and enlightening. I remember a disagreement I had with a friend a decade or two ago where my friend was all sorts of stoked on George Martin randomly killing characters as ‘that has never been done before’…well, clearly it has. For those that don’t ant characters to die happily of old age, I don’t know if Dragonlance is the place.
In any event, I think we should raise our hats to the authors for being able to do this, all of this. It is not easy to write characters consistently and true for a given storied universe, and if there were some inconsistencies along the way, well, we should all stand in wonder at how much the authors did get right. Sure, this series did have a few epic woopsies *poor Kas the minotaur* but I doubt these instances were done maliciously - it’s just that the Dragonlance universe is huge and only so much could fit in the story.
Now, that all stated, I did have some concerns on this work as well.
Now, my main concern with the work is the time travel. While I love the rising river anology I doubt I was the only one that was confused and caught rubbing their heads or head even by time travel in the DL multiverse…even the characters are confused, I.e. Tanis on page 22 (“I suppose that makes sense to someone…”)…the body hopping aspect where characters who travel back in time to a time they lived Quantum Leep style into their prior body makes sense a little and solves some complications, only to make many more. *some spoilers* When Destina and her monk travel back in time to the Age of Huma again, wouldn’t they travel back into their prior bodies from their first time travel go? And shouldn’t Raistlin, Sturm, and Tas and company also be there from the prior time travel instance? Instead, they are just missing. And shoukd future Talhesis in the Dark Dragonlance world really be distracted by something taking place centuries ago? Wouldn’t past Takesis be on that and not be part of that? And why on Krynn were the Dragonlances taken to the past when the present in the Dark Dragonlance world needed them? So confused …. *end spoilers* Time travel writing is one of the harder bits of writing to do, so I’m willing to suspend disbelief for a bit to enjoy the story, and I guess that’s my advice to readers that shared my concerns on that.
Now, I did have other concerns on the work, one being the a certain scene *spoiler* wherein a group of magic Gods slay a group of mercenary atheists and the characters then quip something along the lines of this is what they get for not worshipping the gods or some such. As a lifelong agnostic, I’ll admit to taking some offense at this scene - it’s very anti-freedom of thought and presents a dangerous president towards the handling of non-religious people. I don’t know-maybe I’ll go on to write a scene where the God of Atheists slays a bunch of religious folks? and nevermind the problem there, it would to work! Now, anyway, I’m willing to handwave off this scene, as it otherwise would be a cool scene of the gods of magic protecting the memory of a beloved champion of theirs, Magius, but the likely interpretation of the scene goes to far and I think it is high time Fundamentalist thought be condemned when it is coupled with violent ideation towards atheists and agnostics. Anyway, I’ll get down from my soap box, but it needed to be stated. *end spoilers*
I think for this volume, Tanis and Raistlin steal the show, with memorable awards going to Sturm, Kit, Tas, and some of the dragons. I did kind of regret that Destina had more of a back seat, as I actually adored her, but what can you do? To be fair, Caramon and Tika also were relegated to side character status, and I’d argue the same for Flint, sadly. But a work can only have so many scenes, so some characters must loose the spot light. While there are infinite worlds of story and playgrounds of the mind a like for all the beloved characters, I was glad in particular that at least Destina did get an appropriate end note:
*spoilers*
“‘The identity of the young woman who saves Huma from the assassin’s blade is never known … The knights search for her after the battle ends, but they do not find her and come to believe she was killed in the battle, although they do not recover her body. To pay tribute to her courage, they confer upon her an honorable knighthood. Since they do not know her family, they design a special device in her honor-a single red rose on a white background.’
‘How extraordinary!’ Said Destina. ‘The young woman cannot have been me, for now that time is restored, I was not there. Who was she, Master?’
‘A drop in the river, Mistress Rosethorn,’ said Astinus. ‘Yet one that turned the tide of time.’”
I think this finishes it nicely - Destina has left her mark in history, as we all do, minor or miraculous as can be. And she at long last was given her knighthood, the one she longed for since her youth.
A happy ending then?
*end spoilers*
The novel and series are well wrapped up with appropriate question marks here and there in fine intrigant form leaving of course the ultimate question - is this it? Will there be more Dragonlance novels by these great authors? The song may have been saved, but there is so much more singing to do.
But that is always the case, to write more or not, let us all rejoice for the stories told and the magic of it all.
Now this is a hard one to rate. I have the prior to works 5s out of respect to the legendary status of the story weavers, but I think this last I’ll drop subjectivity for objectivity. The points of confusion drop a star, so I’ll leave it four out of five dragons.