Enthralling. I had mentally filed Roth under 'hugely-popular-YA-Authors-but-not-for-me' and promptly forgot about her. Then she changed the game by putting out this novella about older people (well, somewhat older, as they are in their early 20s). I found it an engrossing, quick read, one that reminded me of Ilona Andrews' novellas. (So yes, recommended). It begins with a leshy on guard duty, and Dymitr, who has come to harvest a flower. I was immediately captivated. (Not everyone, of course, will be familiar with stories of leshy, but you read enough folk tales or watch enough Supernatural, eventually you will run into one). The story settles down into Dymitr's head as he embarks on his mission and reflects on his history.
"Dymitr’s father told him that Chicago was a city ruled by monsters, and all those monsters were women—strzyga, zmora, and llorona, each a legend of wronged women, sinful women, mysterious women. Tragic and powerful figures, all, not to be underestimated."
Except it doesn't. Eventually it drops into Niko's, and then Ala's head. I'm not entirely sure why; it was working so well from Dymitr's viewpoint. I suspect this might play a role in why many readers felt the world-building was 'light,' because three different perspectives from three different backgrounds is an awfully big challenge and Roth does not stick the mark in differentiating them. And this, though I didn't mean talk about it quite yet, is my strongest criticism. I had to remind myself a couple of times which perspective I was reading, or I was jolted into re-orientation when a character noted something about Dymitr. All the narratives are third-person, but it is far too similar between Dymitr and two others. I'd argue that staying in Dymitr's head would have been preferable, as he could have offered the reader insights and commentary into the others' histories that they would have taken for granted.
“Weird vibes coming from both of you,” Ala comments, and she realizes she’s just like her mother, unable to bear other people’s pretending.
“Contrary to what you’ve been told, acknowledging it doesn’t make it less awkward,” Niko says briskly."
That said, I really liked it anyway. I enjoyed the plot, I loved the characters interacting in different way with their generational and ethnic culture. The Chicago setting felt legitimate, although not the starring character, and the old folk-tales were brought to life in a delightfully threatening way. And the emotion--verklempt! I thought it well-developed in the lead. The only part I didn't love--and, again, young adult--is the way the leads all immediately gravitated to each other. If it weren't for the similar narrative voices and the insta-friendship, it would have been an easy five stars. As it is, it's a solid four.
Sequel out in September, and I am so down for it (note to self: start stalking Netgalley for an ARC).
“Everyone always wants something,” she says. “I am not a person to them, I am simply the one who can bring their desires to bear."