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Flashpoint Reading Order #63
Flashpoint: Kid Flash Lost #1
When the world changed and FLASHPOINT began, one hero vanished. Now the question remains: where--or rather when--is Bart Allen? The young speedster races to unravel the tangled web of time and he's joined by an unlikely ally: the otherworld hero Hot Pursuit!
20 pages, Kindle Edition
Published June 22, 2011
22 people want to read
About the author
Sterling Gates
239 books35 followersSterling Gates has written stories featuring some of the biggest superheroes in the world, including Superman, Supergirl, Spider-Man, Batman, Green Lantern, and the Flash. He is the cowriter of the New York Times best-selling "Superman: New Krypton Saga" graphic novel series, including SUPERMAN: NEW KRYPTON, SUPERMAN: THE LAST STAND OF NEW KRYPTON, and SUPERMAN: WAR OF THE SUPERMEN.
Gates was born and raised in Tulsa, Oklahoma, and studied filmmaking and art at the University of Oklahoma. He moved to Los Angeles in 2006, where he worked first as a writer's room production assistant and later as personal assistant to comic book legend Geoff Johns.
Gates' critically acclaimed run on SUPERGIRL with artist Jamal Igle redefined the character for a new generation and was named one of the "100 Greatest Superhero Comics of All Time" by The Hollywood Reporter in 2016. ADVENTURES OF SUPERGIRL Vol. 1 was selected by YALSA as one of 2017's "Great Graphic Novels for Teens." Gates and artist Matthew Clark contributed a Supergirl story to the Eisner and Ringo award-winning anthology, LOVE IS LOVE.
Gates has written for various other media, including the independent superhero film THE POSTHUMAN PROJECT, Marvel Animation Studios' SPIDER-MAN, and The CW's SUPERGIRL and THE FLASH.
A proud Eagle Scout, Gates currently resides in Los Angeles, California.
Gates was born and raised in Tulsa, Oklahoma, and studied filmmaking and art at the University of Oklahoma. He moved to Los Angeles in 2006, where he worked first as a writer's room production assistant and later as personal assistant to comic book legend Geoff Johns.
Gates' critically acclaimed run on SUPERGIRL with artist Jamal Igle redefined the character for a new generation and was named one of the "100 Greatest Superhero Comics of All Time" by The Hollywood Reporter in 2016. ADVENTURES OF SUPERGIRL Vol. 1 was selected by YALSA as one of 2017's "Great Graphic Novels for Teens." Gates and artist Matthew Clark contributed a Supergirl story to the Eisner and Ringo award-winning anthology, LOVE IS LOVE.
Gates has written for various other media, including the independent superhero film THE POSTHUMAN PROJECT, Marvel Animation Studios' SPIDER-MAN, and The CW's SUPERGIRL and THE FLASH.
A proud Eagle Scout, Gates currently resides in Los Angeles, California.
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Displaying 1 - 2 of 2 reviews
June 21, 2019
I am Amazed i actually liked this
what i liked the most the fucked up dystopian end to the world i always like futuristic scenarios they intrigue me
This is the first time i even know there is a kid flash btw .
what i liked the most the fucked up dystopian end to the world i always like futuristic scenarios they intrigue me
This is the first time i even know there is a kid flash btw .
June 23, 2022
zzzzz
la única mujer en escena empieza siendo "hombre" o persona en traje de motociclista, y de pronto cuando se quita el caso le salen curvas más anchas que carretera y casi se empina en 4 para poder decir su diálogo. Mientras "kid flash" es el típico chamaco meco, que siempre quieren retratar como inteligente y cool.
Pero la historia está atascada de clichés y escenas bien estúpidas, como el morro clavando vigas de acero en concreto para "atrapar" a Flash. Wey, cómo demonios si su único poder es correr como idiota. En serio toda la familia de Flash tienen un fetiche con decir "velocidad" y "correr" cada 3 líneas.
Lo único bueno dentro del cómic es una ilustración de este mundo distópico. Que se ve padre pero que sigue siendo el mismo cliqué que ya hemos visto como en cada perra historia de las crisis y los mundos distópicos.
la única mujer en escena empieza siendo "hombre" o persona en traje de motociclista, y de pronto cuando se quita el caso le salen curvas más anchas que carretera y casi se empina en 4 para poder decir su diálogo. Mientras "kid flash" es el típico chamaco meco, que siempre quieren retratar como inteligente y cool.
Pero la historia está atascada de clichés y escenas bien estúpidas, como el morro clavando vigas de acero en concreto para "atrapar" a Flash. Wey, cómo demonios si su único poder es correr como idiota. En serio toda la familia de Flash tienen un fetiche con decir "velocidad" y "correr" cada 3 líneas.
Lo único bueno dentro del cómic es una ilustración de este mundo distópico. Que se ve padre pero que sigue siendo el mismo cliqué que ya hemos visto como en cada perra historia de las crisis y los mundos distópicos.
Displaying 1 - 2 of 2 reviews