"What We Do In the Shadows" meets "Monster Squad" - a dark, distinctly adult—and lovingly funny—take on an earlier generation’s beloved monsters.
The Marquis de Cocoa, recently transformed into a vampire, emerges from his castle's crypt to face a deadly He must brave the agony of sunrise and host another of the sumptuous breakfast parties he is known for, lest the townsfolk suspect what he has become and drive a stake through his heart. Other abominations—a creature composed of cadaver parts, a specter, a lycanthrope, a leprechaun—arise to threaten dangers of their own in this epic comedy of terror and tragedy.
Mark Russell is the author of God Is Disappointed in You and Apocrypha Now. He also writes the comic book series Prez and The Flintstones for DC Comics. He lives and works in Portland, Oregon.
I’m coming to think there is no dumb idea that Mark Russell can’t mine for gold. Cereal mascots taken seriously? Really? And yet… this is wonderful.
Add this to his ever expanding list of “it should not work but it does” titles (The Flintstones, Snagglepuss, Wonder Twins, etc). Russell’s one of my favorite writers because of this rare gift to inject such life into lame ideas!
I didn't know fairy tales could be written so well. There are many references to cereal and pretty much every character is named after cocoa, berry or orange. But the underlying drama is memorable. There is betrayal and revenge around every corner. Also pretty graphic murders, so I wouldn't give this book to any youngster thinking it's a safe bed time story. In fact, the 'happy-end' is anything but. There is a glass half full in there, but ultimately every character loses either their own lives or something close to their hearts.
It's almost unreasonable how good this is, for something that only needed to be an amusing trifle to justify the price of admission.
The art is top notch, in the tradition of Mignola/Fegredo Hellboy books, and stuffed with neat little gags. Visual interpretations of characters like Frankenberry and Diggem (yes, Diggem), are macabre while remaining charmingly faithful to their inspirations.
The writing similarly overperforms, building a nice light tragedy around the Count Chocula analogue, without neglecting to work in mentions of everything from the size of honeycombs to the completeness of breakfasts.
This was way better than it needed to be. And that's why I like Mark Russell. Fantastic artwork as well. I agree with Shannon Wheeler's introduction that it is reminiscent of Mike Mignola.
Count Chocula-- er, excuse me, the "Marquis de Cocoa"-- must host his renowned breakfast parties every morning, lest the townsfolk discover that he's become a vampire. This premise is played completely straight, albeit with plenty of cheeky lines of dialogue thrown in and an INSANE number of cereal references... and the breakfast parties are only the beginning. Before long the Marquis finds himself embroiled in a coming war with the sadistic General Post, and... honestly, I don't want to spoil too much.
Just read it! It's Mark Russell at his silliest, but still with plenty of genuine pathos. The man REALLY knows how to commit to the bit!
A harrowing story of your childhood breakfast cereal monsters, grappling with their survival and sacrificed humanity. A tyrant is claiming the lands. Will the monsters of breakfast past rise to oppose this evil, or be party to it? Despite the almost silly premise this book touched on a lot of deep and dark themes. I enjoyed the characters tormented by their plight and actions. There was some pathos here as we examine (and judge) the moral decisions made by each of the characters. Reminded me of the writings of Poe. And maybe there's no better praise than that.
It's a deliciously silly premise: What if the characters plastered on kids' ultra-marketed cereal boxes were based on real (twisted) people? Russell creates a vivid Poe/Hammer world of shadows, violence and melodrama, but there's just not enough protein in the concept to keep it fortified beyond the sugar rush. It's a thin joke, and it probably could've ended with the first chapter. Still, it's full of great gags.
"Where ye be headed, my Lord?" "Fortress Honeycomb." "Honeycomb's big." "Aye - 'tis not small."
Looks good, reads good, it's greeeaaattt!!!!. This is such a fun read. Mark Russell tells a great story about all our favorite cereal characters without crossing any lines. The tale of Count De Cocoa is great. It is told with a certain voice of seriousness all while making Cereal box characters real. The art is wonderful and fits the story. Fantastic story. More people should know how great Russell the writer is.
Despite being a grim dark satire of cereal mascots, Cereal manages to be a geniunely extremely well written, artfully illustrated, and emotionally crafted graphic novel of the highest order. Filled with geniune emotion and insight into what makes us human and what makes men into monsters Cereal (shockingly) has something to say and says it well. AHOY is doing everything it can to say that it belongs with the top dogs of comics and I think I need to listen to it.
This was very entertaining. I always loved all those breakfast characters that went along with the cereal boxes. It was a nice touch to also add in Quaker Oats and Aunt Jemima. After reading this book, I kind of feel like having one of those cereals. I will have to settle for my Honey Nut Cheerios in the morning, although they are pretty tasty, too. These stories were GRRREEEAAAT!!!
A quick, enjoyable read about rivalries between different individuals that all believe breakfast is the most important meal of the day. Most heavily featured are Count Chocula, Franken and Boo Berry, and the Lucky Charms Leprechaun, but watch out for others like General Mills and General Post, the Quaker Oats guy, and cameos by Toucan Sam, Tony the Tiger, and the Pillsbury Doughboy.
Brush up on your cereal lore before reading this. One of the most ridiculous books I’ve ever had the immense pleasure of reading. I never thought Count Chocula could make me cry. Beautiful, funny balanced breakfast comics
What an inventive premise and execution of an idea. I was all in and captivated by what gritty dark turn a favorite childhood cereal character might go next. Absolutely engrossing. I hope to see this authors take on more product mascot stories.
i thought it was a fun read, it got me interested in reading more from mark russell in the future. it's an inherently funny premise, and it was played straight for most of the story, which makes the jokes more effective, i think. Pretty solid. 👍
Masterful wrangling of disparate horrors to exemplify Gen X's weariness, grump, and bitter life-learning, using our childhood breakfast cereal mascots – whether we ate them or only fantasized about them from Saturday morning TV ad breaks – as totems of maturity and depth.