It is fitting that Denise Ayis, editor of Valiant Scribe (Issue 4, Winter 2023), intersperses beautiful, soft, and elegant artwork to accentuate the poems and narratives written with equally artistic flair. One may ask why soften the impact of reading about inhumanity in the world. But I was glad to be lost in the fantasy of Daytuna Prior’s narrator in “Neverland” who poignantly reminds us that lost girls are "the adventurer's adventure." In the poem “Sea Shells,” Lynn White characterizes another young girl, a lost girl of another kind. She evolves from being lost in tradition but moves to self-discovery and self-advocacy as she replaces her satin shoes with marching boots. Only then is she able to hear a community of other marchers, asserting themselves in like manner.
This publication addresses a wide range of societal issues in Part I: “The Power of Voice,” from female suppression (“Sea Shells” by Lynn White), environmental abuse (“I Hear the Water” by Ann C Tabaka), feigned concern for homelessness (“You Shouldn’t Breathe This In” by Stan Kempton) to apathy about violence (“First They Came For : Modern Day” by Danielle Resh) and many other issues. A variety of voices express their dismay, disgust, and protest.
Part Two: “A World At Odds” addresses a reality in many urban areas: gentrification. The narrator in this short story contributes to the forced relocation of residents because of his drug addiction and a landlord’s nefarious request which would help him increase profits. The narrator in Haile E.’s narrative “Twisted Inversion of Labor-Bought Dreams” is tasked with a different type of request, one never uttered but deeply felt. As the child of an immigrant, for a very different reason than Wordsworth first stated, “the child becomes the father of the man.”
For some problems in life, no solution appears imminent, and that reality is well captured in Part Three: “To What End?” In their short stories, Niles Reddick and Kenneth M. Kapp address a similar question: How does a parent cope when a child is lost? Neither author appeases the reader with easy answers. But the editor does not leave the reader in a state of despair. She concludes the publication with the poem ”When It Happens” by Lisa Reynolds which reminds us we can still find a way to “dance twirling toward tomorrow.”
Though the artwork and words may ease harsh truths, when we’ve completed this publication, we’ll know we’ve been accused, probed, touched, enlightened, and hopefully, inspired to recognize the world cries out for our care, concern, and compassion.
Margo McKenzie
April 21, 2024