This is a story that wastes no time dropping the reader into a web of lies, international fugitives and questions about the very nature of good and evil itself… while simultaneously transporting you to the tropics of Thailand with its sparking blue Andaman Sea, white sands and only the finest Cuban cigars.
Killing Plato is the second novel I’ve read by Jake Needham. The other being The Big Mango, a classic and fully realized Thriller in its own right. This novel, written after Mango, demonstrates an evolution and confidence to tackle larger issues in literature by Needham. There are no two-dimensional characters in this story. Particularly, and perhaps most importantly the villain Plato Karsarkis. He is calm, thoughtful, and dignified. Yet he stands accused of heinous crimes that make him both wanted and respected by prominent figures around the world. We wonder how a man of this depth could have committed the heinous crimes that he stands accused of. There must be more to the story, and of course there is… and it requires a compelling protagonist like Jack Shepherd, internationally respected lawyer with a self-deprecating bent to unfold.
In the story, considerable style and writing skill are evident. Often with a single line a character is developed through their pattern of speech, manner and thought process. In addition Thailand serves as the perfect setting for this intricately woven story with its exploration of what is right, what is wrong and how contradictory points of view can be reconciled. Thailand itself is a land of contradictions. It is an eclectic mix of the modern, the primal, the understated and the extreme. Jake, very much at home in this part of the world weaves these Siamese elements into the story allowing them to serve as a living, breathing tapestry of the struggles the characters themselves must face.
Though the tone of the story is quite serious, as I’ve come to expect from Needham, there is an abundance of humor and clever quips which make reading more enjoyable. One line I particularly liked stirring in the mind of Jack Shepherd, “There was a period in my life when I’d understood women-I must have been about six or seven at the time-but since then, almost everything about them has been a complete mystery to me.”
The plot itself resolves around Jack being presented with a dilemma. Should he assist Plato who has requested his help? After all a lawyer’s role is not to judge their client, but to defend them even if they may be the embodiment of evil itself. This dilemma is not taken lightly or skimmed over, but given the meditation and reflection it deserves... leading to larger questions about just how far a country and its citizens should go to uphold its image and honor. Is it right to break the law, to protect the law? Is it just if you yourself did not commit a crime, but do nothing to prevent it?
These riddles of justice are explored and unraveled as the story barrels forward. At times several games of chess are played at once. Needham challenges you to not only resolve the characters personal dilemmas, but to determine if justice itself will be kept alive. If there was a single line that epitomizes the story this is it:
“I knew I had to forget all about abstract concepts like good and evil, fairness and injustice, honor and shame. What I had to focus on now was power. Who had it, how they used it, and where it was.”
Just an all around great thriller with an existential twist.