Willowman is the fifth novel by prize-winning Australian author, Inga Simpson. After reeling from the shock of his impending divorce, Allan Reader emerges to see a promising young cricketer batting in the Under 19s competition, something that immediately inspires him to craft for the young Queenslander a bat.
“I enjoy picking batters on the rise… there’s a purity to their game before pride, entitlement and anxiety set in – before they become aware of the selectors on the boundary fence. They’re raw product, all possibility; how their story will play out is yet to be told.”
Reader is a man with a passionate interest in cricket, and a skill, learned from his English grandfather, for making bats. Batmaking has been in his family for generations, but Allan makes bats in Victoria, from white willow he grows himself. “I sometimes wonder if willow has a will… it’s as if some clefts want to be made, need a particular player to carry them out onto a cricket field.”
Todd Harrow and his sister Liv have loved cricket ever since their father took them to an International game. Their whole family participates, with coaching, equipment and transport, in recognition of their talent. Todd is quickly appreciated as a batsman in school and club cricket, and his promotion to grade cricket is facilitated at every turn; Liv proves to be a talented all-rounder, but the same opportunities don’t always exist for her.
When Todd receives the Reader bat Allan has made him: “The bat was alive in his hands, humming like a tuning fork, connecting him to the pitch, the ground. It was as if the willow was doing it all for him.”
With often exquisite descriptive rose, Simpson’s story details the life of this special bat from growth and harvest of the willow, through selection and batmaking, to use in matches, producing thousands of runs and helping to launch careers.
That journey involves Allan Reader and his craft, including his gradual recovery from the emotional and financial effects of his divorce, his reconnection with his adult daughter, and his return to oboe playing. It also takes in the lives, the career successes and failures, of the two cricketers who end up using the bat.
The story is told in a dual narrative: Allan’s in the first person, Todd’s in the third; in both, flashbacks fill in backstory. Allan frequently draws parallels between bats and batsmen and sometimes the wicket, but it’s for the reader to see the potential parallels between his life and Todd’s.
Simpson divides her novel into sections titled for the order of play in a cricket match. Her reverence for the white willow clear, and her depiction of the game and the culture that surrounds it is respectful but never naïve.
Her extensive research is apparent on every page. She includes a huge amount of fascinating detail about white willow and batmaking and cricket, but this is woven into the story so subtly that it is never dry or boring, at least to readers who like cricket and are familiar with the terminology. Beautifully written, this is a moving tribute to cricket and all that it encompasses.