Glamora Tudor is an ageless star, every one of whose films finds a mention in every one of Angela Thirkell's Barsetshire novels. We have seen this wonderful bomb from the time Tony Morland was an obstreperous child, but though Tony and his friends have grown up, fought the tough fight, married and have children of their own, Miss Tudor still captivates the hearts of young men who are dazzled by her charms, and younger women, who copy her clothes and her hair and her makeup so that they can dazzle the young men who have eyes only for the radiant star on screen.
If only the world of Barchester remained thus, forever young. There are, of course, some middle-aged and even elderly women whose charm seduces young men and women alike, as well as their grandchildren, to the cynical amusement of their sons and daughters, who look on them with an indulgent eye. Such women draw every eye in the room to themselves, eclipsing their own daughters.
'Love Among the Ruins' is about the still unmarried young men returned from the war and still adjusting to civilian life. The young women they left behind them have married and are happy in their new families. In one tragic case, a Wren engaged to a naval officer was killed while on leave. The man she was engaged to has still not got over her.
As for the single young women, they are all too busy at work to think of marriage. For them too, life is passing by without the prospect of the kind of home and happiness their parents had taken for granted. Being women, and bound by the rigid behaviour expected of women of their class, they watch silently as the men they like drift away, sometimes unaware of the feelings they have roused.
There is, as usual, a vast array of characters, most of whom can trace their descent from the people of the same names in Anthony Trollope's Barchester novels. One of the central ideas is to determine who among them are 'county' - landed, often titled gentry, established since the beginning of the nineteenth century - and who are middle-class gentlefolk. Once this is sorted out, the rest fall into more identifiable working, agricultural or domestic service slots. A few cameos including Sir Winston Churchill also casually walk in and out. LAR is more a series of vignettes than a novel with a plot and theme and all the bells and whistles. Nevertheless, despite the occasional bitterness seen for the first time here, LAR has the full complement of the wry Thirkellian humour, wit and sharp observation.
An interesting sidelight is the number of schools, preparatory, junior, middle and high school run or employed as teaching or administrative staff by various persons who otherwise have important, even leading, roles in the story. This was at the time when the Government's (Their) Education Act had barely come into force, providing compulsory free education at state run schools. The number of children who win Oxford or Cambridge scholarships in the Classics, or in mathematics or modern sciences is extraordinary. Women too were educated, articulate and a match for the men they admired.
The other notable aspect of this highly literate author's works is the number of writers and publishers who people her pages, from Mrs Morland, the distinctly low-brow thriller/mystery/romance writer whose popularity has increased with each book she has written to educate her four sons - over a period of at least fifteen years, despite the difficulties of paper during the war years; the sentimental pap produced by Mrs Rivers; the biographies, more or less lurid, by George Knox and Mrs Barton; the more scholarly works of Mr and Mrs Tebben; and the equally distinguished and scholarly books of Mr Carton, Mr Birkett and Philip Winter. Even the love-lorn Colin Keith has completed his revision and updating of the standard work on railway law. Unlike the fickle readership of modern times, Mrs Morland's readership is amazingly loyal, leading to larger royalty cheques, which she divides and puts into a second account so the Income Tax won't know about it!
A marvellous evocation of the post-war years, the romance bittersweet, with very happy endings for all concerned.