It has often been said that love, both sacred and profane, is the only true subject of the lyric poem. Nothing better justifies this claim than the splendid poems in this volume, which range from the writings of ancient China to those of modern-day America and represent, at its most piercing, a universal experience of the human soul.
A lovely collection. Though, as with any and all collections, what stands out in my mind is not what was included, but was notably excluded: "If You Forget Me" by Neruda, many of Edna St. Vincent Millay's later sonnets, some Sapphic fragments, W.H. Auden's "The More Loving One" (a personal favorite), Szymborska's "First Love," the heartbreak of Anne Sexton's "For My Lover, Returning to His Wife" - and many others. But I was happy to discover in this collection some new poems and poets of which I'd never head of, or long forgotten: Pierre de Ronsard (and old favorite), Louis Untermeyer, some of the under-appreciated poems of James Joyce, Edward Thomas's "No One So Much As You." The partitioning of the book into various stages of love seemed a good idea, but perhaps haphazard; while some categorization is nice in a collection like this, it seemed that many poems could have fallen into a number of those descriptions - thus is poetry!
SHE WHO IS ALWAYS IN MY THOUGHTS "She who is always in my thoughts prefers Another man, and does not think of me. Yet he seeks for another's love, not hers; And some poor girl is grieving for my sake. Why the, the devil take Both her and him; and love; and her; and me" (pg.189)
There was a tremendous variety of sources here, and it covered a wide variety of loves. I myself wouldn't have included some of these, but in some cases that would be a mistake. Very pleased to read this.
Peter Washington leans too heavily on the poets whom he’s clearly read—Robert Graves, AC Swinburne, Anna Akhmatova, Boris Pasternak, etc. None of these are pre-eminent love poets by any degree, and all of them are hardly to be considered total masters, whether in translation or otherwise. It’s a real pity that this volume doesn’t open itself up to more work from the Romantics—or even from 20th century authors like Bishop and Merrill.
Symptoms of Love by Robert Graves In Love for Long by Edwin Muir Corinna in Vendome by Pierre De Ronsard My Downfall by Dioskorides Tonight I Can Write by Pablo Neruda Not Marble by Shakespeare My Mistress’ Eye by Shakespeare Willow by Li Shang-Yin The Rival by Sylvia Plath To Helen by Edgar Allan Poe Sonnet for Helen by Pierre de Ronsard The Sun Rising by John Donne Came to Me by Rudaki Green by DH Lawrence The River-Merchants Wife by Li Po Many In Aftertimes by Christina Rossetti Problems of Gender by Robert Graves She who is always in my thoughts by Bhartrhari Friday night by Robert Graves To the beloved by Anna Akhmatova Nevermore by Paul Verlaine Somewhere or other by Christina Rossetti I wish I could remember by Christina Rossetti Villanelle by William Empson Lost Love by Robert Graves
Love poems are my favorite type of poems to read and this collection did not disappoint. I appreciated how this book was categorized into different themes that all relate to love. My favorites were fidelity and inconstancy and love past. There were quite a lot that resonated with me and hit me in the heart however, there was a handful of poems that I particularly didn't care for, not to mention that some were a bit repetitive. I'll be definitely be on the look out for some poets like Christina Rossetti, whom until reading this book I have never heard of. Overall, this was an excellent collection and I'm looking forward to being introduced to more new poets. I will definitely be on the lookout for more Everyman's Library Pocket Poets.
Could you answer the question "what is love?"? I couldn't and i think that is the reason why this book is published. Love is not something to be defined, it is something to be felt. Reading this book means "feel" the story about love from Catullus time to Boris Pasternak's in the form of poem, not to define love in the end but to understand better...
The book is designed to be a little luxury book: it is little enough to be brought anywhere, it is a hardback with the painting of Cupid in its front cover. Surely this book is part of the Everyman's Library Pocket Poets and i always like to read the epigraph available in all Everyman's books: Everyman, I will go with thee and be thy guide, in the most need to go by thy side.
It’s a two but it’s my beloved Everyman’s, so a three :-). There are gems in here - actually, more just eye-openers to me to poets I’d never heard of with good material - but over all, any book titled LOVE poems should have easily knocked this outta the park. It was a let down holistically. And too many Robert Grave poems - for heavens sake, never again. Yeah, this book was solid, but still a let down.
It was a pretty good collection. The editor admits in the preface that it is very Euro-centric, but it still had a good variety of length, type, prose, et cetera. There were definitely poems added from outside of the West, but it was more of a 90/10 split and gave the impression of lacking balance. However, I still found many new favorites and the way it was organized was very ergonomic. Would recommend, as long as this is kept in mind.
What stood out to me: "For an Amorous Lady," Theodore Roethke "Lullaby," W. H. Auden: "Noons of dryness see you fed/ By the involuntary powers" "The River-Merchant's Wife," Li Po "Problems of Gender," Robert Graves "Friday Night," Robert Graves "Talking in Bed," Philip Larkin "White Heliotrope," Arthur Symons
A decent selection of love poetry from various eras. One plus I have to give for this book is they even select poetry from Asia and Latin America, so it’s more diverse, not just your typical western writers.
I really enjoyed some of the poems in this collection, but the vast majority I didn't really like. I usually really love Everyman's Pocket Poets but this one wasn't the best in my opinion.