When elderly Professor Mudgood, a well-known rationalist and fervent critic of right-wing forces in India, is found dead in his home in Bangalore by his daughter, ACP Borei Gowda is quite certain that it is a homicide.
Although all evidence points to the murder being politically motivated, the more Gowda delves into the case, the more convinced he is that it isn't an assassination. As he and his team launch a parallel investigation, they stumble upon a secret and murky world where there are no rules or mercy. When Gowda's hand is forced, he takes a calculated risk and infiltrates the sinister domain to bring the truth out into the open ... Will he succeed? And at what price?
Vivid with detail and taut with suspense, Hot Stage is at once a cracking police procedural and an intense exploration of the squalor and vice that fester in the shadowy lanes of an urban sprawl.
Anita Nair is the bestselling and critically acclaimed author of the novels The Better Man, Ladies Coupé, Mistress, Lessons in Forgetting, Idris: Keeper of the Light and Alphabet Soup for Lovers. She has also authored a crime series featuring Inspector Gowda.
Anita Nair’s other books include a collection of poems titled Malabar Mind, a collection of essays titled Goodnight & God Bless and six books for children. Anita Nair has also written two plays and the screenplay for the movie adaptation of her novel Lessons in Forgetting which was part of the Indian Panorama at IFFI 2012 and won the National Film Award in 2013. Among other awards, she was also given the Central Sahitya Akademi award and the Crossword Prize. Her books have been translated into over thirty one languages around the world. She is also the founder of the creative writing and mentorship program Anita’s Attic.
In Cut Like Wound, the first book of Anita Nair's Borei Gowda series, Inspector Gowda went up against a formidable opponent, a cross-dressing man who called himself Bhuvana. Even as Gowda dealt with a new subordinate (Santosh) and grappled with a disintegrating marriage—while an ex-girlfriend, Urmila, came back into his life after nearly thirty years—Gowda tackled Bhuvana.
In the third book in the series, Hot Stage, it’s two years down the line. Borei Gowda is now Assistant Commissioner of Police, and Santosh is his SI. Urmila is no longer just an old girlfriend, but his current lover too. Gowda’s wife Mamtha and their son Roshan (now a medical student) live in Hassan, well away from the policeman’s life. And there is a Bhuvana in the picture: an unsettling young woman, a little too earnest, a little too eager to be friendly, who has moved into the house above Gowda’s, with her husband and her brother, the three of them Gowda’s tenants.
Bhuvana’s presence upstairs is merely a little disturbing for Gowda, no more. What he has to solve right now is a murder that might have political implications—or it might be merely a case of a man who was good at riling up people. Octogenarian Professor Mudgood was an unashamed critic of communal politics, and his searing commentaries on Godhra et al had earned him enemies; could it be one of these who crept into the old man’s home one night, to push Mudgood’s head down into a cauldron of hot water? Or could the reason behind the cantankerous professor’s death be something else?
Gowda has barely even begun investigating the crime when his old collegemate, Stanley Sagayaraj, now the DCP at the Central Crime Branch, is put on the job along with his team. The CCB and Gowda’s team must form a combined SIT, and with the interfering DCP Vidyaprasad constantly trying to muscle in and winkle out details, it’s tough going.
Nair’s narrative switches, moving back and forth between various characters, various motivations., various points of view. There is Mudgood’s wealthy daughter Janaki Buqhari and her husband Iqbal, who seem to harbour some uncomfortable secrets. There is the powerful Papanna, who has scaled heights on the back of a business of garbage disposal. There are sundry shady characters, peopling the underbelly of Bangalore, involved in dealings that couldn’t bear close scrutiny.
There are the cops. Gowda himself, and his likeable, interesting team: Santosh and Ratna, a certain hesitant chemistry there; Byrappa, with several unexpected arrows in his quiver; Gajendra, endearingly domestic at times. And Aqthar, brought in on loan from Dharwad, a man who proves that you can combine looks with brains. Between them, this group sets out to find out who murdered Professor Mudgood and why.
Entwined with this distinctly noir landscape is the relative domesticity of Gowda’s personal life. His moments of relief and calm with Urmila. His quiet life at home, until it is somewhat disrupted by the arrival of his father Chidananda, who comes to stay for a while. And, the increasingly suspicious behaviour of the tenants upstairs. Who are these people, and why does the woman Bhuvana seem to be keeping a surreptitious watch on her landlord?
Nair’s deftness as a writer, her skill at telling a story really well, shines through in Hot Stage. The characters are sharply etched, with Gowda and Aqthar in particular coming through very vividly: the latter, in fact, is such a relatable, memorable character, he deserves a book all his own. Even secondary characters, like Ratna and Santosh, the irritating Vidyaprasad, even those in such minor roles, they might be of the blink-and-miss-it variety in the hands of a less adept writer, come alive here. They’re three-dimensional, described skilfully, idiosyncrasies and nuances all intact.
The writing is crisp, the story taut. The mystery is on point, clues, red herrings, suspects and a gripping investigation all fitting together, and the solution beautifully done. As pure detective work, a police procedural that’s right up there with the best, Hot Stage works perfectly. Where it also particularly excels is in the way it balances noir and not-noir. Yes, the sleazy underbelly of the Bengaluru crime world is here, with blood and gore galore, but it’s redeemed and uplifted by the humanity, the mundanity (and occasionally the wit) that shines through. Gowda’s nuanced but obviously affectionate relationship with his father and his son; the team’s dynamics; the dogs (who are characters in themselves); Vidyaprasad—the lightness, the hope, the easing of the noirish tension that these bring, make Hot Stage an extremely satisfying detective novel.
Nair goes from strength to strength with the Borei Gowda series, and we can only wait for the next instalment.
Elderly professor Mugdood is dead under circumstances that look like a natural cause of death. But Borei Gowda doesn't seem to find it convincing. He sees the loopholes, learns about the mysteries hidden under Prof. Mugdood's death, and decides to get to its roots. His motto of not letting one innocent get punished stays affirmed rather than punishing all those who are guilty. He stands by his motto till the very end until he gets to the professor's killer.
Unlike other crime thrillers, this book focuses on the police investigation revolving around a case and their personal lives. This book starts with a firm intent and characters layered with emotions. Gowda isn't a perfect cop. He is flawed and actually unlikeable when viewed from a common person's perspective. But the story is not about an ideal hero catching the villain by his collar. It's about an imperfect man who is devoted to his job even when his life is messed up. I liked the themes included in the book, which explore politics, religion, righteousness, feminism, and more.
But the book is not for those who want a gasp on every page they read. It's slow and moves very gradually and structurally till the end. Sometimes, my patience was even tested, but it was all good in the end. The entry and exit of way too many characters could have been curbed, and the length of the book could have stayed short and sharp. But whatever main characters appeared, they were strong, unique and relatable. Being the third book in this series, this book doesn't make any difference when read alone, and it strongly favours the author's writing capacity. The writing is flawless, and the backdrop of Bangalore is nostalgic and lively. This book is definitely for those readers who love detailed police procedurals and extremely flawed protagonists.
Hot Stage by Anita Nair delves into the intricate world of crime, politics, and personal struggles through the lens of ACP Borei Gowda's investigation into the suspicious death of elderly Professor Mudgood. Initially perceived as a politically motivated assassination, Gowda's intuition leads him to uncover layers of complexity beyond mere political vendettas. Gowda returns in this new book in Nair's skillfully crafted narrative that immerses readers into the bustling streets of Bangalore, where prosperity and crime coexist. Through flawed yet relatable characters, especially Gowda, Nair explores the multifaceted nature of the human psyche, making them compelling and memorable. . Gowda's unwavering dedication to uncovering the truth, despite his own personal challenges, adds depth to the story. The novel's strength lies in its detailed police procedural aspects and exploration of social and political themes such as righteousness, feminism, and the influence of religion. Although Nair's writing is flawless, painting a nostalgic and vivid backdrop of Bangalore that enhances the reading experience, the narrative tends to become a tad tedious at over 500 pages. . While the book may not cater to those seeking constant thrills, its gradual pacing allows for a deeper exploration of characters and themes. The entry and exit of numerous characters could have been streamlined to maintain a sharper focus, but the strong portrayal of main characters compensates for this. . The book can be a stand out as a gripping police procedural that offers more than just a crime-solving narrative. It is a reflection of urban life, filled with complexities and contradictions, where justice often comes at a price. Readers who appreciate detailed investigations and flawed protagonists will find this book an engaging read. .
In the heart of Bangalore, an elderly professor's demise unveils a murky plot, laying bare the city's dark underbelly.
This third installment in the Borei Gowda Series can be read independently, allowing readers to plunge into the riveting narrative without confusion.
Nair skillfully captures the essence of a murder investigation, weaving in turf wars, slapstick police humor, and poignant reflections on gender bias within the force. The inclusion of Kannada words in dialogues adds a touch of familiarity, reminiscent of the comfort of home.
Borei, the charismatic protagonist, enchants with his clandestine romantic entanglements, quirky chain-smoking habit, and keen observations. The unraveling mystery unfolds gradually, unveiling police maneuvers, undercover operations, and clever repartees.
With a breezy and immersive narrative, this 430-page gem proved to be the perfect companion for my beach holiday, devoured in a single sitting. For those craving an enthralling Indian detective series, look no further. Borei's allure has me hooked, and I eagerly anticipate delving into the preceding two books in the series.
Been in a dilemma about how to write that I didn't like the book, couldn't finish at all, and strongly felt an urge to put it down because of writing. So... I am sorry to the author.
No matter how cleverly you articulate a murder mystery plot if it's not gripping, if it can't hold the readers then it's a dissatisfied book. There's foul detailing and exaggeration that make me uncomfortable and force me to put down this book in the first few chapters. I have read rather gori, horror novels but this one beyond my tolerance power with unbearable, unnecessary atmospheric details that gave me a puke vibe. I don't want to read how everyone's perspiration level in every scene, in every page, I know it's a hot humid country and gutters don't need to clarify their appearance, we all know what they look like. Please don't describe them in every scene just to fill a 400-page book. After reading all these I don't have the power to read how the mystery is solved, I decided to let the mystery be as it is, I can sleep without knowing it but don't want to control my puke feeling anymore. So left the book on my shelf. Even horror books have less number of foul descriptions on their page than this book, I grew up reading horror and gothic horror books so I know how the description should be, I can't handle this filthy exaggerated writing so dnf and I can't recommend it to other readers. I am sorry author... But I would definitely like to read her other books.
This is a very taught and intriguing police procedural story that also gives a fascinating snapshot into life in modern India. There are the wealthy and famous who have lives as privileged and sophisticated as any western elites juxtaposed with those living in poverty, both rural and urban. A country where servants are still employed, one where even AC Gowda has a woman who cooks and cleans for him. In India there is no shortage of willing labour, where wages a cheap and even children must help the family finances. A country weighed by bureaucracy that also provides work for so many.
Gowda is an astute detective and one unable to give up the hands-on approach even though he has risen the ranks. His slightly maverick tendencies lead to some entertaining exchanges with his colleagues, but he is wise enough to know when to play the system for his own good.
A complex case is one thing, but Gowda also must contend with several domestic issues too. He’s not the cliched tortured cop, it's just all his problems come at once. First his father comes for an extended visit (to escape in-laws), then his son and finally his (estranged) wife appears. He has finally managed to let the upstairs rooms at his house off to a couple, who seem friendly enough. Gradually they appear to be too good to be true, especially when the wife befriends first his father and then son, captivating them with her personality. Gowda can’t quite put his finger on it, but to him something is amiss. Then there is Urmila his college sweetheart who in the absence of his wife he has rekindled their relationship, who begins to feel left out. Lots of domestic situations to mine for both drama and humour, which has been done beautifully.
There is quite a cast of characters, who are marshalled with consummate skill. There is great characterisation within Gowda’s team. There is Ratna desperate to prove that women can match male officers at anything, even to the point of feeling left out when they need to go into rough bars. The minor characters are not forgotten though, managing to flesh them out with a few broad strokes and a nickname.
Family, through blood and through marriage, are a central theme of the story. There is Janaki caring for her father, but is it love or duty she is driven by. Janaki is married to a property developer; she is well provided for but is she happy. Then there is Gowda’s slightly cantankerous father Chidananda who seems to delight in winding him up. As is pointed out, parents never stop caring for their children, they may seem trouble in later life but really, they are just wanting reassurance that they are still relevant to the lives of their offspring.
The pacing is judged to perfection, ambling along nicely until the final quarter when it increases building up the tension nicely and there is a nice injection of danger. There is gentle humour and little observations about Indian life throughout, as well as lots of food references that might have you looking up recipes.
The villains of the peace are those the world over; corrupt, mendacious politicians, heartless property developers and get rich quick types. The stakes are just as high, but the sense of violence and lawlessness is greater, driven be endemic corruption. This is a story that draws back the curtain hiding the dark, squalid underbelly of sprawling city.
‘Hot Stage’ is a look into the murky underbelly of Bengaluru society and is packed full of intrigue and misdirection! This is the third book in the series that follows an Indian policeman Borei Gowda but it can be read as a standalone easily. I do recommend reading the whole series though as I have thoroughly enjoyed them.
Gowda has been made an Assistant Commissioner of police, a promotion on the back of his last case but he sees it as a way for the establishment to shut him up. His love life is still as complicated as ever but he seems more settled and content than in the previous two books. When the body of an award-winning Professor is found by his daughter, Gowda and his team are asked to look at the minute of the case, while the CCB look into the political aspects. Professor Mudggood was a critic of religion and stated unequivocally that it was a means to control society. Although, now he in his 80s he still wielded power and influence politically and academically.
Nair’s writing is as crisp and taut as usual, highly descriptive with the mundane being as important as the overriding narrative. The political aspects is balanced by the more domestic threads and the possibility of the family being responsible for the death. Nair manages to create sharply defined characters with Gowda and the team forming an effective and cohesive unit. Santosh is now his number 2 and relies heavily on him. Ratna, I particularly like as she tries to work her way through a still-masculine police force with aplomb and determination. Santosh has recommended that a colleague and friend, Aqthar, join the team and he makes a splash with his movie star looks and quick intelligence.
This isn't a fast-paced novel but a real examination of the workings of the consciousness of Gowda’s investigation and domestic life. It's a slow burn which is full of red herrings, misdirections and brilliant reveals. The only criticism is the ending is quite abrupt. I was hyper-aware that we were at the few remaining pages and the final showdown had not occurred. More teasing an examination of this would have been my preference. However, it's a brilliant story which balances the mystery with the personal, the noir with the domestic and the light with the dark. I am already waiting with baited breath for the next book.
Once I got into this book, I found it to be a really enjoyable read and I liked the story immensely. It’s the first story in the series that I have read but if I get the chance I will read the other two books as I quite like the main character Assistant Commissioner of Police Borei Gowda and his team. They are trying to work out what happened to Professor Mudgood. Did he die naturally or was he murdered? They draw up a list of suspects and work with another team, who will solve the case first though? Could it be politically motivated? Or something else? Could it be that his family wanted him dead for his property and the land attached to it? It’s a good read and the first one I have read that is set in Bangalore, which I’m assuming is in India? It is a well written story with some good twists and turns in it. The plotting is good and the descriptive writing is excellent whereas some good descriptions are given so you have a good idea of what people look like. It really sets the scene well. It’s a good who done it book and I haven’t read one of those in a while.
Blurb :
When elderly Professor Mudgood, a well-known rationalist and fervent critic of right-wing forces in India, is found dead in his home in Bangalore by his daughter, Assistant Commissioner of Police Borei Gowda is quite certain that this is a homicide. Although all evidence points to the murder being politically motivated, the more Gowda delves into the case, the more convinced he is that it isn't an assassination. As he and his team launch a parallel investigation, they stumble upon a secret and murky world where there are no rules or mercy. When Gowda's hand is forced, he takes a calculated risk and infiltrates the sinister domain to bring the truth out into the open… Will he succeed? And at what price?
Borei Gowda is a splendidly grumpy, hard-drinking cop, an Indian Rebus with a complicated love life. When Professor Mudgood is found dead in his decaying Bangalore house, it is considered a natural death; after all, he was 82 years old, but Gowda isn’t so sure. All the evidence points to a political murder since the professor was a fervent critic of right-wing forces in India. But as Gowda launches a parallel investigation, he stumbles upon a secret and murky world where there are no rules or mercy. When Gowda’s hand is forced, he takes a calculated risk and infiltrates the sinister domain to bring the truth out into the open. Will he succeed? And at what price?
Anita Nair’s latest novel, Hot Stage, the third installment in the Inspector Gowda series, is a compelling mix of police procedural and gripping thriller. The story focuses on the investigation of the murder of Professor Mudgood and the personal lives of the investigators, particularly ACP Gowda who is attempting to balance his professional challenges with a tumultuous personal life. The author draws us into Bangalore’s underbelly and the murky world of politics as Gowda's investigation uncovers layers of intrigue and deception. Her writing is crisp and engaging, effectively switching between various points of view, and her skillful storytelling ensures that even minor characters leave a lasting impression. Although this is the third book in the series, it can easily be read as a standalone.
A recommended read for thriller enthusiasts, fans of Ian Rankin's Rebus, and those who enjoy novels with a strong sense of place.
Thank you to Random Book Tours and Bitter Lemon Press for providing me with a physical copy of the book in exchange for an honest review.
This is the third book in the Inspector Gowda series, set in Bangalore, India. I hadn’t read the previous books. Borei Gowda is now an ACP and is called out when the body of an elderly man, Professor Raghava Mudgood, is found in his home by his daughter. Gowda is concerned that the suggestion of natural death is not clear cut and the post-mortem proves him right. Mudwood was a rather unpleasant character and it becomes clear that there are any number of potential killers. This is quite a long and slow paced book as we are led through the investigation process.
Briefly, Gowda’s investigations are hampered at every turn by corruption both inside and outside of the police. Whilst his private life might be somewhat unconventional Gowda is an honest cop and he is determined to get to the truth despite the danger and the obstacles put in his way.
I’m a big fan of both India based novels and police procedurals but what did slow me down with this one was the jargon, a lot of which I had to stop and google to find out what the meaning was. That said it was well written with a great plot and some good twists and turns before the last minute reveal. I haven’t been to Bangalore but it seems like it’s a city with more than it’s fair share of crime and with corruption and bribes almost accepted as the norm and that’s a hard thing to fight against for the honest police officers. A detailed and interesting look at a culturally very different society, I enjoyed my outing with Gowda.
This novel is set in 2012 and really resonates today, particularly with its backdrop of growing Hindu nationalism. The novel is populated with a variety of colourful characters and wonderfully evokes the setting. The Sunday Times (16 June 2024) states the author "almost has a Dickensian ability to handle a huge cast of characters". This is the third novel in the Inspector Gowda series, who is now Assistant Commissioner of police. His elevation is a double-edged sword because there is an expectation that he will toe the line (in his own words, a sop to shut him up). He has a bit of a complicated domestic life but which police officer in crime fiction doesn't?
As the novel opens, we meet Professor Mudgood, a curmudgeonly older man, an outspoken critic of right-wing forces and certain aspects of the political establishment, who is soon found dead. Is this a politically motivated crime?
Gowda's investigations lead him into a shadowy netherworld that is evocatively brought to life. The narrative feels very particular about life and setting and I can only imagine that the author captures the feel of Bengalaru very well.
There is, as detailed early on in this review, a wealth of characters to absorb but the number is manageable.
The novel can be read as a standalone. The previous novels in the series are A Cut-Like Wound and Chain of Custody
Very disappointing. This book felt more like a Tamil/Bollywood pot boiler than a crime novel.It also felt like having read 3 short novels instead of 1. A basic storyline with multiple subplots does not guarantee a tight-knit story. In fact, it's very flat. She's already introduced the various players right at the beginning, so there was no surprise factor. Unfortunately, she was sitting on a killer plot and she didn't work that through.
None of the charachters are likable. Borei is a 51-year-old, old school guy who's just been promoted to the Assistant Commissioner post. His fling with his college sweetheart has now become a full-blown affair. All the characters are recurring except for Akhtar whose been introduced as a SI from Dharwad police station. There's no character development since book 1. She provides little snippets of information as a window into their lives, but doesn't take that deeper. The worst happens to be Chikka, thd serial killer on the loose.
My biggest issue with this book happens to be the lovey dovey sweethearts Borei and Urmila. I absolutely despise cheating Spouses, and nothing justifies an affair. Unfortunately, that's exactly what Ms Nair has done. It's pretty immature when you try to justify thr affair by only pointing out negatives in his wife. The other issue, is the minimal use of thd local slang, their vocabulary, greetings, etc. She can transfer the entire setting to any other city in India.
This is an underwhelming book,. I wanted to like it but, it just burnt my brains up.
Prof. Raghava Mudgood is a rationalist, a critic, a widower, who remains deeply in love with his late wife Kausalya, and the owner of property worth crores in a prime location.l Being an Octogenarian, he needed constant monitoring which was done by his maid Mary Susheela and Janaki, married to a Muslim Realtor. One day the Professor is found dead at his home in Bangalore by his daughter. ACP Borei Gowda is investing the case. Does he succeed in nabbing the culprits?
The book explores themes of corruption, deceit, financial dominance, and revenge, shedding light on the pervasive issue of corruption in urban cities.The story is filled with twists and turns, providing edge-of-seat moments that deliver a thrilling and exciting experience.
The narration is smooth, the language is crisp, and the book is beginner-friendly, making it an unputdownable book that showcases a commendable writing style. With a medium pace and a gripping plot, the book keeps readers engrossed till the end, devoid of any deviation.
Although I liked everything about the book , a bigger font would have given me a better reading experience. Overall a wonderful thriller that is worth the time spent reading.
This is the third book in the Borei Gowda noir series. I have not read the first two books but this did not spoil or negate the enjoyment of this book which I read happily as a stand alone. Set in Bangalore India Assistant Police Commissioner of Police Gowda has to investigate the possibly suspicious death of Professor Raghava Mudgood, a prominent political critic, off the back of several other recent deaths in the area. There are many suspects within the close circle of the Professor’s personal and professional life for Gowda and his team to systematically investigate. Gowda himself additionally juggles his demanding father who is staying with him, a local mistress, a wife and son and overly friendly upstairs tenants. He is a busy man! With themes of bribery, corruption, under hand land purchase dealings, gambling and fighting within the underworld, Anita Nair’s writing had me invested and interested from the first page. I found her descriptions of a seedy, secret India captivating and compelling to the end. I really enjoyed Hot Stage and am going double back to read the first two books in the series. I highly recommend this book which is available to buy now.
Hot Stage by Anita Nair is a crime thriller novel and the third book in the Borei Gowda series. The story begins with the murder of an elderly professor who was not only a nationalist but also a fervent critic of right-wing forces. Though initially it seemed that the murder may be politically motivated deep investigations reveal a shocking truth and bring to light a darker cruel world. The plot is unique, detailing how a police investigation works, the interior politics, the different pressures, and its effects on the investigation. There’s a lot on the ruthless criminal world and the scarier aspects of it are well highlighted by the author. The climax indeed came as a shock to me and it was something I wouldn’t ever guess. However, I have to say it was not exactly a page-turner for me as in this heavy detailing I felt the gripping factor was missing. It may be because I haven’t read such a heavily detailed thriller before and I do wish to pick up other books in the series to understand the genre better.
While I struggled somewhat to read this book it was not due to the story. The story was rich with information, scenery, description and crime.
Set in India, Hot Stage is a story with strong political themes and of course the all captivating mystery murder of Professor Mudgood. It did really upset me the way the the Professor was murder considering her was an elderly man, if you have a soft spot for elderly people I would just prepare for that little bit. However once the investigation got underway and Gowda realised that the supposed 'political assassination' was so much more than that the story really heated up.
Gowda eventually finds himself deep in the middle of this insane underworld realising his only option is to infiltrate it and bring it to its knees. In the midst of all of this Gowda is battling his own personal issues which I feel brings more deepness and darkness to him and his motives.
I feel like this is a classic crime procedural with a twist of the political and would be a good read for any crime enthusiast, I am just not one for politics.
The book is a long, detailed saga about the underbelly that thrives in an urban world. It touches upon corruption, power, bribery, trampling of peace, revenge, race for financial security and in between there is the family. The reader will find little quotable nuggets all through the book, such as ‘The mob is a mindless monster’.
The narrative goes on without a break, with more daily jargon. Everything, right down to mudde/bondas/chai are mentioned, giving the readers a flavour of what people eat in Bangalore. Coffee seems to be more favoured at home and chai on the streets. YouTube, laptops and mobile phones as spy cams have become commonplace in the current tech era, and their usefulness is highlighted in the book. Environmental concerns too find their place in the narrative such as drying up of lakes and rampant development that spells death for the local ecosystem.
This is a book that takes us step by step through a police crime investigation procedure. This is the first book featuring the detective Borei Gowda that I am reading and my interest is already piqued such that I want to read the other books in the series. Borei Gowda's team joins hands with the team from the CCB to solve the murder of Professor Raghava Mudgood. There is the usual rivalry between the teams. Borei Gowda's personal issues add a nice subplot to the story. Initially the book is slightly slow but the author manages to keep us interested through her skillful writing. There are several twists and turns before the final denouement is arrived at. The book could have been slightly shorter in length but that in no way detracts from the quality of the book. All in all a wonderful book. Do pick it up.
This is the third novel in the Inspector Borei Gowda series, and I admit that I may have liked it more had I read them in order. However, my experience of reading this one hasn’t inspired me to pick the others…
This crime thriller set in Bengaluru attempts to tackle many themes - political, social and cultural. Some of it is interesting and relevant to today (despite the novel being set in 2012) but all of it together ends up being too much.
My biggest problem with the book was the too-wordy style of writing. Every simple action and thought was explained in multiple sentences, which is so unnecessary. The 425 page book could easily have been edited down by 100 pages.
If you enjoy Indian crime thrillers, you may like this for its subject and well-etched characters. But it was a struggle for me to get through.
“Hot Stage by Anita Nair” delves deep into the murky underbelly of urban life in Bangalore, India, as ACP Borei Gowda navigates a complex web of politics, crime, and personal risk to uncover the truth behind Professor Mudgood’s death.
Initially perceived as politically motivated, the investigation takes unexpected turns, revealing a world where rules are scarce and dangers lurk at every corner. With vivid descriptions and gripping suspense, the novel unfolds as a compelling police procedural, offering readers a glimpse into the gritty realities of city life. As Gowda risks everything to uncover the truth, “Hot Stage” keeps readers on the edge of their seats until the very end, questioning the price of justice in a world where corruption and vice thrive.
This is the third book of Borei series in which ACP Borei investigates the murder of Professor Mudgood. Borei is courageous, just , intelligent but also grapples with personal and professional issues. It's very easy to get immersed in the story and experience the police investigative methods , local politics and cultural milieu . Goons and police , love and life, loyalty and betrayal ...all these elements get interwoven as the story reaches climax.
Other critics have given more just reviews. One of them is 👇.
This is my first read by the author, and Hot Stage is the third book in the Borei Gowda series. This book can be read as a standalone without any difficulties.
I really enjoyed Borei's character. He's charismatic, quirky, and very observant. Nair's writing style is very distinctive and descriptive. I loved how the police procedural and political concepts were very well balanced. Also, the balance between Borei's work and personal life was perfectly captured.
Hot Stage is a very well, slow paced thriller with twists to keep you on your toes. I will definitely be going back to read the first two books in this series. I highly recommend this book.
This was a book that I was looking forward to but it let me down. The premise was interesting and the previous two books had given me high hopes. The story was lagging and certain things were repeated and I lost my interest somewhere along the way.
Just finished the 3rd book of Bowre Gowda series.. though unrelated to the first 2 books, you will find references of characters from the previous book. So if you don't want to wonder what those references are, you will need to read in order.
Coming to this book, it's well narrated though slow at some places it is dragged. Another murder mystery to solve for then SI and now ACP gowda along with his fantastic, intelligent team before CCB takes over the case. While at the same time he has to deal with family, personal emotions, and nosy tenants .
It was a quick one time read which i could finish in 2 days.
I give Hot Stage a good score of 3⭐ a slow burner that with a unique style. A good all round book with plenty of twists and turns felt a little lost at times but that is more down to the starting there series at book 3 but I still enjoyed the reading all the same.
ACP Borei Gowda is quite of a policeman known mainly for his foul mood and extravagant arrogance along with utter devotion in work. When elderly Professor Mudgood, a well-known rationalist was found dead in his own house, ACP Borei is quite certain that it's a homicide. Although the evidence points to many a motives, what could be the actual reason to kill an eighty year old Professor? As Gowda dives deep into the case he becomes convinced that this isn't just a simple murder case.
Embeded deep into the metropolitan culture and political influence Anita Nair's "Hot Stage" is a close representation of city where prosperity, wealth and crime remains hand in hand. This book features characters that are flawed just like true human beings thus making them much more relatable. Though the story has specialty to it, it's the characters especially the main character that draws the attention of the reader. I love gray characters in books and in this book I found one of my favourites. It's quite rare to find a character portraying different facets of human psyche, torn between his different sides. I found Gowda's character aptly sketching his true sides. As for the plot, it has a tad bit of mystery vibe to it with ample amout of police procedure but I didn't find it suspenseful.
Coming to the writing, the writing style is excellent, a bit draggy but I enjoy slow burn in thrillers, quality of the writing is also good. Narration is good but could have been bettered with the omission of small, unnecessary details. Recommended to crime thriller lovers especially and to people who love to read about morally gray characters.
I rate it a 4/5 , it is like watching a fast-paced thriller, vivid narration, strong and colorful characters , a gripping plot, all make for compulsive reading. If you love crime thrillers, this one is for you. I for one, might pick more of Borei Gowda mysteries. The only thing that could improve here is the front page – a broken spectacle on a red background does not add much to incite my interest but who needs props when the content is so good? The book has a strong and intriguing plot and subplots, the narration has a distinct Desi Kannada flavor which I found quite interesting.