A comprehensive look at the Grail that reveals its fundamentally Celtic nature beneath layers of Christian interpretations
• Emphasizes the significance of the Quest as an archetype of spiritual seeking
• By the world's preeminent authority on Celtic civilization
The Grail has long excited the imaginations of those seeking to see beyond the world of appearances. No other sacred object has inspired such longing or such dread. The Grail is the archetype of the marvelous object in which each individual can enclose the goal of his own personal quest. For some the goal of this quest has been divine grace or the Philosophers' Stone, for others it is simply a treasure that connects various episodes of the King Arthur legend.
Yet the Grail, as an object that is both close and unapproachable, was not the original focus of these stories. The Celtic tales on which the Grail legend is based emphasize the theme of the Quest. Through his exploration of several versions of this myth that appeared in the Middle Ages, Jean Markale digs deep beneath the Christian veneer of these tales, allowing us to penetrate to the true meaning of the Grail and its Quest, legacies of a rich Celtic spirituality that has nourished the Western psyche for centuries. He also examines how these myths were later used by the Knights Templar, as well as how their links with Alchemy and Catharism played a decisive role in the shaping of Western Hermetic thought.
Jean Markale is the pen name of Jean Bertrand, a French writer, poet, radio show host, lecturer, and retired Paris high school French teacher.
He has published numerous books about Celtic civilisation and the Arthurian cycle. His particular specialties are the place of women in the Celtic world and the Grail cycle.
His many works have dealt with subjects as varied as summations of various myths, the relationships of same with occult subjects like the Templars, Cathars, the Rennes le Château mystery, Atlantis, the megalith building civilisations, druidism and so on, up to and including a biography of Saint Columba.
While Markale presents himself as being very widely read on the subjects about which he writes, he is nonetheless surrounded by controversy regarding the value of his work. Critics allege that his 'creative' use of scholarship and his tendency to make great leaps in reasoning cause those following the more normative (and hence more conservative) mode of scholars to balk. As well as this, his interest in subjects that his critics consider questionable, including various branches of the occult, have gained him at least as many opponents as supporters. His already weakened reputation was further tarnished in 1989, when he became involved in a plagiarism case, when he published under his own name a serious and well-documented guide to the oddities and antiquities of Brittany, the text of which had already been published twenty years before by a different writer through the very same publisher. Also a source of controversy is his repeated use of the concept of "collective unconscious" as an explanatory tool. This concept was introduced by Carl Jung, but in modern psychology it's rejected by the vast majority of psychologists.