A Death in Venice

Lady Eleanor Swift #17

by Verity Bright

Stunning views across the Grand Canal and a hotel suite fit for royalty… Lady Eleanor Swift is having a jolly good time on her Italian vacation, until a gondola ride is cut murderously short!

1924. Lady Eleanor Swift has been on a grand tour around Italy for a month with her butler Clifford. Finally arriving in Venice, she’s thrilled to be attending the famous carnival: all that’s needed is the perfect bejewelled costume for her faithful bulldog, Gladstone. But on her first gondola ride to take in the sights, a passenger collapses into the canal with a knife sticking out of his back.

Eleanor saw an argument break out between the gondolier and the victim, Councillor Benetto Vendelini, and it turns out they're rivals from the city's two great families. Vendelini’s murder is sure to reignite their centuries-long feud. While attending a glitzy ball that night, Eleanor learns of a plot to steal a precious family heirloom from the Vendelini household. Is the stolen item the key to solving this baffling murder?

In this floating city of tiny winding alleyways, Eleanor traces the missing heirloom to an antiques dealer in a far-flung corner of town. But when her handbag is snatched by a cloaked thief, she realises the murderer is dangerously close. Can Eleanor unmask this most cunning of killers, before she joins the other victim at the bottom of the Grand Canal?

An utterly gripping historical murder mystery set in Italy, full of intrigue and charming characters. Fans of T.E. Kinsey, Agatha Christie and Catherine Coles will be totally hooked by A Death in Venice!

Genres: Mystery, Cozy Mystery, Historical Fiction, Historical, Fiction, Audiobook, Historical Mystery

300 pages, Kindle Edition

First published March 28, 2024

About the author

Verity Bright is the pseudonym for a husband-and-wife writing partnership that has spanned a quarter of a century. Starting out writing high-end travel articles and books, they published everything from self-improvement to humour, before embarking on their first historical mystery.

Reviews

[Phrynne · Rating 5 out of 5]

Another beautiful cover on this seventeenth book in the series. How can you resist picking up a book which looks like this!

Lady Eleanor Swift and her butler, Clifford, are still on their grand tour of Europe and this time they are in Venice. Only Elly could witness a murder in a gondola almost as soon as she has arrived in the city. So instead of sightseeing, partying and shopping she finds herself investigating and getting herself into some very dangerous situations. Of course Clifford is there to help but she is very resourceful and manages to save herself more than once.

A very enjoyable, fun read and I am already wondering where Elly and the team will be going next.
Thanks to Netgalley and the publisher for the opportunity to read and review this book.

[Brenda · Rating 4 out of 5]

Lady Eleanor Swift, her butler Clifford and the four ladies from Henley Hall, along with Gladstone (the dog) and Tomkins (the cat) were in Venice for a much needed holiday. On a gondola with Angelo, their gondolier, Ellie was in awe of everything around her. Clifford was as well, but didn't show it as much as his mistress did. But when a speedboat zoomed past and the gondola rocked in the wake, a man fell overboard from the gondola ahead. When he was dragged from the canal, he was dead. Ellie was sure it wasn't an accident...

The rivalry from the two greatest families in Venice was known to be long and bitter, and with a carnival starting in a few days, the feud of centuries looked set to raise up once again. With stolen artifacts, a thief stealing Ellie's handbag, and a burglar ransacking her hotel room, Ellie could feel herself becoming deeply involved with something sinister in Venice. She and Clifford were desperate to solve the crimes, find the murderer and get on with their holiday. But could they do that, with the murderer having struck again?

A Death in Venice is the 17th in The Lady Eleanor Swift series by Verity Bright and I enjoyed it very much. A lot of description of a beautiful city; set in 1924 (100 years ago!) with characters who were determined to better "the other side"; gondolas, bridges and people - everywhere. A fun read, with Clifford as his usual stiff butlery self. Recommended.

With thanks to NetGalley and the publisher for my digital ARC to read in exchange for an honest review.

[Ivonne Rovira · Rating 2 out of 5]

No, not that Death in Venice by Thomas Mann! This is light cozy mystery, the 17th novel in the Lady Eleanor Swift series, but the first that I’ve read. Although new to the series, I never felt lost.

Lady Eleanor Swift will remind readers of any number of bohemian young women who come into money and/or title only in young adulthood. Prime examples of such series are Kat Reilly (with Sir Harry Mortimer in a series that begins with A Shot in the Dark) and the Honorable Phryne Fisher (in a series that begins with Cocaine Blues). While I think those two series are much better, Lady Eleanor is fun enough to while away the time, if a bit more twee and predictable. But there’s still a chance I’ll still be reading more from author Verity Bright when I need a mindless cozy.

[Carla · Rating 5 out of 5]

A Death in Venice is the 17th Lady Eleanor Swift mystery and I am still very much enjoying her exploits. As the title suggests, Eleanor, her butler Clifford and her four ladies are in Venice for a holiday. Of course she goes nowhere without Gladstone, her bulldog and their cat, Tompkins. They plan on attending Carnival and she has been invited to the Countess' party. While touring and going on a gondola ride, they witness the killing of a local politician, Councillor Benetto Vendelini. Is this a murder to try and start up the feud between two of the great families of Venice? As more murders occur and Eleanor seeming to be stalked, they get involved in the investigation to find the killer.

A Death in Venice has a bit of a Romeo and Juliet vibe happening. There is a missing artifact that is needed to be found in order to stop a centuries old feud from being reignited. There is a young couple who are in love, but someone is trying to stop them from getting married. There are murders, stalking, stolen purses, rooms being ransacked and a kidnapping all wrapped up in an entertaining historical cozy mystery. I learned a lot about gondoliers, gondolas and how Venice was built while trying to solve this mystery before Eleanor did. I enjoy Eleanor's irreverent attitudes toward her staff, who she enjoys spending time with and pays for their vacation. They pop in and out of the story and add some comic relief. There is some danger, but Clifford is always there to keep Eleanor safe. There is a bit of a misunderstanding between Hugh and Eleanor which was a bit frustrating, but it was all worked out in the end. I have to mention, Kip, the young man from London who is trying to reenact Lord Byron's adventures during his time in Venice. It was fun, but he also plays a role in solving the mystery. This was a wonderful addition to this series and I am already looking forward to seeing where the next book will take us. If you enjoy a good historical cozy mystery, especially one with some humor and great characters, then I recommend you pick this one up.

[eyes.2c · Rating 2 out of 5]

Venice during Carnival time set in 1924. Should be a winner!
Unhappily murder and mayhem was overshadowed by the travelogue aspect. I appreciated that part but the mystery? A pity! I just wasn’t into it. Too many site descriptors and not enough story.

A NetGalley ARC

[Kaila · Rating 3 out of 5]

I usually find Lady Swift books interesting however, this one just didn't do it for me. It's a mystery that takes place in Venice, specifically beginning while Lady Eleanor Swift and her butler are out viewing the city on a gondola. They witness a murder, a person stabbed and thrown into the water. She later finds out those involved are part of long-time feuding families.The book sort of picked up at this point, however not the way I liked. Everything before that however, was mostly descriptions. There's quite a bit of unnecessary description and filler in this book, which I honestly couldn't appreciate. The book was good, but could have been better.

I received this book on behalf of NetGalley and Bookouture in exchange for my honest review.

[Anna · Rating 5 out of 5]

Thank you NetGalley and Bookouture for the opportunity to read "A Death in Venice" in exchange for my honest opinion.

This is the 17th book in the wonderful Lady Eleanor Swift series and the stories just get better and better. This is a complex case of two families who are descendants of a long-standing feud that is threatening to erupt again, unless Ellie and Clifford help.

Ellie, Clifford, Master Gladstone, Master Tomkins, Mrs. Butters, Mrs. Trotman, Lizzie and Polly are all in Venice on a holiday but readers know that a Lady Swift holiday is never complete without danger and dead bodies. It all starts with Ellie bumping into a young lady in the crowd and after her purse spills Ellie finds a glass heart that she's unable to return because the young lady has disappeared.

While in a gondola Ellie and Clifford witness an argument and then a speeding barge throws the two men together and one of them falls overboard into the canal. This could be the beginning of a centuries old feud between the Vendelini's and the Marcello's reigniting. Benetto Vendelini was a government official on the Venice Council and he was pushing for progress which was not popular. Was that the reason he was killed or the feud?

Ellie feels that someone is always watching her from the shadows - a man with close-cropped hark hair. Ellie is invited to a ball at Contessa Contarini's home. The gondolier that was arrested is related to her. Everyone is related to one side or the other, with a few exceptions. One really fun character is Casper Theodore Allegro Fitzmorton Kipling or simply Kip. He's in Venice emulating Lord Byron.

Catarina - the young lady who owned the heart - wants to marry Leonardo but they are from opposite families in this feud and someone is trying to stop their marriage.

Ellie's room is broken into and searched, as always she puts herself in danger to help others. The story concludes with a thrilling race to get stolen figurines back to the families and what promises to be a very happy ending.

As always I'm looking forward to seeing where Ellie and her staff end up next for another one of their exciting adventures.

[QNPoohBear · Rating 3 out of 5]

Thank you NetGalley and Bookouture for the free advanced reading copy. All opinions expressed in this review are my own and not affected by the giveaway.

Review with pictures will be on my blog on the publication date

Lady Eleanor Swift and her friends/staff and pets are on vacation in Venice for a little fun during Carnival season. Ellie is enjoying seeing Venice by gondola with Clifford on hand to keep her from falling in the canals. The ladies are whooping it up enjoying ALL the sites (especially the laundry lines and male statues) but for Ellie, her clumsiness and her eagerness to see everything is about to embroil her in affairs that lead to murder and perhaps a reigniting of a blood feud. All she wants to do is help two young lovers marry and to see the sights of Venice but she can't help but chase down thieves and murderers, with the help of Clifford of course.

I have mixed feelings about this one. Most of it, especially the first 100 pages, reads like a tourist guidebook to Venice. Finally, Ellie gets to (briefly) explore places tourists don't usually go (but apparently can if they book a private tour, something my family has never done). I really liked those parts and the scenes in the Jewish quarter with the introduction of a Jewish character. I was a little disappointed Venice of the 1920s is pretty much the same as Venice of the 1990s and not much different from today. Now you get around by water taxi and gondolas are for tourists. You can even find gondolas in my city in America. The politics of 1920s Venice centers around the age old debate of progress vs. tradition. I think Venice has done a pretty good job of balancing both but it would be nice to bring back wooden gondolas and have less motor boats. The descriptions will make you feel like you're there. If you haven't been, that's great to have but it slows down the pace of the novel and since I've been there once in person and many times through family photos (dating back to before I was even born), I skimmed for descriptions of how Venice may have appeared different in the 1920s. I did like the Carnival setting and wanted more of it. The silly Englishman's subplot was superfluous.

The mystery is either about politics or about family. I did not like the stereotype of the fiery, passionate, stubborn Italians feuding. I thought vengeance and blood feuds were more of a southern thing but I looked it up and there was a famous feud that inspired the events of this novel. I forgot to ask my parents about it. I must ask them to ask their friends in the Venezia region to tell me about it. The romance got lost in the family drama. The identity of the murderer was a surprise. I had forgotten that person and dismissed them. I was left confused by the thief's story. Is he the dark side of Clifford? The body count is too high for a fluffy cozy mystery like this series. One nitpick - the Italian word for pasta is macaroni. Pasta literally means paste and there are many different shapes and sauces and dishes. Each is regional and you'll only find the freshest ingredients used. Gelato flavors are seasonal as well and pistachio is a traditional flavor but not a spring flavor but I'm not sure about pistachio salted caramel! I'd be surprised if that flavor existed in the 1920s.

Speaking of Clifford, he is getting younger by the book! He's so agile and in fighting condition for an older man. I loved seeing him light up in the clock tower though and it was sweet of Ellie to arrange that tour for him because she knew he would love it. He's always looking out for her and doing things she wants to do as well as keeping her safe. I love how in tune they are with each other's thoughts. Ellie is a sweetheart of a woman but shockingly naïve at times even after all those dead bodies. She's growing though and learning, listening to Clifford and trusting her instincts. I worry about her relationship with Hugh though. It's just not going to work out if she goes gallivanting off to places hobnobbing with people who don't respect marriage vows and who enjoy a good party. Ellie isn't like that and Hugh knows it but it sounds like he's jealous and worried anyway. I hope he can take time off so they can go on vacation together (with Clifford and the ladies to chaperone). The ladies are a riot as always. The laundry hanging between the houses is pretty and the subject of MANY photos. It's funny to think of how shocking the site of underwear was given what underwear looked like! Shy Polly is coming out of her shell a bit and growing up. Lizzie is learning to relax and enjoy the more informal atmosphere of the Henley House family. While Gladstone doesn't have much to do, Tomkins gets his due, as Venetians love cats. There was a little too much Tomkins worship and not enough Gladstone for me.

The first victim is Signor Benetto Vedelini, an important Venetian businessman and on the city council. He was always demanding progress and ignoring how that progress would harm the artisans and gondoliers and even the locals who don't make money in the tourism industry. He sounds like he was arrogant. He argued with his gondolier, a stranger! The Vedelinis have been importance in Venice forever so I guess he came by his ego honestly. The Vedelinis were once engaged in a centuries-long feud with the Marcellos. The gondolier, Gaspo Secco, was related to the Marcellos. Gaspo is known for his hot temper but arguing with a customer is a new one. Gaspo is arrested without evidence but Angelo assumes the feud may be starting again! If Gaso murdered Benetto, the Vedelinis will seek vengeance and perhaps kill one of the Marcellos in return. Indeed, when a second body turns up in the canal, everyone assumes the crime was like for like. But what if it wasn't? Who else could have killed these men and why?

Ellie has a personal gondolier, Angelo. He speaks excellent English and is happy to show Ellie around but he isn't necessarily bound by loyalty to HER the way her staff is. He doesn't know her. He works for a living and she's just another wealthy client. He seems nice and trustworthy though. Another new friend I don't quite trust is Vincenzo Vedellini. He's a member of the Venetian Council like the man who was murdered but he doesn't seem to mind that a family member was killed. He barely knew the guy he says. He seems more interested in charming Ellie, possibly with seduction in mind. Ellie trusts him though and feels she can share what she's learned her investigation. I'm not sure her instincts are sound on this one. I don't trust him and I'm certain at the very least, Hugh would like to knock the lights out of this guy and at best, check up on Vincenzo to make sure he's a good person.

If the murder was premeditated and/or if the second murder was part of the blood feud, who ordered the killing? Ellie is invited to a party at the home of Contessa Contarinia. Eugenia is friendly enough but a little cold. She, and everyone else in the family, all seem cowed by the family patriarch, Nonno. Nonno is stubborn, opinionated and always thinks he's right. Yup. That sounds right for the Nonno I know but this Nonno does not have the generous and loving qualities of my family's Nonno! This one is more like my Italian-born great-uncle who was a boy when this story takes place and grew into a very cranky, mean old man. This Nonno doesn't hesitate to tell everyone what to do, even other people's servants. He doesn't like to be contradicted and Ellie, as a modern woman, nearly gives him apoplexy when she speaks up. She was only being herself and since she is not a member of the family, she can say what she wants to Nonno. Did Nonno order a vengeance killing and reignite the blood feud? I would expect he would go do the deed himself if he could. He believes business is the lifeblood of Venice but doesn't say if he's for progress or tradition? I think he must be for progress because it's made him rich.

The Contessa's daughter, Regina, is very cold and unromantic for a young woman. She wants to marry for money and not love, unlike her cousin Caterina. Caterina is the romantic in the family, a star-crossed lover. Caterina is Nonno's ward and she knows he won't approve of her marrying someone from another family- the family they've been at odds with forever! Her secret fiancé, Leonardo seems weak and silly. He's young and timid, afraid to approach Nonno and ask permission to marry Caterina.

Signor Friedman, art restorer, is enthusiastic about showing off his museum but not so enthusiastic about the glass figurines Ellie brings him to look at. She doesn't want to sell them, she wants to know if they are valuable enough to want to steal. She has to trust Sgr. F to tell the truth but he seems a little squirrely. Doctor Pinsky, a Jewish man, is a mysterious figure. At first he's friendly and engages in sharing his history with Ellie but then he seems a little shady in other scenes. He's seen lurking and consorting with a thief who steals Ellie's bag and ransacks her room. Is Doctor Pinsky in league with the thief of his own free will or is he being paid to assist? Maybe it's a misunderstanding and Ellie didn't see what she thought she saw? Alas, a third body turns up and Doctor Pinsky is seen nearby. Wrong place, wrong time or a cold-blooded murderer?

Casper Theodore Allegro Fitzmorton Kipling aka Kip is a young, nitwitted, Englishman attempting to help his father live out his dream of recreating Lord Byron's trip to Venice. That was 100 years earlier and Byron had a reputation. This is modern times we live in and Kip is just plain silly and stupid to do the things he's doing. He seems harmless enough. Ellie mothers him and helps him evade arrest, as if she doesn't have enough on her plate.

Three people are dead, two in the canal and one elsewhere. A mysterious thief keeps dogging Ellie and steals her bag. A talented but mute artist has given her a second drawing she didn't pay for and has disappeared. Could he be the key witness to the first murder? Is he trying to tell her something with his picture? Is he dead or disappeared? Now there's another mystery to solve!

This story didn't appeal to me as much as some of the others. Even though Clifford, the ladies and pets are all here, I miss the village. I much prefer the stories set in and around Henley Hall.

[Lady Tea · Rating 4 out of 5]

Rating: 4.2 / 5

*winces*

Yes, make no mistake that it does pain me greatly to have to give this a rounded-down 4-star rating rather than the usual five stars that an Eleanor Swift book is usually guaranteed from me. Alongside A Lesson in Murder, it is the only book in the series to get this distinction. 2/17 as four stars and the rest all five stars? Mmm...fairly good, admittedly, but when scouring my list and seeing that a lot of the newer books are at the lower end of my list, that does become a little worrisome...

So, what's the story this time around? Well, Eleanor is more or less on a tour of Europe--similar to what the sons of titled gentry in England would do to get "experience" of all kinds--along with her lovely household staff. (And while I've read in some reviews that some readers are missing Hugh, I myself find Clifford to be more essential in Eleanor's stories, and therefore can bear a book or two without him featuring majorly in it.)

Ahem, but anyway, whilst in Venice, the setting of our story, Eleanor and Clifford inadvertently witness a murder, which of course they must needs investigate--Eleanor in particular, as usual, being more insistent that they do so. As they find out more and more, they become embroiled within the mafia-esque rivalry of the two major families in Venice, and also have more than a difficult time navigating in the unique city itself!

So...because this book ranks lower on my list, I think I'll just stick to talking about what I didn't like about it that kind of lowers it in my esteem...

1. It felt too much like Murder in Manhattan, plot-wise
Considering that I wasn't the biggest fan of MiM either, you can surmise that this isn't a good thing. In MiM, Clifford and Eleanor often found themselves at a disadvantage because of the unfamiliar turf of New York City, and likewise the local crime rings there had them stumped. Granted, this time we don't have full confirmation of any crime connections to either of the two major families, but let's just say that it's Italy, and therefore "powerful families" have to do a lot to stay in power, so...yeah. But, ahem, anyway, a lot of the time it was just feeling like they were two steps behind no matter what they did and that the locals had the upper hand, and as a reader, it left me kind of indifferent at points for whether they got paid off for following a lead or not, because it both felt (and turned out to be) useless and full of red herrings at times.

2. As other readers have been saying, the book did waste a lot of time and text just describing Venice itself
I can understand that the authors felt quite captivated by the city when visiting it--who wouldn't? However, I wish they had kept in mind that the whole point of this series is to give readers a mystery to solve, and therefore shouldn't be full of filler trying to bring the setting to life. Did it make me want to visit Venice? Well, yeah, but that isn't the point of the book! They can package it any way they want, please and thank you, but I really wish that more about the mystery was included, which would have saved us maybe 30-40 pages or so, and made the book feel an appropriate length rather than a bit of a drag.

3. The reveal of the murderer...was unexpected, but also disappointing
I will give the authors credit for making this book unexpected, as per the usual; however, "unexpected" doesn't necessarily mean "good". Let's just say that while I didn't suspect who the murderer turned out to be, I wasn't impressed by it either. Spoiler-free, it just seemed to me that the motive was rather weak, only slightly sort-of related to what the major plot of the book was otherwise building up to, and I felt like the authors could have chosen other characters (perhaps some being equally unexpected) that would have had far better and much more relevant motives.

4. The ending felt rushed and sudden
There was a moment around the 210 mark when we have Eleanor in danger that seemed to build up to a climax, and then to wind down to an ending afterwards would've been the right move, I think. Instead however, we get some more exposition just dragging us to the last leg of the story, where we have the real climax, and then a quick happily-ever-after for everyone that was a bit...well, ideal is what I want to say, if not a bit unrealistic. I won't give away what that is, but suffice to say that it kind of made it seem like Eleanor and Clifford's involvement was kind of sidelined, and things would've been happy and okay either way. Because of the speed at which it happened though, I kind of just had a "huh?" moment and needed to step back to process. Just wish it had felt more earned, you know?

___________________

With all that out of the way, I will just list a few of the positives, since obviously this book wouldn't be getting a 4 stars if it wasn't:

+ Clifford and Eleanor's relationship, as always. I particularly appreciated the clocktower chapter, which was a real treat for Clifford and was great at realistically bringing him out of his shell, in those rare but welcome occasions.
+ The four ladies of Eleanor's household and their wandering eyes--in museums, especially! Oh ho ho, I really wish that we could have been witness to that scene that was only referenced, honestly!
+ Eleanor's capture was rather interesting, especially in how it wasn't downplayed as it being easy for her to escape or anything. It felt more realistic to describe how she actually had to struggle to free herself from being tied up, which is a detail perhaps lacking in other cozy mysteries.
+ The references to different types of food that I wish I could try! *drools*

All that out of the way, let's have:

My Updated Ranking of the Lady Eleanor Swift Mysteries

1. Death on a Winter's Day (Book 8)
2. Mystery by the Sea (Book 5)
3. A Very English Murder (Book 1)
4. Death Down the Aisle (Book 11)
5. A Witness to Murder (Book 3)
6. Murder at the Fair (Book 6)
7. Death on Deck (Book 13)
8. The French for Murder (Book 10)
9. Murder in an Irish Castle (Book 12)
10. Murder in the Snow (Book 4)
11. Death at the Dance (Book 2)
12. Murder on the Cornish Cliffs (Book 16)
13. Murder in Manhattan (Book 14)
14. A Royal Murder (Book 9)
15. Murder by Invitation (Book 15)
16. A Death in Venice (Book 17)
17. A Lesson in Murder (Book 7)

[Bargain Sleuth Book Reviews · Rating 5 out of 5]

For this and all my other reviews, visit www.bargain-sleuth.com

I have loved the Eleanor Swift mysteries since first discovering them about 18 months ago. I started on volume 11 or 12, but the great thing about the books is that each one can be read as a standalone. However, I was curious enough to read or listen to most of the back catalog and have read every new release as they’ve been released.

Just like my beloved Nancy Drew books did from time to time, this Eleanor Swift mystery is also part travelogue, as she travels to Venice for some shopping, socializing, sightseeing, and of course, solving a murder that lands in her path. Some people don’t like when books offer info-dumps of information about locales, but I’ve always enjoyed books like this it opens up a whole new world of imagination without ever leaving your home. If you’re not into long descriptions of settings but are still intrigued with the series, start with a different volume.

Eleanor is as strong as ever, and of course Clifford, her ever faithful butler, is accompanying her on the trip. He helps with her investigations, but most of the time, Eleanor is resourceful enough to figure things out, search for clues, follow suspects, and get out of jams on her own. That’s what makes her such an appealing figure in this Golden Age cozy mystery.

This was a pretty good mystery that kept me guessing at times and would recommend. As much as I appreciated the expansion of Eleanor’s world in the books, I do have to say that I much prefer when she’s back at Henley Hall solving murders with the full cast of characters I’ve grown to know and love these past few years.

I received a complimentary digital copy of this book from NetGalley and Bookouture. I am leaving this review voluntarily.

[Annarella · Rating 5 out of 5]

This novel is an entertaining addition to this lovely series, a solid mystery and a love letter to Venice. I loved to see Venice through the eyes of someone in another time and with a different background.
I visited Venice with locals and I still cherish the memories of the less known corners and the atmosphere.
The band of Eleanor and her friend, Gladstone and Clifford plus the ladies, are in Venice during the Carnevale in 1924. There will be murders even if Eleanor is loving the city and what she sees and would prefer enjoy the city and Carnevale.
There’s plenty of twists, feuds that go back in the century and a lot of surprising twists. The book kept me reading and I enjoyed the solution.
The characters are well developed as usual and the solid and tightly knitted plot kept me reading till late in the night.
I cannot wait to read the next one, highly recommended
Many thanks Bookouture for this ARC, all opinions are mine

[Shaina · Rating 5 out of 5]

Thank you so much to NetGalley and Verity Bright for providing me with a complimentary digital ARC for A Death in Venice coming out March 28, 2024. The honest opinions expressed in this review are my own.

1924. Lady Eleanor Swift has been on a grand tour around Italy for a month with her butler Clifford. Finally arriving in Venice, she’s thrilled to be attending the famous carnival: all that’s needed is the perfect bejewelled costume for her faithful bulldog, Gladstone. But on her first gondola ride to take in the sights, a passenger collapses into the canal with a knife sticking out of his back.

Eleanor saw an argument break out between the gondolier and the victim, Councillor Benetto Vendelini, and it turns out they're rivals from the city's two great families. Vendelini’s murder is sure to reignite their centuries-long feud. While attending a glitzy ball that night, Eleanor learns of a plot to steal a precious family heirloom from the Vendelini household. Is the stolen item the key to solving this baffling murder?

In this floating city of tiny winding alleyways, Eleanor traces the missing heirloom to an antiques dealer in a far-flung corner of town. But when her handbag is snatched by a cloaked thief, she realises the murderer is dangerously close. Can Eleanor unmask this most cunning of killers, before she joins the other victim at the bottom of the Grand Canal?

I have several books by this author, but this is the first one I’ve read. Historical cozy mysteries is one of my favorite genres. I’m obsessed with Venice, so I was really excited to receive this book. I thought there was a lot of world building and explaining what it’s like in Venice. I think Eleanor is a strong heroine and I enjoyed her asking a lot of questions and trying to solve the murder. I loved it! I definitely need to read more books in the series.

I would recommend this book to anyone who enjoys historical murder mysteries located in famous cities!

[Paraphrodite · Rating 3 out of 5]

3 stars.

Ellie takes her household to Venice for a holiday at the invitation of some Italian Countess. And during a gondola ride, she witnesses someone being killed in another gondola.

The victim turned out to be a member of one of the two most powerful Venetian families. Then the police arrested someone for the crime who is a member of the other powerful family. And even though there is a tentative truce at the moment, people are worried the feud between the two families will start again.

Ellie is unconvinced the police got the right man and of course starts investigating with Clifford. This book is definitely a homage to Romeo & Juliet as Ellie also encounters a young couple from the opposing families who are desperate to be together. I did get a bit lost with all the Italian characters in this one, but I think I got the gist of the murderer's reason at the end there.

What I'm questioning though is how strong the relationship between Hugh and Ellie is. It must be difficult for Hugh to see his fiancée taking her whole household on all these holiday trips on a whim while he is working so hard for so little. The disparity in both social and financial status would be hard to take, especially for a man of that era? I hope the author will be able to address that in a satisfactory manner in a future book.

[Janet · Rating 4 out of 5]

1924 & Lady Eleanor Swift & her household have been on a grand tour around Italy for a month. Finally arriving in Venice, she’s thrilled to be attending the famous carnival. However on her first gondola ride to take in the sights, a passenger in a nearby gondola collapses into the canal with a knife sticking out of his back. Eleanor saw an argument break out between the gondolier and the victim, Councillor Benetto Vendelini, and it turns out they're rivals from the city's two great families.
The seventeenth book in the series & whilst it could be read on its own I love how the dynamics between Ellie & her staff have developed, especially the relationship with Clifford. This wasn’t my favourite of the series, maybe because Hugh didn’t feature apart from a couple of phone calls & a telegram. Ellie finds herself drawn into the conflict between two families & it takes all her resolve & quick thinking to resolve the case. A well written enjoyable mystery & I look forward to the next in the series.
My review is for a special copy I voluntarily read

[Robin Loves Reading · Rating 4 out of 5]

Lady Eleanor Swift is prepared to enjoy her Italian vacation. Eleanor is accompanied by her ever-faithful butler Clifford, and as always, her very dear bulldog Gladstone. While enjoying a gondola ride, when a passenger falls into a canal, there is no doubt that foul play is involved. The victim had a knife sticking out of his back. As always, our inquisitive and talented amateur sleuth Eleanor sets out to solve the crime.

With an existing feud that has gone on for centuries, and with an argument that was made public, it seems clear from the beginning who could have been responsible for the man's murder. However, things are not as clear cut as they seem, and it soon proves that there could have been more than one person that could indeed be the murderer. Things get even more murky when an elaborate plot to steal something rather precious is discovered.

If I had a real bucket list, traveling to Venice would be #1 on that list. Therefore, watching Eleanor and Clifford working hard on solving the murder. with the beautiful and charming setting in Venice, this 17th book in the Lady Eleanor Swift series was a true delight. Not only was the setting exquisite, but Eleanor and Clifford are fabulous characters. I love Eleanor's quiet intelligence and Clifford's proper manner, all while never missing a beat. I also enjoy when Eleanor takes many of her trips, not only is Clifford always there, but the rest of her staff get to go along and enjoy the trips as well. This series could continue indefinitely and I would devour every book.

Many thanks to Bookouture and to NetGalley for this ARC for review. This is my honest opinion.

[Linniegayl · Rating 2 out of 5]

I've really enjoyed this series, but this is my least favorite. It's taken a long time for me to finish, as I found it easy to set down. The setting -- Venice during Carnival -- was great, but too often descriptions of the sites overtook the plot. While Ellie's female staff are with her in Venice, we see them very briefly in just a few scenes. And aside from some aborted calls with Hugh, he isn't present either (back in England). Instead, most of the book seems to have Ellie and Clifford running about the canals of Venice looking for a murderer. I didn't find the mystery interesting, and thought it was a stretch to have Ellie and Clifford get involved in the murder of a seemingly random person in Venice.

I'll definitely read the next book, but hope it catches my interest more.

[Keely · Rating 3 out of 5]

This is a review about the series as a whole, rather than a specific book review about each book.


I am enjoying this series somewhat. I do find somethings rather frustrating at times, but overall, I like how things are developing through the whole series and I do want answers to certain questions that still have to be answered. It's a pleasant, not taxing on brain way to spend a couple of hours.

Eleanor. Right. She does not read as a 28 something woman, who eventually hits her 30's as the series progresses. Her character background doesn't fit the character we are presented with. I know she has been somewhat spoiled and is pampered, but she reads as a teenager to me, especially as all her exploring should've made her more mature. She has been travelling the world for 10 years alone. I repeat, travelling alone as a woman in the 1920's. That wouldn't have been easy and you'd need your wits about you. It's not like she's been locked in a manor for 15 years and is finally being released into the world alas Rapunzel. I also find her general horniness, both hilarious and frustrating, especially when she's falling for people she's just met and having romancey moments at the most worst times when she should be focusing on something much more serious. Though I do know it's part of her character that she falls hard over nothing and has a habit of rushing into romances with people she barely knows. She knows this about herself, yet does it anyway, she never really grows in this respect througout the story. I also didn't like that she turned into blushing, awkward giggling girl around males she finds attractive. It's stereotypical and once again, it's reminisce of a teenager. You'd think at 28, you can be around an attractive male and be fine. Most woman I know can. She just doesn't come across as a 28-30 year woman to me. I do sigh when she's like a bull in a china shop where a delicate hand was needed. She sometimes makes life hard for herself though once again, I know that's one huge part of her character traits, but she can come across quite rude at times. But I don't dislike her and I don't mind having her as the main character, I do wish we would have some more character growth within the story though.

Also, I know talk of food is a somewhat part of the cozy genre, but it gets tiring that Eleanor eats six heavily calorie meals a day, yet always keeps her figure. It's unrealistic and is a pet peeve of mine, as it's a mythical dream that is used as a stick to beat woman with when they can't achieve it.

I really like Clifford (despite the grating chivalry misogyny and being all proper which can get tiring. And I dislike how he's always reminding the ladies that because Eleanor has a title, that means she's better, worth more and special than them. All people are equal on the whole. A title doesn't mean much in this day and age. I know it's somewhat suitable/normal for the time period, but I think the authors can easily not focus and push this specific idea as much as they do. I know Clifford truly believes that she's better but it's getting old, especially when he pushes it on the staff several times a book.) and the rest of the staff though Clifford should be a bit easier on them, haha. I mean, they're doing several peoples worth of work a day by themselves. And one of them is 15 and started working at 11. (Imagine having an 11 year old as a maid/cleaner/everything else.) Dude doesn't know how to relax and chill. And Gladstone is my favourite. He's a cutie and I love his addition to the story. He makes a cute, fun aspect to the books with his charming personality of constantly stealing shoes and his penchant for digging.

Also, Polly started working at the manor at 11. In 1918, you had to stay in school until you were 14! so what's with that?!? Breaks the immersion. I don't understand why they couldn't have her at like 17? It would change nothing. She can still be a clumsy, young, silly girl at 17. You wouldn't have to change a thing about her character as it was written. I don't understand why the author chose her to come to the manor at 11, and be 15 within the stories narrative. Also, within the books I've read (13 as I type this sentence), we've had 2 Eleanor's birthdays, but Polly still has remained 15 somehow?

General Discussions about the series as a whole, including my thoughts on Hugh so probable minor spoilers;



While I think Hugh is a step up from the other guy (He had no substance and was always about just having a good time), I can't help but feel that he wants to change Eleanor, rather than accept her as she is. I know it's partly down the classic chivalry misogyny of the time period, but it is frustrating. He just needs to accept that she won't stand for injustice and stop ordering her about. For her to be like "Someone has been murdered. Oh well, not my problem." is asking her to be someone else. I know he worries about her safety, but that is in Eleanor's control, rather than his. Also, Eleanor has been right on the mark about murders happening. He says no. She says yes. She is proved right. It has happened what like seven times? I can accept that after the first or second one, he might still disregard her opinion. But after the third one, he still does it. Which I don't get. He should trust her instincts as she has yet to be proved wrong, unlike Hugh. She has proved him wrong every single book when he's declared "natural causes" yet he still doesn't trust her instincts and knowledge. Infact, Hugh should trust Eleanor opinion more than his own, considering he's been wrong on the mark so many times. It makes him come across as an idiot when he dismisses Eleanor so easily, especially as the reader knows he is in the wrong. So as a reader, I find that aspect frustrating as it feels like time wasting as we know Eleanor is right and doesn't make me warm to him. As we know Eleanor is right, he kinda comes across as incompetent when he could help but chooses not to do so. It's acceptable when higher ups are blocking him etc, but not when he's not helping due to free will. So I find that aspect really frustrating. And despite me reading 10 books with the character, we still know very little about him as a whole. So I hope the future books will stop him having a moan every book about Eleanor choosing to find answers to a murder as it's getting old. I want him to accept Eleanor as she is, she won't let things go when she could help and he needs to accept that. The chivalry disguised as misogyny is getting old and not making me like him all that much, and I believe as a reader, I'm supposed to do so, as I think he's the main romance aspect of this series. I can't see Eleanor swerving back to Lance and unless a new guy moves to the village, we don't have many other romance options. Also, it's hypocritical that he spends most of his time at work, so justice is important to him, yet he can't accept that justice and answers is just as important to Eleanor. It's one of the things they have in common. I am also getting so tired about the locking her in the house/Clifford control this woman!!! jokes, or should I say, jokey half truths, cause if he had no "chivalry", Eleanor would be tied to a chair in the library. I was going to say oven or something generic like that, but we know Eleanor isn't going to make a single meal in these books and why should she.

UPDATE SINCE THE ENGAGEMENT: Hugh has stopped acting such a twat since the engagement which I appreciate and has become a lot more tolerable, even though I still think he's an idiot. He's still on thin ice though.

Though his calviliar attitude towards Joseph being murdered in previous books as a proof of punitive justice was a bit twatish and cruel. I felt it was a very shrug of shoulders, even though he wanted to help, there was no emergency to it. Especially as it's part of his fault that Joseph ran. Also, come on, I have no real bad blood towards the Royals, but their attitude towards people who want "Republic" was way too dramatic, though it may be just because of the time period.


I didn't like Lance, he was shallow, vapid and had no real substance so I was glad he was binned off as a romance option quite quickly. He was more childish than Eleanor. He has no respect for anyone. And is very dismissive to the things that matter to Eleanor.

Also, it gets a bit boring when everyone fancies the main character. It's just a small annoying tidbit.

And it is a bit tiring when everyone else is either an serious idiot or is being evil for no reason. Like come on!

Also, I understand why the author keeps the staff at the manor down to 6-7 people as it would be hard to have 30 staff members popping up and being background characters. It allows the 6-7 staff to have their own personality without overwhelming. But I can't help think they must work to the bone, as it impossible they could do everything they do. There is no way that 6-7 people can keep a 40 something room manor clean, make food, do all chores, helping their lady etc. There are two, then three, ladies whose job it is to clean and help Eleanor amongst other jobs, no way two people can keep a manor in pristine condition. And Eleanor makes their life harder and easier at the same time, she'll buy them a vaccum but she won't keep her clothes tidy, thus making them clean up her twenty outfits that she's tried on and discarded on the floor. And I know it's stated that Eleanor offers more staff and they turn her down. But that's just silly. I mean, average people in a 3 bed can easily get behind with chores, especially with those tasks that should be done every month, but end up being done every three, e.g. spring cleaning, the fridge, cleaning the skirting boards, taking everything out of the cabinet and dusting/washing it all. But they simply could not realistically keep this manor to high standards, they would legit never be able to sleep. But I can let go and accept this part is pure fantasy. But Imagine watching an 11 year old work each day! Cleaning your banisters, dropping your tray, doing the stuff you could easily do yourself etc. It would be weird. The girl is meant to be at school! In 1918, it was compulsory to stay in school till 14. Obviously probably didn't always happen that way and not everyone followed it, but the law exists within this time period.





FOR READERS AFTER BOOK 13;

okay. I've decided to give Hugh another chance even though I dislike him, after the big old proposal. We'll see if he's actually accepted Eleanor or not.

[Tracy Wood · Rating 3 out of 5]

Lady Eleanor Swift has been holidaying in Italy with her butler, staff, and pets. Finally, after a month, they have arrived in Venice. Eleanor is entranced by the spellbinding architecture and historic canals, but the trip takes a disturbing turn when she and Clifford witness a fatal attack as they enjoy a gondola ride.

Finding themselves being drawn into an investigation they want no part of, in a city they don't know, Eleanor and Clifford find their every move being closely followed or anticipated. When Eleanor discovers that a recent theft could be linked to the death at the canal as well as threatening a city wide truce relating to long held family traditions she knows she has to call on all her experience to prevent the unthinkable happening.

Book 18 in this wonderful series takes the Swift household into the heart of Venetian aristocracy where she mixes sightseeing, shopping, and socialising at the highest level with murder! Unfortunately, although I love the Lady Swift books, this one just didn't do it for me. There was far too much description and unnecessary scenes including a stereotypical Romeo and Juliet romance which I don't think added to the investigation or the secondary storyline but realise these could well be the reason other readers love it. I will be on the lookout for book 19, as this is still a must-read series for me.

I was able to read an advanced copy of this book thanks to NetGalley and the publishers, Bookouture, but the opinions expressed are my own. As part of a great series, I'm glad I read it, but it probably won't stay long in the memory.

[Maria · Rating 1 out of 5]

This was a dnf for me! The writing was too flowery so I would forget the story behind all the descriptions!

[virginia · Rating 4 out of 5]

Wow what a great, little cozy murder mystery I was able to enjoy in one sitting. As Lady Eleanor Swift begins her holiday in Italy with her uptight but devoted butler, Clifford, her staff of ladies and her lovable yet mischievous dog and cat, I found myself enjoying this story from Verity Bright. While Eleanor is enjoying the beauty and the history of Venice, I found myself walking right alongside her as she explored St. Mark’s Square, The Bridge of Sighs, Doge’s Palace, all places I visited a few years ago. The story begins a few days before Carnivale Season, as Lady Eleanor and Butler Clifford witness a murder one night while they are experiencing a gondola ride. The setting was rich with descriptions of Venice, and well-researched in the art of the gondola, which figured into the murder mystery beautifully.

As these two well-developed and comical characters become inadvertently drawn into a murder investigation the local policeman didn’t seem very interested in solving, Eleanor and Clifford find themselves being stalked by a mysterious man, who not only robs Eleanor one night but also ransacks her hotel room, drawing the pair deeper into a series of murders involving two feuding families and a dispute which goes back generations.

The story begins when a beautiful young girl drops a piece of Murano glass near Eleanor as she sight-sees, shops, and dines in St. Mark’s Square. The story is filled with shopping, engaging characters, two adorable pets, and a butler that every woman wishes she had looking out for her in a foreign city. As family obligations between two long-time warring families collide with romance, danger finds Eleanor every step of her journey through Venice. I found myself wondering how this woman could get into so much trouble in a matter of weeks. Since I had never read a book in the series before this one, I was enamored by the author’s characterizations, vivid setting details and comedic conversations. But a few things seemed odd to me. Eleanor is engaged to a cop back in England named Hugh who is mentioned almost as an afterthought leaving a reader begging for a better explanation of who the character is and why the author simply dusts the story with so few details about him. For an engaged woman who is traveling alone with only her household staff, Eleanor seems overly trusting of the locals she meets, as her intrigue about the murder escalates and pulls her deeper into a web of family feuding. Although I loved the shopping scenes and the parties, the beach day and the element of mystery surrounding the girl who dropped the glass bauble, I could never quite place the era of the story beyond a few references to her ankle-length dresses. I thoroughly enjoyed the book because of the endearing characters, the highlights of the City of Venice and the ‘who-dun-its’ that unfold throughout the tale, but something seemed forced and out of kilter as Lady Eleanor, an amateur sleuth worked to solve the murders. At times I became confused as to which character was which and I felt Hugh, the fiancé and the hilarious ladies on her staff got short changed and required greater development so I could understand why they were mentioned in the first place. The characters may very well be staples in other books in the series, but I felt as if they were dangled in front of me without much information beyond a casual mention here and there. But I can say I enjoyed the book and will read a few more in the Lady Swift series. Four stars for making me laugh out loud a few times and order a few more books in the series for a rainy weekend. I want to thank Net Galley and the Publisher, Bookouture for the advanced copy. The opinions expressed here are my own.

[Stephanie Kollgaard · Rating 3 out of 5]

A Death in Venice is a fun and lighthearted journey through Venice marred by some murders the protagonist encounters along the way- and doesn't seem too bothered by aside from her determination to solve the crimes. This is the first Eleanor Swift book I've read- I was taken in by the title/description and didn't realize initially this is part of a series, however this book stands up well on its own and only alludes somewhat to prior books.

Overall the pacing was uneven. While there was enough action happening that it kept me engaged enough to keep reading and actually want to know what would happen, the main action doesn't occur until nearly 2/3 of the way into the book. The first 200 or so pages consist primarily of Eleanor "Lady Swift" getting into various confrontations and dead ends (literally and figuratively) with a cast of Italian characters who become hard to keep track of. These meetings and parties and run ins she has are not pointless- characters who are important to the ultimate resolution of the crimes are introduced in addition to their possible motives for Eleanor to consider. The introductions and various false starts go on for too long though and the plot begins to drag, particularly by what seems like the millionth time Eleanor reaches a wrong conclusion and announces, "Dash it!" As I read on I realized the plot is influenced by Romeo and Juliet- which is referenced briefly in the beginning by a character- however this book has enough differences that this is not a cozy mystery re-telling of that.

A recurring theme throughout Eleanor's adventures is her butler reminding her repeatedly of her social standing and then begrudgingly assisting her with her hijinks, frequently with her cat and dog in tow as her butler apparently carries them all over Venice. Also popping up at various points are her ladies in waiting who do nothing to advance the plot and appear to only be present for comic relief. There is also a fiancé who makes appearances via telephone and is not relevant at all to the storyline although presumably is present in the previous books.

The final twists were not what I would have guessed at all so I commend the author for that. However, the plot and ultimate reveal were so convoluted that it could have worked better with whole chapters removed. This book painted a vivid image of Venice however curiously- despite the character's commentary on how nicely Italian men dress- there was little description of what these men were actually wearing beyond "nice suits"- even a suit that was apparently brightly colored did not have a description of what that color was.

All of this said, the plot was engaging enough that I wanted to continue reading the book to find out what happened next. I do want to read the first book in this series so I can get a proper introduction to this character and see how the initial books compare to this one.

Many thanks to Bookouture and to NetGalley for this ARC to review. This review is my honest opinion.

[CPE · Rating 4 out of 5]

The latest in Verity Bright’s Lady Eleanor Swift series, A Death in Venice, has our heroine outside the UK again. (No prizes for guessing where, given the title!) The setting works well, as the Italians understand the concept of a Baroness, which happens to be one of Ellie’s titles. That means the narrative takes place within an ordered and hierarchical society, just like the novels in the series that are set in the UK.

As always, there is a death – in Chapter Three this time – and Ellie decides to investigate when it is obvious that the police regard it as an open and shut case. On page two, a character states “Everyone wears a mask in this city whether it is carnival time or not.” As the plot unfolds, we see the truth of that statement and start to wonder whether the people that Ellie befriends are genuinely friendly or just acting. I thought the ambiguity was handled very well and we identify with Ellie’s uncertainty and discomfort about how to behave with people and how much she can trust them.

It would not be unreasonable to describe the series as somewhat formulaic: someone dies when Ellie is around; the official police investigation yields little or nothing; Ellie feels the murderer may get away with it and decides to investigate; she and her butler, Clifford, uncover the murderer while being in a fair amount of jeopardy; Ellie’s female staff provide a comic counterpoint to the action. This novel is the seventeenth in the series, yet I still enjoyed it. The dialogue is pitch-perfect and there is enough tension to keep me interested throughout. I really resented having to put the book down before finishing it – Bright’s books are of a length and pace that makes it feasible to read in one long sitting.

I dislike the adjective “cosy” when applied to murder mysteries because murder is not a cosy act. In real life, it is brutal, cruel and devastating for the family left behind. However, I recognise the convention that a novel like this shows a well-ordered, peaceful, fictional situation where society is structured; and the existing order is understood and acknowledged by everyone, whether they agree with it or not. The crime (nearly always murder) upsets that harmony and sows antagonism, jeopardising friendships and threatening anarchy. The heroine acts as detective, unmasking the anarchist; and restoring harmony and friendships. Order is restored and everyone settles back to the old ways. Verity Bright’s books exemplify this “cosy” convention and are a joy to read, if that is the type of book you want. There are many occasions where escapism like that precisely suits my mood – and Verity Bright is one of the first authors I turn to, with this novel being perfect.

#ADeathinVenice #NetGalley.

[The Sassy Bookworm · Rating 5 out of 5]

Book Review: A Death in Venice by Verity Bright

Rating: ⭐️⭐️⭐️⭐️⭐️

"Lady Eleanor Swift finds herself embroiled in a murder mystery in the enchanting city of Venice. As she unravels the clues to solve the crime, she discovers dark secrets and treacherous plots that threaten to shatter the tranquility of the Venetian canals."

Verity Bright's "A Death in Venice" takes readers on a captivating journey through the bustling streets and picturesque canals of Venice in 1924. Lady Eleanor Swift, accompanied by her loyal butler Clifford, sets out to enjoy the festivities of the famous carnival. However, their idyllic gondola ride is interrupted by a shocking murder that plunges Eleanor into a web of deceit and intrigue.

The author masterfully weaves a tale of suspense, blending intricate details of Venetian culture with a gripping whodunit plot that keeps readers on the edge of their seats. From glamorous balls to shadowy alleyways, the story unfolds against a rich tapestry of historical backdrop, immersing readers in the sights and sounds of this captivating city.

One of the highlights of this book is the meticulous attention to detail in crafting the setting. Bright's vivid descriptions transport readers to the heart of Venice, allowing them to experience the beauty and mystery of this iconic city firsthand. The engaging writing style keeps the pace brisk, ensuring that readers are constantly engaged as they follow Eleanor's quest for justice.

While the mystery itself is expertly crafted, with plenty of twists and turns to keep readers guessing, the true charm of the story lies in its delightful cast of characters. From the resourceful Lady Eleanor to her faithful companion Gladstone, each character is brought to life with warmth and wit, making them instantly endearing to readers.

However, amidst all the intrigue and excitement, there is one aspect that falls slightly short—namely, the underdeveloped romance between Eleanor and Hugh. Their relationship feels somewhat lacking in depth and fails to add significant emotional depth to the story. Despite this minor flaw, "A Death in Venice" remains a captivating read that will appeal to fans of historical mysteries and cozy whodunits. Whether you're a fan of Agatha Christie or simply love a good old-fashioned whodunit, this book is sure to captivate your imagination and leave you eagerly awaiting Lady Eleanor's next adventure.

⚠️This review was written based on personal opinions and experiences with the book. Individual preferences may vary⚠️

[Jan Mawdesley · Rating 5 out of 5]

Lady Eleanor ‘Ellie’ Swift is taking a holiday in Europe arriving in Venice at Carnival time; she has not only bought along Gladstone and Tompkins but the entire staff, overseen by the absolutely loyal and almost unshakable Clifford. Hugh, due to the pressure of work, has remained in England.
Ellie is finding Venice amazing, overwhelming and charming, but when she accidently bumps into a young lady, sending her handbag flying, the contents strewn over the cobbled paving, she is mortified.
Helping pick up the contents she chats with the young woman who replies in a very enigmatic style, before quietly disappearing in the crowd, but just before she completely vanishes, Ellie realises there is an item left behind, that of a beautifully crafted Venetian glass heart.
And so begins the latest and to date most intriguing adventure to involve Ellie and Clifford, as they discover in the most horrific way possible, that Eleanor has landed herself in a decades long feud between two powerful families, with someone out to destroy the fragile truce, or anyone and anything that gets in their way.
A Gondola ride later that day sees Ellie and Clifford witness to very disturbing incident on the canal resulting in the death of a City official, also a member of one of the families. When her hotel room is ransacked, with nothing taken, a second murder occurs, that of the Gondolier ferrying the murdered man, Ellie’s instinct for solving mysteries sees her begins to wonder what is really going on.
Verity Bright has captured the magic of Venice, the myriad of winding canals and narrow lanes that make up the City, the centuries old beauty of the buildings and the immense pride the Venetian's have in their City built on nothing but timber piles, in the fast pace murder mystery, A Death In Venice that pushes both Ellie and Clifford into territory never faced before, as they struggle to survive against a killer who really means business.
A Death In Venice would have to be considered as the best yet from Verity Bright. What will Lady Eleanor Swift and the indomitable Clifford get up to next. I for one can’t wait to find out!

[Holly · Rating 4 out of 5]

This is a decent entry in the Lady Eleanor Swift Mystery Series, #17 on the lengthy list. It follows a similar story arc as others in the series, this time in Venice. Ellie (as she calls herself in her many talks to herself) is on holiday with her butler and sometimes bodyguard Clifford and four ladies of her staff. Ellie treats her staff well! Ellie bumps into a woman and discovers she has a charm dropped by her, witnesses a death while traveling in a gondola – but is it actually murder? Eventually Ellie finds herself entangled in more death, a centuries old family feud, and puts herself in danger far more often than Clifford would like as she works to solve the mystery. You’ll have to read the book to find out if Ellie actually gets to do any sightseeing in Venice.

This series is overall well written and that includes this book. Despite being British/English, there aren’t a lot of what I call “British words” that a casual reader may not recognize. The story is intriguing and filled with some twists. For those who like to know, it is G-rated, no offensive language or gratuitous goings-on, if you catch my meaning. The pace is quick. By this point in the series, the author expects you to know the backstory, although it isn’t a requirement to enjoy the book. I started with the first book, A Very English Murder, but I’ve skipped around since.

I do have one minor complaint/irritation: Ellie’s constant thoughts to herself during which she addresses herself in the second person and as Ellie. Example (not a quote): “You certainly need to be more careful next time, Ellie.” I’d say to myself, “I gotta be more careful!” Maybe there are people who talk to themselves in that manner, but me, I talk to myself in the first person and I don’t need to remind myself of my name. I guess I find it pretentious (and Ellie is not supposed to be a pretentious person) and if this didn’t appear on just about every page – sometimes more than once – it probably wouldn’t bother me as much. But as I said, this is minor and maybe more my hangup than anything.

All in all, this is an enjoyable and quick read with a satisfying ending. I’ll continue to read more in this series.

[loopyloulaura · Rating 4 out of 5]

Lady Eleanor Swift, her staff and her pets are enjoying the sights of Venice when she witnesses a murder. Could a family feud have been reignited and is Ellie safe?
A Death In Venice is the 17th book in the Lady Swift series of historical cosy murder mysteries.
Ellie is spellbound by the beauty of Venice but she finds herself in the midst of a centuries old family feud and a murder investigation. Following an accidental collision with another woman, Ellie is left holding a glass heart and wants to track down the true owner who promptly vanished. But the murder and the heirloom could be connected and Ellie herself is placed in danger.
The lighthearted tone softens the drama and murder elements of the book. Once again Ellie has brought butler Clifford and ‘the ladies’ of her staff along and this adds opportunities for humour. Gladstone the dog and Tomkins the cats are also travelling with Ellie and add to the melee! We are also introduced to a range of other characters with comedic effect, for example Kip who wants to replicate Byron’s escapades. Poor Hugh, Ellie’s fiance, is stuck at home at the other end of an intermittent telephone connection and feeling very jealous.
The murder and heirloom mystery start early on and then retreats a little as the focus stays on Ellie’s experiences while she makes connections between events and enjoys the scenic beauty of the city. Her title offers her opportunities but she is constrained by being a woman. The history and geography of the setting underpin the plot and characters and have been well researched.
A Death In Venice is an enjoyable murder mystery.

[April Brown · Rating 5 out of 5]

Lady Eleanor Swift, her butler Clifford and her staff of ladies are in Venice taking a holiday. Of course, Gladstone and Tomkins have travelled with them. as well. They are looking forward to sightseeing and shopping and enjoying Carnival. Ellie is missing her fiancé Chief Inspector Seldon who couldn't accompany her due to his workload.

Lady Eleanor "Ellie" and Clifford are enjoying a gondola ride on one of the canals when they witness an argument between a gondola driver and another man. The next thing Ellie sees is the man face down in the water with something protruding from his back. It's not long before Ellie and Clifford are on the hunt for our killer. Of course it won't be easy, there is long-standing tension between two prominent families, a secret romance. a theft, and lots of intrigue.

I loved this book. I have read several of this series and I think this maybe my favorite yet. The descriptions of the city and history make you feel like you are visiting. The characters are like old friends you are happy to spend some time with again. The mystery is good, and the book kept me reading. I did not want to put it down. Although I have to admit, I feel like that with all the books of this series. Also, the cover art is beautiful and makes you want to pick it up and read it.

My visit with Ellie, Clifford, the ladies and of course Tompkins and Gladstone was too short. I can't wait till their next adventure!

Thank you to NetGalley and Bookouture for the chance to read this book.

[Diane · Rating 3 out of 5]

Lady Eleanor Swift had been enjoying a leisurely holiday in Italy, accompanied by her loyal butler, Clifford, dedicated staff, and beloved pets. After a month of exploration, their travels brought them to the enchanting city of Venice. Eleanor was enjoying the piazzas, architecture and canals when while on a gondola ride, she and Clifford witnesses an argument between another gondolier and his passenger which turns deadly for the passenger, Councillor Benetto Vendelini, The gondolier's and the the victims's family had a centuries old feud, which had been, not so much resolved as a ceasefire agreed to. This could risk that peace.

Although Eleanor and Clifford are told by the local police that there is no need for their involvement, Eleanor is drawn into solving this case. But what else would we expect of Eleanor and her faithful butler, Clifford?

I do enjoy the Verity Bright series, but this one fell a bit flat for me. Much of the book is dedicated to the the traditions, architecture, art and history of Venice. It was like reading someone's travel diary . After the roughly the first third of the book, I felt like there were all McGuffins and not enough plot. It does pick up at the end, but it could have been trimmed to build up more suspense, the distractions letting the line go limp.

If you are a fan of the series, do read it, there is plenty to enjoy, It is always nice to visit with these "old friends" as a reader,

My thanks to NetGalley and Bookouture for the advanced copy in exchange for honest review.

[Anne · Rating 5 out of 5]

A Death in Venice by Verity Bright is another Lady Eleanor Swift mystery which finds her, the ladies, and Clifford on holiday in Venice. It is an intriguing place, but Ellie gets herself in the middle of a feud between two old families and it nearly costs her everything. She is enthralled with the canals and Clifford has obtained the services of a gondolier from an ancient family of gondoliers. He knows many people and can take them anywhere, and does. Of course, there’s a murder, and of course, (Clifford eye-roll) Ellie gets involved.

Clifford is the consummate butler and had also been her uncle’s sidekick so he had many extra talents that served her well. He is constant in his attempts to make her behave like a lady and she is just as constant in refusing to do so. It is an excellent historical, cozy mystery series. Ellie has embraced the modern world of the early twentieth century. She was raised a vagabond, and then an orphan when her uncle took her in, sending her to boarding school, as he was not the appropriate parent type. Her escapades are interesting, often dangerous, but always solvable, by her and Clifford. This was a difficult one as she was out of her home country and there were people and places she didn’t understand. It was a terrific journey for the reader as Bright described everything. Love this series! Thanks Verity Bright!

I was invited to read a Death in Venice by Bookoutre. All thoughts and opinions are mine. #Netgalley #Bookoutre #VerityBright #ADeathInVenice

[Jan · Rating 5 out of 5]

Venice is beautiful any time of year and so very different from England. Eleanor holidays there with all of her staff and pets but not with her police detective fiance. She really could have used his help this time (in addition to Clifford's) because she starts finding bodies and an artifact at the very beginning. While there is fun to be had, there is danger and mor murder as well. Excellent mystery with a very detailed investigation (and a lot of laughs, too!). 
This can't be an unbiased review because I love this series! It works as a stand alone, though.
This series has the very best and interesting characters (good, bad, and absolutely silly). The series began as a farce: Eleanor is widowed and is a presumed orphan and world traveler on the cheap who comes to rural England and finds that she has inherited the title and all that from uncle who was recently deceased. The best part of it all is The Butler Who Knows Everything who helps her with anything (and never treats her like a ninny), her trusty household staff, her tiny French bulldog, the family kitty, and her recent fiancé DCI Hugh Seldon of the Met who has been mightily tolerant of her sleuthing (but not of her wealth). I really enjoy all the ongoing (as well as new) characters, and the mysteries are so well done!
I requested and received a temporary EARC of this book from Bookouture via NetGalley in exchange for an honest review. Thank you!