All reservations aside, Matthew Worley's achievement with this book is immense. Here we have a work of scholastic fanaticism, bursting at the seams with smashed pulp, and a delirious yet methodical plunge into the rag and bone shop of culture. This is also an excellent production by Reaktion Books: zines were evidently a visual culture at least as much as a delivery system for information and attitude, and the 113 illustrations contained between these two covers deserve close attention. An indispensable portrait of a lost counterculture.
Exhaustively researched book about zines that puts them in context with the music and politics of the time in quite an academic way. Hundreds of provincial titles are listed. Connections are described, aesthetics are examined, subgenres are made sense of. Quite a different book on zines in that it contains a lot more words on the subject than pictures. Definitely a five star book, my only gripe being that in searching for zines of significance to zero in on Worley sometimes focuses on the most 'successful' zines with the greatest print run, essentially, those zines that stopped being zines and became magazines.