I loved THE LIARS by Katherine Fleet and am already telling my friends it will be their book of the summer. Why? Essentially, it’s three wonderful reads in one. A gripping cold-case crime novel, a moving coming-of-age novel, and a glorious shenanigans on a Greek holiday novel, all ticking along as one.
The two girls at the heart of it all, Zoe and Lex, are suddenly stepsisters when their parents decide to marry. A set of more unlikely best friends it's hard to imagine. Lex, blonde, beautiful, brave, and bold, just waiting to get out into the world and make her mark on it, and her new stepsister, Zoe, dark-haired, bookish, watchful, and cautious. On their own, each is on the cusp of adulthood and should surely be manageable, but put them together and the adults laughing and drinking by the pool don’t stand a chance.
The crime story at the centre of the novel forces the two girls to grow up sharpish, as their lives suddenly change forever. But even before this, I was struck both by how uniquely drawn each girl is, and how sudden, unexpected observations they make about what was happening managed to be both clever observations about how we live now, and vehicles for informing the current story. At times Ms Fleet’s deft use of adolescence reminded me of the way Donna Tartt’s central character in THE GOLDFINCH, Theo viewed the world through jaded glasses before he was old enough to drink (as if) or hire a motorbike (double ditto).
Similarly, I was struck by how Zoe talks about something she learned about time in a physics lesson and how according to Einstein it's not linear in the sense that we think of it so much as always there, it's just that we can't access all of it, we can't get back to all of it. This, of course, is the central problem for the characters, they can't get back to that summer and fix one small mistake. Okay, so maybe two or three small mistakes. Read it yourself and see, but Holden Caulfield anyone?
The setting is glorious and I cannot wait to visit the nightclub one of the characters has built up in the hills. Sadly, I know I am stuck waiting for Netflix to finish with their set-building, but what a scene that’s going to be. Just like the scary emerald pull of Circe’s pool and the way, the more books Zoë reads on the subject, the more Greek myths are merging dangerously with the girl’s lives in the endless, oppressive heat, heat, heat.
So often in THE LIARS, I thought I knew what was going to happen but I was always blissfully wrong. I couldn't turn the pages fast enough, and I didn't want to, I wanted to stop and slow down because the prose is beautiful, there are plenty of things to think about, and the girls are so compelling to tag along with. I’ve often heard it said that for a book to work - really, really work, like this one does - the author must know their characters. But here, there's another principle at work, which is that while Ms Fleet knows the characters, the characters also really know each other. Herein lies the great success of THE LIARS. Everyone Is tight, it’s groups of families on holiday together, and so they know each other's flaws, they know which buttons to push, they know how to make things run smoothly, or to bring the house crumbling down around themselves.
Frankly, five stars seems churlish here. Surely the two girls, Lex and Zoë, should get five each at least? Plus five more for the setting. Oh my, when can I book?
With thanks to Netgalley and Michael Joseph for allowing me to see an advance copy of the #TheLiars.