Whitman made the language of poetry a bit more demotic and human. Bukowski pushed it a little further in that direction. What comes after that? A return to formalism? More tight and experimentally punctuated poems, like those that came from e.e. Cummings? The form seems to be in a holding pattern, but even so, good and even stellar examples of both the free and metered, scatological and scansion-bound, can still be found. It gives us all something to do, to write and to read, until the next breakthrough happens. If indeed it ever does.
Everyone will have their own favorites in this collection—due to the thematic and stylistic range—except for those who don’t care for poetry at all. John Alejandro King’s The President’s Daily Briefs is playful enough to have been written by Nash or Silverstein. There’s even a touch of Thurber in there, with more human absurdity than political satire. Also good is ASAP by Paige Johnson, about reaching fatigue with campus life and politics, and the constraints of ideology and assumed identities. Queen Hardon / Fright Night by Casey Renee Kiser mines that liminal space between the sexual and the violent—especially in the male language (beat it up, spank it, etc.) to create a disturbingly effective and strangely erotic short-lived fugue.
My personal favorite was Eggs by Carrie Magness Radna, which deals with fertility and its inevitable senescence. Men tend not to think about what it’s like to have such mercilessly fixed biological clocks (we remain able to procreate literally to our last breath, and even a little after that sometimes.) But because it’s the kind of thing we tend not to think about—probably because we fear this realm that’s exclusively female—it’s the perfect subject for a poem. If done right, that is. This one was.
Recommended.