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Dead Reckoning

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L.A. 1940. When ex heart-throb movie star, Neville Beaumont, is found dead with a gun in his hand everyone assumes it's suicide. Especially when they find out he was being blackmailed. Frank is not so sure, he does a little digging and doesn't like what he finds. Meanwhile, Bugsy Siegel has arrived in town in a mob move to take over the L.A. rackets, causing a feud between local gang bosses, Mickey Cohen and Jack Dragna. Added to this mix there's a ruthless vigilante killer at large and no-one knows where he'll strike next, least of all, the cops.Down at RKO they're filming the Black Pirate, a swashbuckling technicolor movie, maybe the killer is impressed with the blood-thirsty justice they handed out in old Spanish Main!Frank DeMarco, private eye, is once again on the trail of a killer when he meets ex-silent movie star Lita Barry, beautiful night-club singer, Nadine, and the stunning new raven-haired assistant District Attorney, Laura Shelby, who knows exactly what she wants... and how to get it!

271 pages, Kindle Edition

First published August 24, 2012

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About the author

Robert Hayden

58 books83 followers
Robert Hayden was an American poet, essayist, educator. He was appointed Consultant in Poetry to the Library of Congress in 1976.

Hayden was elected to the American Academy of Poets in 1975. From 1976 - 1978, Hayden was Consultant in Poetry to the Library of Congress (the first African American holder of that post), the position which in 1985 became the Poet Laureate Consultant in Poetry to the Library of Congress. Hayden's most famous and most anthologized poem is Those Winter Sundays[citation needed], which deals with the memory of fatherly love and loneliness.

Other famed poems include The Whipping (which is about a small boy being severely punished for some undetermined offense), Middle Passage (inspired by the events surrounding the United States v. The Amistad affair), Runagate, Runagate, and Frederick Douglass.

Hayden’s influences included Wylie, Cullen, Dunbar, Hughes, Bontemps, Keats, Auden and Yeats. Hayden’s work often addressed the plight of African Americans, usually using his former home of Paradise Valley slum as a backdrop, as he does in the poem Heart-Shape in the Dust. Hayden’s work made ready use of black vernacular and folk speech. Hayden wrote political poetry as well, including a sequence on the Vietnam War.

On the first poem of the sequence, he said, “I was trying to convey the idea that the horrors of the war became a kind of presence, and they were with you in the most personal and intimate activity, having your meals and so on. Everything was touched by the horror and the brutality and criminality of war. I feel that's one of the best of the poems.

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