Throughout his career, Swedish journalist and storyteller David Lagercrantz has had a deep interest in – and brilliant touch for – enigmatic, eccentric characters, both fictional and real-life.
In terms of global readers, he’s likely best known for deftly continuing Stieg Larsson’s iconic ‘Millennium’ series starring goth hacker antihero Lisbeth Salander. While some fans found it blasphemous that series would continue beyond what Larsson had written before his death, others embraced the ongoing Salander tales, and even considered that while Larrson created the brilliant characters and their fascinating world, Lagercrantz was arguably the better actual writer.
Before he took on the potentially poisoned chalice of the Millennium series, Lagercrantz had already penned books on persecuted maths genius Alan Turning and mercurial footballer Zlatan Ibrahimović.
Outsiders, eccentrics, oddballs and geniuses. Like Salander.
And like Hans Rekke in Lagercrantz’s own new crime series set in Sweden, which began with 2022’s Dark Music, which introduced a detective duo akin to a modern twist on Holmes and Watson. Hans Rekke is an upper-class Swedish professor, gifted in many ways yet stricken by self-doubt and suicidal tendencies. Michaela Vargas is a young community cop forged in a tough neighbourhood whose parents were political refugees and who may one day have to arrest her own brothers. Thrust together by the troubling murder of an immigrant football referee, to find the killer Vargas and Rekke had to uncover truths many powerful people wanted hidden, and battle themselves as well.
Now, in Fatal Gambit, the Sherlockian adventures continue as the husband of a supposedly long-dead financier brings tough Vargas a holiday snap he swears shows her still living. Vargas loops in Rekke, but as they investigate Rekke is falling apart again, Vargas is in conflict with her gangster brother, and the unlikely duo uncover a conspiracy involving high-ranking Swedish officials, international bankers, and organised crime in eastern Europe.
Then there’s an old enemy from Rekke’s past, re-emerging.
Lagercrantz masterfully weaves all the threads together in a terrific tale that gives a few nods here and there to his love of Conan Doyle, while being a modern crime thriller that builds to a thrilling finale. Two books in, it’s already a very good series. More please.