This collection of new studies explores the diverse ways in which music -- and ideas about it -- have been disseminated in print and other media from the sixteenth century onward. The chapters look afresh at the circulation of manuscript and printed music in the seventeenth to nineteenth centuries and reach forward to the present by considering how rapidly changing technologies influence the realms of popular music and jazz.
Craig A Monson has been fascinated by Renaissance and Baroque European history and culture (particularly of England and Italy) for half-a-century, and by Native American history and culture (particularly of the southwest and northern plains) since the late 1940s. His most familiar books are Nuns Behaving Badly: Music, Magic, Art, and Arson in the Convents of Italy (2010, named a “Best Book of 2010” by the Newberry Rare Book Library, Chicago), Divas in the Convent: Nuns, Music and Defiance in 17th-century Italy (2012), and Habitual Offenders: A True Tale of Nuns, Prostitutes, and Murderers in 17th-century Italy (2016, named a finalist [non-fiction] for The Bridge Book Award, 2017). Educated at Yale, Oxford, U.C. Berkeley, and Navajo Community College, he taught at Yale, as visiting distinguished professor at Amherst, and at Washington University in St Louis, where he retired as Paul Tietjens Professor of Music in 2015. When not teaching, researching, and writing, he has built the occasional harpsichord, completed an award-winning restoration of an 1840s Greek Revival house in New Haven, CT, restored a late-1870s townhouse in St Louis, MO, and restored half-a-dozen vintage campers and travel trailers, dating from the late 1930s to the early 1960s. When not in St Louis, he spends his time in Italy and in Santa Fe, NM, where he passed several summers and winters in a tipi in the Cerrillos Hills, and where he now lives off-and-on in a restored 1953 Lighthouse Duplex travel trailer, (with two upstairs bedrooms).