By the time Suzanne Valadon was 15 years old, she’s been a horse walker, a milliner’s assistant, a funeral wreath maker, and a circus acrobat (among other adventures). Then she became a sought-after model, painted by the greatest of the great. Her close friends included Degas, Renoir, and Toulouse-Lautrec. Paris celebrated her - until she decided to take up the brush herself at a time when art schools refused to accept female students.
Read the story of Suzanne, a bastard from the tenements who fought to be seen for herself, and Ellie, a modern woman a century later, at a crossroads of her life, who pulls Suzanne into the light from the shadows of the past.
“A touching and compelling story of two extraordinary women who lived a century apart but were sisters of the heart.”
Ms Molnar this is awesome. I couldn’t put it down. I feel like these two women Suzanne, being poor, an most of the time left on her own. Decided at a young age she would be somebody, even though her mother sent her to school, she was constantly reminded she was born to an unwed mother. Ellie alone, after a combination of losing her husband, her house, the final straw was losing her job. Moping around and knowing she needed a job quick. She decided to try her hand at working in a museum. Only to discover hidden women artists paintings and drawings no one had ever heard of. The first one who caught her eye was none other than Suzanne Fallon a woman who had lived centuries before, but was speaking to her through her paintings wanting to be seen . So Ellie with this thought in mind, takes off running down this path to spread the artwork of these incredible women who are outgrown in the back closets of museums. This has me hooked on unknown treasures women have done or created. Best book I have read. Thank Ms Molnar.
Absolutely wonderful! I found myself, as I read this book, watching the Impressionists paint, peering over their shoulders. Sure, I wanted to shake a couple of them into shape now and then for not treating Suzanne Valadon as they should have. I also ran to the computer on several occasions to see if Suzanne's story was lining up with art history. Every time.
Author Molnar paints her canvas with words. Beautiful words that can help people heal. It helped me, immediately after a beloved cousin died. I read this for book club, not expecting to like it. It is one of the top five of my 2025 reading. Well told, this dual timeline novel. The contemporary story is also thoughtful and beautifully written.
Be sure to read the author's notes. You'll gain even more insight.
Absolutely phenomenal novel that weaves historical and present day characters. Marta Molnar has done it again! Two strong female characters that open our eyes to the “norms” of society and the art world in the late nineteenth and early twentieth centuries.
4.5 stars rounded up to 5. I really liked how this author went back and forth from a current fictional character to the life of Suzanne Valadon in the late 1800s. I did not know about Valadon before reading this book, and was very glad to find out about her. Valadon was first a model for the Impressionist and Post-Impressionist male painters of that time in Paris, but her passion was to make her own art, so she taught herself. She had a lot of determination, coming from a poverty-stricken background, being illegitimate, and having a mother with alcoholism, and she moved women in the art world forward by that determination, becoming the first self-taught woman in the very prestigious Salon. She also seemed determined to show life as it really was, including self-portraits which displayed her own aging process. Throughout my reading of this book, I enhanced my experience by looking up her art online, as well as details of her life, and I felt the author did a great job of staying true to those details while creating a fictionalized story for Valadon which was very engaging to read. Some of the scenes which involved famous painters and musicians (Renoir, Degas, Toulouse-Lautrec, Van Gogh, Debussy, Satie, and others) made me feel like I was right there with them, and that was exciting. I looked up information and paintings by some of them as well as Valadon while reading the book. All in all, a wonderful read and a great learning experience. An artist friend suggested this book to me, and I'm grateful that she did. I'll eventually want to read Molnar's other book, The Secret Life of Sunflowers, but will hold off for a while, as the style seems similar to this one and I don't want them to blend together in my mind.
As with The Secret Life of Sunflowers, I enjoyed the historical part of the book a lot. The present day story is okay but I really didn’t want to read a romance novel and never want to. I almost passed it up because of this. But, because the artist was a real person I persevered and am glad I did. I am so tired of the two timeline novels. Please Marta, write another historical novel and leave out the present time timeline.
"Girl Braiding Her Hair" is a novel by Marta Molnar that tells the story of two women across different eras, intertwining their lives through the theme of artistic ambition and overcoming societal barriers; one is a contemporary woman named Ellie struggling with grief after her husband's death, while the other is Suzanne Valadon, a historical figure who fought to be recognized as a painter in 19th century Paris, often working as a model for famous Impressionist artists, including the act of braiding her hair as a subject in paintings.
Key points about the novel:
Dual narrative: The story alternates between Ellie's present-day life in Philadelphia and Suzanne's experiences in Paris during the Impressionist era.
Suzanne Valadon's story: The novel highlights Suzanne's journey from a poor young woman working as a circus acrobat and model to eventually becoming a painter despite the resistance she faced as a female artist.
Themes of resilience and artistic expression: Both women grapple with societal expectations and personal loss while pursuing their creative desires.
Art historical inspiration: The title "Girl Braiding Her Hair" refers to a famous painting by Pierre-Auguste Renoir, which depicts Suzanne Valadon as a model.
From the author: So how much of this book is true? The historical half is based on real people and events; the present-day story is entirely fictional. But even the historical parts are not a hundred-percent fact. I could only work from what material I could find in books and on-line. A trip to Paris to do research was not within my budget.
When I first outlined this story and started writing this book, she’d not yet had an exhibit in the United States. However, in September of 2021, the fabulous Barnes Foundation in Philadelphia debuted her first US show.
My impressions: Even the fictional people were real to me. That's good character presentation!! Thank you Marta.
I really love historical fiction that brings to life artwork and the artists themselves. This story explored Suzanne Valadon, a talented model and artist who was friends with many famous painters and artists. She was also a devoted mother to a son born out of wedlock & a daughter to an alcoholic mom. This art-related story is paralleled with a current story of young widow, her neighbors, and her passion for unseen art.
I love this book because it champions women. The character development for Suzanne makes you cheer for her!
Suggestions— a little more challenging vocabulary and mentions of the names of the artwork she modeled for.
The author does an outstanding job of integrating the true facts of Suzanne Valadon's rags to riches life into a narrative that is provocative and ubiquitous. We see her as a tenacious child roaming the tenements alone and treated unfairly by her community due to her "bastard" status. And follow her as she grows into a multi-talented artistic circus performer, a vivacious young model, a struggling mother, a fiercely confident artist, an empathetic dutiful daughter, and the desire of famous artists of her time. Following Susanne's story with her obstinate determination to pursue her art career and success kept me up late into the evening to finish the book. I thoroughly enjoyed the historical references of the people, time, and place in history (Renoir, Monet, Van Gogh, Degas...opening of the Eiffel Tower etc.). In the dual timeline, I enjoyed the use of humor and touching sadness of Ellie's journey from grief to finding her purpose and her people. The "flipper" references were personal to me as I had a similar situation where I was forced to sell my family home. It made Ellie's story more gratifying for me. Historical fiction is my favorite genre, and the themes of this book are current and relevant. Everyone should wonder why Susanne Valadon was lost to history and then right that wrong by sharing her art and her story. BEAUTIFUL BOOK!
Good book. The second book by the same author. I liked the story and the format of ehe book. It was exactly like her first book, the secret life of sunflowers. I liked that book too- and the format was the same. Not sure if I liked reading them back to back tho. Anyway this book was about Suzanne valedon a female attics in the late 1800’s. It was offset buy a story in present day. I liked learning about the artist. The story present day was good. Overall I liked it
'Girl Braiding Her Hair' is not a girly kinda story. There is a fine range of various male characters to attract male readers. But undeniably, the subject is an amazing 19th century female artist, trodden underfoot over time in the Degas, Renoir paternal society. Her story becomes a thread in Ellie's life. Ellie yearns to re-establish the honourable identity of forgotten female artists and, in particular, the one born in a tenement context, without the moneyed privilege of some who sought training first. 19th century Suzanne Valedon and modern Ellie are great role models of how to step beyond social limits. It is not impossible. A great read.
This is a complex plot with two main characters—one historical and one fictional and contemporary. Each chapter has an ending that keeps the reader's interest, even if the following chapter is about the other protagonist. It's a well-told story of grief, poverty, prejudice, and more.
I loved The Girl with the Pearl Earring and didn't see how the author could top it but top it she did. The art world opened up to the reader as it did to Suzanne.
Girl Braiding Her Hair: Inspired by the true story of a revolutionary artist history forgot--Suzanne Valadon, who painted with the Impressionists in Paris and fought her way to recognition. Marta Molnar. December 2023 iBook 7,99. 5/5 A truly wonderful read! The mix of history and present is exceptional and again, like the writer’s first The Secret Life of Sunflowers, the chapter by chapter alternating storyline/timelines work beautifully to make a very readable, enjoyable and indeed informative good book. This book does carry mentions of the first so I recommend read one then the other and I will really hope this wonderful writer writes more like this….exceptional!
“”By the time Suzanne Valadon was 15 years old, she’s been a horse walker, a milliner’s assistant, a funeral wreath maker, and a circus acrobat (among other adventures). Then she became a sought-after model, painted by the greatest of the great. Her close friends included Degas, Renoir, and Toulouse-Lautrec. Paris celebrated her - until she decided to take up the brush herself at a time when art schools refused to accept female students.
Read the story of Suzanne, a bastard from the tenements who fought to be seen for herself, and Ellie, a modern woman a century later, at a crossroads of her life, who pulls Suzanne into the light from the shadows of the past.
“A touching and compelling story of two extraordinary women who lived a century apart but were sisters of the heart.”””
Are Dana Marton and Marta Molnar the same person? The Secret Life of Marta Molnar: Marta is also the USA Today and New York Times bestselling author of over sixty novels of suspense, romance, and epic fantasy under the pen name Dana Marton……. Marta Molnar is a Goodreads author…. There is a newsletter that you can sign up for.
The story is nice and easy to read. It tells the story of Suzanne Valadon, an overlooked but talented and influential artist of the late 19th century, and how she conquered sexism and classism to be recognized in her time. As is her way, writer Marta Molnar has a current modern story unfolding alongside the historical one. She goes back and forth between the two. The "voice" of the historical characters is confusing and difficult to settle into, so it takes some effort to know and relate to the characters. It's not a deal breaker, but it's eye roll material. The modern story connects well to the historical, but it's got so many unbelievable aspects to it that it's difficult to connect to. I liked the book OK. It was a simple, nice read.
I knew nothing about Suzanne Valadon when I started reading Girl Braiding Her Hair. I had read her biographical novel of van Gogh, The Secret Life of Sunflowers. Which led me to read this biographical novel of a the impressionist model, post impressionist artist Susan Vialadon. At first, I found the dual timelines between current day Ellie and Impressionist/Modernist era Marie-Clementine /Maria/Suzanne disconcerting, but it helped by the end to pull the story together and brought those Artists, writers, musicians alive and into the light. Now to go look up and learn more about those unsee women: Suzanne Valadon. Eva Gonzalès, Marie Bracquemond, Cecelia Beaux, and Lilia Cabot Perry who never got the attention that Mary Cassatt and Berthe Morisot.
I enjoyed the book but it is a bit misleading. The fact that Suzanne Valadon did not have a solo exhibition in USA until 2021, does not mean she was an artist history forgot. She had several solo exhibition after her death including a Tribute to Suzanne Valadon at the Musée National Musée National d'Art Moderne, Paris in 1948, and several group exhibitions, including one at Los Angeles County Museum of Art. In my opinion The Secret Life of Sunflowers by the same author was a lot better.
My “It is never going to be Spring” attitude put me in the mood to hide away with a book - this was the perfect one for it. I loved the current characters, wanted to be neighbors of theirs. I adored the historical characters, wanted to applaud their talents and strength. I often strayed from the book to look up the history of a particular artist or event mentioned in character’s conversation. So, in addition to loving the book, I learned history. A treat and a treasure. Write on! I will be waiting.
First, a big thank you to NetGalley for the ARC of Marta Molnar’s novel “Girl Braiding Her Hair" – “A touching and compelling story of two extraordinary women who lived a century apart but were sisters of the heart.”
This book is a dual-story; in the modern story, a young widow is researching Suzanne Valadon, one of the few female artists who were accepted by the Ecole d’Art of Paris during the late 1880s- 1890s. All while weaving Suzanne’s experience with famous painters in the late 19th century, along with major events that occurred at the time.
Suzanne was born “a bastard,” lived in poverty, and had a feisty, restless nature that propelled her to follow her heart and her instincts, take chances, and succeed in her various goals. After being cast out from school by the nuns, she found odd jobs, such as walking horses and then riding them for their exercise, and running errands for the famous artists in Montmartre. While still young, she worked for a milliner, a very kind woman who taught her to speak with better grammar and vocabulary – skills that were important as she moved forward. As she had dreamed, she worked in the circus until an accident ended her performance career. She became a waitress after that. With her patchwork of odd jobs she learned useful life lessons.
Eventually Suzanne became a model for Renoir, Degas, and many other painters of the Impressionist movement. Among her lovers was Toulouse Lautrec. Her painter friends judged her drawings and pastels as equal to that of male members of the recognized art world. Eventually she and a few other women became celebrated artists of their day, although they were seldom mentioned from 1950 – 2000. After joyous years in the Paris art scene, Suzanne married and lived well for a time with her son.
The modern story follows Ellie, still deep in mourning for the loss of her husband and their home, a house they put together for their future. She lives across the street from it, so it is a constant reminder of her loss. A “flipper” buys it and begins to remodel, which Ellie resents. However, Joshua is a prince of patience and understanding. His brother is a wonderful guy too. Naturally, Ellie and Joshua begin to develop a relationship.
Ellie’s dream is to open a museum of “unseen art” or art that is kept in storage at the great museums, seldom or never shown on its gallery walls. Joshua and others help her achieve that. Unbelievable but a nice way to tie together all the pieces of this story. This story reminds me of “The Invisible Life of Addie LaRue.”
I received an ARC through NetGalley in exchange for an honest review.
This book is another dual-story offering. In the modern story, a young widow is researching Suzanne Valadon, one of the few female artists who were accepted by the Ecole d’Art of Paris during the late 1880s- 1890s. Of the two, Suzanne’s story dominates in the memory.
Suzanne was born “a bastard,” lived in poverty, and had a feisty, restless nature that propelled her to follow her heart and her instincts, take chances, and succeed in her various goals. After being cast our from school by the nuns, she found odd jobs, such as walking horses and then riding them for their exercise, and running errands for the famous artists in Montmartre. While still young, she worked for a milliner, a very kind woman who taught her to speak with better grammar and vocabulary – skills that were important as she moved forward. As she had dreamed, she worked in the circus until an accident ended her performance career. She became a waitress after that. With her patchwork of odd jobs she learned useful life lessons.
Eventually Suzanne became a model for Renoir, Degas, and many other painters of the Impressionist movement. Among her lovers was Toulouse Lautrec. Her painter friends judged her drawings and pastels as equal to that of male members of the recognized art world. Eventually she and a few other women became celebrated artists of their day, although they were seldom mentioned from 1950 – 2000. After joyous years in the Paris art scene, Suzanne married and lived well for a time with her son.
The modern story follows plucky, talented Ellie, still deep in mourning for the loss of her husband and their home, a house they put together for their future. She lives across the street from it, so it is a constant reminder of her losses. A “flipper” buys it and begins to remodel, which Ellie resents. However, Joshua is a prince of patience and understanding. His brother is a wonderful guy too. Naturally, Ellie and Joshua begin to fall in some kind of love thing. This modern-times story is more of a “Rom-Com,” “meet-cute" and all.
The men in the book are either awful as heck, such as Frank, Ellie’s sister’s guy, and her boss, a major a***ole, or really great at mostly everything.
Ellie’s new dream is to open a museum of “unseen art” or art that is kept in storage at the great museums, seldom or never shown on its gallery walls. Joshua and others help her achieve that. Unbelievable but enjoyable.
In my classroom there is a work of student art on the wall featuring Janie Mae Crawford standing in her overalls with her hair down and flowing in the breeze. Seated cross-legged in front of her with her nose in a book is Elizabeth Bennet. Janie is braiding Elizabeth's hair. I have looked at it almost everyday for the last ten years, and it never fails to move me. The student who painted it wanted to connect the protagonists' identities through their hair to show how even though they are from different places and times, they both strive to create the world they want for themselves. Marta Molnar does the same when she links the lives of the little known female Impressionist painter, Suzanne Valadon to modern day and recently widowed Ellie in her novel, "Girl Braiding Her Hair". This is a solidly good book and an obvious labor of love. The story jumps between present day Philadelphia and late 19th century Paris. Ellie, recently widowed and unemployed, now lives across the street from the house she lived in with her husband, which is now being flipped. She watches remnants of her past life be demolished and carried out the front door. She learns of Suzanne Valadon's life and art and begins a quest to learn more about her. Valadon, an illegitimate child, grew up impoverished in Montmartre during the Siege of Paris and worked various jobs before becoming an artist's muse and model. She becomes a self-taught artist, but has to fight against misogyny to be recognized as an artist in her own right while struggling with being a mother. Despite the acclaim she gained during her life, she was quickly forgotten after her death. Ellie gains strength from Valadon's struggles and wants her story to be known. Molnar's research into the Belle Epoque is thorough and detailed, and she does not romanticize Valadon's life. It would be so easy for this story line to be schmaltzy and overwrought, but her connections between both women do not feel contrived; both women experience setbacks and defeats and both have to decide what kind of life they want to build and build it. There are also so many great themes here: art, sexism, found families, loss, self-actualization. I inhaled this book-- started it last night and finished it this morning. Highly recommend!
Having read and fallen in love with Molnar’s first book, The Secret Life of Sunflowers, I could not wait to read her second, Girl Braiding Her Hair. What I love about Molnar’s books is her ability to bring to life stories of strong women who history has forgotten or simply overlooked. As with her first book, this book is also written in a duel timeline telling the story of Suzanne Valadon the favorite impressionist model and Ellie, a grieving wife who needs to find her way and her strength in a new life.
Looking back on history, I'm always amazed by how much people accomplished in their relatively short lifetimes, and Suzanne Valadon is no exception. Born illegitimate, she endured a harsh upbringing with an alcoholic mother who constantly yelled at her. Valadon had to fight for everything she achieved. Before discovering art—or before the art world discovered her—she held a variety of jobs, from milliner’s assistant and funeral wreath maker to horse walker, horse trainer, horse acrobat, tightrope walker, and even trapeze artist.
When looking at all art but especially the impressionist, I really never took the time to think about the models, I don’t know why, maybe I thought it was just an idea in the painter’s imagination? But in reading this book, I discovered that the face behind many of the most famous paintings by the most noted artist such as Renoir and Toulouse-Lautrec was the same girl, Suzanne Valadon.
Watching and observing the artist while modeling and being encouraged by the likes of Degas who mentored and championed her, Valadon a self-taught artists took the art world by storm and became the first woman painter admitted to the Société Nationale des Beaux-Arts. Keep Google handy while reading because seeing the artwork they discuss in the book really brings it all to life. Valadon's bold, unique vision combined with her determination left an indelible mark on the art world, making her works as fascinating to study as they are to view.
I liked this historical fiction title even more than the author's previous one, The Secret Life of Sunflowers. Just as the other one follows the life paths of two different female characters, so does this one, making the plots quite similar. But that's perfectly okay since we can never have enough stories about strong females with dreams and the determination to succeed and thrive against all odds. Plus, the fact that one of the protagonists is Suzanne Valadon, a half-forgotten artist who grew up in the poor section of Paris in the 1870s, eventually hobnobbing with all the famous artists of her time, including Renoir, van Gogh, and Degas, and even musician Eric Satie. Self-taught, she was a trapeze performer, a wreathe-maker, and a model, becoming the first woman to be named to the Societie Nationale des Beaux-Arts, all fascinating elements that tick all the buttons for what I look for in a book. Ellie, the other protagonist, is interesting in her own respect too since she's in mourning over the loss of her husband, Chris, and the life that they thought they'd have, when unexpected events change everything for her. The loss of her job is disappointing, but she pulls herself together and finds a way forward, finding inspiration in Valadon's life and example. There is plenty of detail about the art world and painting as well as interesting historical tidbits sprinkled throughout the narrative, making readers feel as though they have traveled back in time. It's a fast read, but it's also deeply involving.
A novel based on the life of artist Suzanne Valdon (1865-1938), a contemporary of Van Gogh, Degas, and Renoir. She was a self-taught artist who rose from poverty to be an artist’s model and eventually a renowned artist. Despite her recognition during her lifetime, her place in history has been largely overshadowed by her male contemporaries. The story is told in two alternating pieces: one, the life of Valdon, from youth through middle adulthood, and the other the present-day story of fictional character Ellie Waldon. Ellie is a young widow who is struggling to find her place in the world after the death of her husband. She becomes obsessed with Valdon and decides to create a museum exhibit to honor her. In doing so she makes connections with her neighbors and the community in ways that alter her life in a positive direction. I found the book interesting as a work of historical fiction. I learned quite a bit about the artists and the historic time period presented in the Valdon sections of the story. The Waldon sections I was less taken with as I felt her story was a bit forced and rather Rom-Com-ish
I thoroughly enjoyed learning about the post-impressionist artist Suzanne Valadon. In 1894, Valadon became the first woman painter admitted to the Société Nationale des Beaux-Arts. The writing is outstanding and the stories move along.
About Valadon, from the author's note: "Suzanne Valadon was a celebrated artist of her time, the equal of any Post-Impressionist artist, but after her death, history only remembered the men. She was forgotten for the most part, and quickly. In her obituary, the newspaper Le Figaro calls her the wife of an artist (her second husband, Utter) and mother of an artist, but says nothing about her being an artist herself, despite the fact that she created hundreds of works of art, had four retrospective exhibits during her lifetime, and suffered her fatal stroke (at age 72) literally while painting at her easel."
I also enjoyed the modern timeline fictional character Ellie. "The five stages of grief are: 1. You’re so heartbroken you think you’ll die. 2. You’re so heartbroken you think you’ll die. 3. You’re so heartbroken you think you’ll die. 4. You’re so heartbroken you think you’ll die. 5. You don’t die."
I read an early review copy of Girl Braiding Her Hair and I just adored this story. There are two different storylines taking place. One with Suzanne, beginning with her life as a poor, young girl living in Paris during the 1800's. The other storyline is Ellie, a twentysomething widow living in Pennsylvania. Suzanne is a child that is trying to exist and desperately dreaming of more. Ellie is also trying to exist but dreaming of the life that she has lost when her husband passed away a year ago. Now I could go on to tell you how these two women's lives intersect but that would ruin your reading experience. All I really can do is highly recommend reading Girl Braiding Her Hair. It is wonderful book meant to be read and discussed. There are so many layers to the story. There are no explicit love scenes but love is a huge part of the story. The kind of love that is timeless and ageless. Do yourself a favor and pick up this book and do a favor and pick up a copy for a friend. It really should be shared because it is that good.
Artist Suzanne Valadon is one of many uncelebrated artists whose art is locked away in museums and whose story is lost to history, until now. Born to an unwed mother, raised in poverty, in the late 1800's she survived many hardships. Desperate for work and willing to take chances to follow her creative passions she finally broke into France’s art scene and became a top model for the great artists of the time. Even with that success she still wanted to do her own art, but the doors were closed to all but a few women. By watching the artists she modeled for she gleaned the knowledge she wanted to use in her own art. Mixed with this story is a contemporary story about Ellie who is grieving the loss of her husband and their home, and is also lost in her new reality not knowing what her next step will be. When she comes across Suzanne’s art in the back room of the storage area in a museum a tiny spark of what she could use her own talents and gifts for emerges. Another fascinating novel by Marta Molnar.
I read Marta Molnar’s book, The Secret Life of Sunflowers that she refers to in this book. I enjoy reading about the women who are always forgotten in history and this book so well describes a “tossed-aside” woman in Paris trying to make a better life for herself, her neglectful alcoholic mother, and her son.
Weaving into the storyline the many famous painters in the late 19th century, along with major events that occurred at the time that Suzanne Valadon was trying to establish herself as a artist, was a wonderful way to contextualize the obstacles that not only Suzanne faced but many women during this period. Many of these barriers still exist today across the globe in multiple professions.
I had a harder time with Ellie in the story. Her character seemed a bit unreal and her grieving period a bit overdone. But I did grow to like her as the story line continued.
Overall, I would definitely recommend this book and will recommend it to my book club. I would give the book a 4.5 rating.