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424 pages, Kindle Edition
First published September 30, 2021
He’s tall and rakish, with greasy black hair to his jaw, a tattoo of a panther on his neck, a missing front tooth. A grin.2021 - Ok, so maybe not exactly a welcoming committee, with a sparkly, multi-colored sign at the local watering hole, all the residents in attendance, celebrating her return. But I guess it’ll have to do. It wasn’t Luna’s first time on the island of Lòn Haven. She had been there for a spell as a child, and, while her experience was memorable, it was relatively brief, and her exit had been fraught. Now, thirty years old, pregnant for the first time, she is not exactly eager to stick around. But she is there on a mission.
“You’re Luna Stay?”
She frowns, confused by the shift to a smile. “Yes?”
He steps forward and eyes her coldly. “You’re supposed to be dead.”

“You’re staying at the Longing?” he said, raising an eyebrow. “Quite a history, that place.”…or something. The lost loved ones tended to be women murdered by the locals, accused of witchcraft and burned alive. The Longing was built directly over the place where the women had been kept and tortured, a broch, which is a circular castle-like structure, as much as two thousand years old. While there have been five major national bouts of witch-burnings in Scotland, the only witches likely to have been about were of the herbalist, rather than spell-casting sort. The ones with the matches provided the very human-sourced evil involved. The historical burning time of note here was 1662.
“I can see that,” I said, flicking through the leaflet, my eyes falling on an artist’s rendition of people being burned at the stake.
“Why’s it called the Longing?” Luna asked him.
“It’s named for the people who lost loved ones,” he said. “Sometimes they’d visit the site where the Longing was built and . . . pay their respects.”

I think it came from a range of places – I was thinking a lot (and still am) about how different it is to parent a teenager than it is to parent a baby, and yet the speed with which a baby seems to become a teenager feels like whiplash. So the story of Liv and her 15-year-old Sapphire in the book emerged from that thinking. When we moved to Scotland in 2019, I learned about the Scottish Witch Trials. I’m very interested in women’s lives, and this slice of history is very much concerned with what happened to women – and it also bears a huge relevance to the current moment. Gradually that thinking took shape. Lastly, I was invited to teach at the University of Iceland in 2019, and while I was there – and thinking a lot about the book and how I was going to incorporate all the various ideas I had – I came across 14th century spell books, which blew my mind. As I dug deeper into the history of magic and how it impacted women in particular, the story came out of the shadows.The fraught relationship between 15yo Saffy and Liv will feel familiar, in tone, if not necessarily in the specific content of Saffy and Liv’s interaction. Cooke relied on her own teenage daughter for much of Saffy’s voice. Add to that the fact that Liv is a single mother, struggling to get by. Many of Liv’s struggles with parenting resonated, guilt versus responsibility versus coping with external limitations. Cooke offers, through the grimoire, a first-person look at the 1661/1662 witch-trial hysteria, providing a persuasive take on its causation, at least in this instance. The Icelandic spell books notion gave Cooke the tool she needed for exploring the past.
I wanted everything for my children. But every single day I had to confront the glaring reality that I simply wasn’t able to provide the kind of life they deserved. And it crushed me.There is a hint of prior, off-screen abuse in Liv’s background. This is likely a manifestation of Cooke’s experiences growing up in an abusive household in a council estate in Belfast during The Troubles. The up-front abuse here is in how power is used to protect those who have it from being held responsible for their actions, at the expense of the powerless, both past and present. And in how murderous impulses, combined with ignorance, under the mantle of religion, and official sanction, present a peril to any who do not conform, in any age.
She turns her head from side to side, taking in the velvet expanse of the ocean on her left and the rocks and beach on her right. Ahead, surf furls into the bay. Something there catches her eye, and she wonders if it’s the basking shark, Basil, with his weird two fins. Something bobbing in the water. Seals, probably. Except it’s the wrong color. It’s pale.
She squints at the object. It’s about thirty feet away, moving on the waves. A cloud shifts from the moon and for a moment the light finds the object. It’s a face. A human face, its mouth open in a howl, someone in the water.








This tale comes to us from distinct perspectives and multiple timelines.
1998: Single mother Liv has been commissioned to paint a mural in the lighthouse of a remote Scottish island. Liv takes it as a golden opportunity to make a fresh start with her three daughters. She soon discovers that the island harbours dark secrets. But who in this modern day can believe in those old ladies tales and superstitions? Not Liv, for sure. Until things take a dark turn.
2021: Luna has been searching for her missing sisters and mothers for more than two decades. When she receives a call that her youngest sister has finally been located, she is on cloud nine. But imagine her shock when she discovers that Clover is still seven years old, the age she was when she vanished twenty two years earlier. With Luna’s hazy memory about the past, will she be able to figure out this bizarre situation?
The other two perspectives are that of Sapphire (Liv’s eldest daughter) and a mysterious grimoire that contains a man’s narration of the witch hunts in Scotland during the 1660s.
"The only boundary between desire and obsession is time: if you crave someone long enough, it becomes a need. It becomes your ever-waking thought. The only thing you live for."