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383 pages, Kindle Edition
First published September 3, 2024
Irina calls her fanciful whenever she mentions ghosts. Still, something isn’t right about the house, hasn’t been right since Uncle Pasha was shot dead there three years before, and Grand-père Sergei succumbed to his illness mere days after.--------------------------------------
Though she’s never seen one, Lili has believed in ghosts for quite a long time.
Do you think the dead can rise? Her voice, from a long-forgotten memory.
Of course, Nicky had answered, as if it were the most natural thing in the world.
…with each death, the spirits are more corporeal and alive. And the family is in greater danger.It is 1921, and the suffering is not yet done. World War I, then the ongoing civil war, now famine. Bolsheviks have taken charge. They use the Cheka to enforce the new norms, inflict the governing biases, and relentlessly add to the general misery. The displaced aristocracy struggles to get by, well, those who were not summarily shot.

To the new Soviet republic, the Bolsheviks, and the Cheka secret police, they are still countesses Irina and Liliya Goliteva, the people’s class enemy as descendants of one of the greatest and most ancient aristocratic clans of an imperial Russia dead and buried. Like most of their family. But unlike many former people, Irina’s family didn’t flee Russia. They stayed in hope of a return to normalcy. Now it is too late. Even if they could obtain papers, how could a household of women and children brave the danger of travel and exile?Running out of household valuables to sell, the sisters take jobs with the American Relief Administration (ARA). The ARA is there to provide aid, food in particular. The sisters are managing the challenges, but there is something else. It appears that there are strange, spectral things going on in their home, the once-grand Moscow House. There are sounds, scents, footsteps, the sorts of things one can expect in a gothic novel.
So much of the novel is inspired by some of my favorite gothic stories, particularly by the Russian/Slavic gothic genre and the Ukrainian author who arguably founded it—Nikolai Gogol. - from the AfterwardGogol and other folk sources are given plenty of recognition in the pages, allowing one the opportunity to do some digging and appreciate the inspirations.
In fairy tales, paupers became princesses, not the other way around. But Soviet Russia is a warped Wonderland, where all is topsy-turvy and not what it should be.One might, I expect, consider a take in which the Cheka taking charge in Moscow is a lot like the spectres taking over the Moscow House. It does cause one to recall that the Introduction of The Communist Manifesto begins, "A spectre is haunting Europe—the spectre of communism." Certainly those spooks have landed in Russia and, through bloodshed, are gaining in strength. I have no idea if this was at all on Gilmore’s mind. But maybe. Spectres within and spectres without? Maybe a bit of dialectical materialism (or dialectical immaterialism?) for good measure?
Irina is crossing into the next room when she feels a prickle of cold on her arm. A draft of air. But the damask curtains are sealed tight. No, it is as if someone has moved past her. She turns sharply, as fearful as the other morning. Odd. She has never been afraid in the house. She doesn’t have Lili’s active imagination. Nor is she given over to delusions. It is only the howl and tear of the wind, the rattle of the windows in their casements, the faint give of a latch. With all this noise, she almost doesn’t hear it.Review posted - 12/20/24
The creak of parquet, somewhere near. And again, unmistakable now. Creak. Creeeaak.
Footsteps. Small, like a child’s.
Irina backs up with wide eyes—when there is a deep growl. Then an earsplitting screech, and a dark shape hurtles across her path. A glint of red, as if red eyes have snapped to hers. The next second, scuffling and the thumping of bare feet, then nothing.
What was that? Some animal, trapped in the house?
That’s when the air implodes all around her.





...the ghosts wouldn't have returned unless there was space for them among the living...to let them and the past in, maybe in hope of healing it and themselves.