Here we have volume one of Jake's "Encyclopedia Goetica", an edition of the True Grimoire, compiled from the diverse manuscripts of the Grimorium Verum. The book consists of three parts, the first being an extended introduction, the second being the Verum itself and the third being notes on interpretation and practise. A series of appendices on various related topics completes the work.
The first part starts by delving into the difficulties in compiling the grimoire from the existent manuscripts, many of which show variances and possible copying errors and omissions. Jake uses this discussion to explain compilation decisions over how discrepancies were resolved in this edition. This is perhaps the driest part of the book, but none-the-less informative and interesting. This section continues into much more captivating discussions on the use of sigils, comparisons with other grimoires and finally a discussion of the grimoire traditions roots in the rites of the Graeco-Egyptian magical papyri. These sections will prove enlightening for anyone interested in grimoiric history, practise, or their place in the survival of pre-Christian pagan and witchcraft traditions.
The grimoire itself seems on the surface to consist of very little useful magical material, offering a list of demons and their sigils with promises of miraculous spells for each, such as invisibility, teleportation, summoning tempests, causing earthquakes and bringing you any book you desire. It also includes a description of the tools, preparation, prayers and procedures required to make uses of these sigils. Unlike any other grimoire except Abramelin, the demons are contacted via an intermediary. Unlike the Abramelin this intermediary is not a Holy Guardian Angel, but a demon called Scirlin.
In the third part Jake attempts to decipher some of the more cryptic spells, such as the interpretation of invisibility as the shamanic ability to move freely in the world of spirits. An exploration of the demons of the grimoires and the pagan deities they represent code for, makes a fascinating read, as does the speculative unified heirarchy.
The third part seems to flow into the appendices, as if they are merely a continuation of the same section. On first read my favourite part of the discussion relates to the nature of the demon Astaroth, their gender in the Grimoire as male, whilst their origin likely lies in the female goddess, Astarte and also Hekate, Hermes and their hermaphroditic union, Hermacate. The discussion of the Verum in the Americas, with a particular focus on the Brazilian tradition of Quimbanda, also proves a fascinating read.