I dearly love summer. One of the main reasons is some of my favorite authors have book releases during the summer. Joanna Schaffhausen second series is released in August, just when I need a reminder of just why I love summer. Schaffhausen’s August treat for this year is Long Gone (Detective Annalisa Vega #2) a terrific book that lays to rest any doubt about Schaffhausen’s longevity as a master storyteller.
Reviewing Long Gone grabs you from the beginning and does not let you go until the very last drop. See, easy enough. Oh, wait, I guess I’m supposed to explain how the book works its magic.
In the first book of the Annalisa Vega series, Gone for Good, Chicago detective Annalisa Vega tears her family apart and guts the thin blue line of the Chicago Police Department over a murder that took place twenty years ago. Annalisa also lost the love of her life for the second time during all of the fallout.
Now, Annalisa is paying the price for her actions in solving the murder of a beloved neighbor. Everyone seems to forget she also solved the murder of a prolific serial killer. Annalisa’s only visible allies now are her supervisor and her ex-husband, now partner, Nick Carelli.
Annalisa and Nick are called to the palatial home of Chicago P.D. detective, Leo Hammond. He is a long-time member of The Fantastic Four. The Four are famous for their high solve rate, personal injury rate, and high body count. The remaining three detectives show up on the scene, beyond distraught, but still immediately objecting to Annalisa’s presence. Despite the animosity, the detectives do give Annalisa a viable suspect, Moe Bocks, since Bocks and Leo had a very unpleasant encounter recently.
Bocks was the only suspect in the murder of a girl he dated 20 years ago. The Fantastic Four, with good cause, zeroed in on Moe Bocks; they just couldn’t quite make a case. Annalisa’s hopes she might do better in solving both the old and new murders since forensics seem to improve every month.
Annalisa has extra motivation to solve both the twenty-year-old garroting of the girl and the shooting of Leo Hammond when she discovers Bocks is dating her former sister-in-law.
Unfortunately, Hammond’s trophy wife, Kayla, gives her own bizarre accounting of her husband’s murder including a frogman, “You know, a frogman. Like the diving people? He had a mask and flippers and everything.” Trophy wife, a win for originality. Kayla’s a witness and a suspect, so she can’t be totally discounted;
The book begins with a prologue. Of which Annalisa and Nick are totally unaware of. Soon Annalisa and Nick intuitively realize with the murder of Leo Hammond what’s “past is prologue” is certainly true in one way. There is no high school teacher or old lady reviewer pointing out The Shakespeare. However, there are several pasts they instinctively know to investigate to even figure out there is a prologue.
Most of us forget Shakespeare’s real meaning to the actual quote, it takes a while, but maybe Annalisa gets it, she can write her own future. Schaffhausen is subtle, she trusts the reader to understand the underpinnings of Annalisa’s occasional good decisions.
Schaffhausen writes wonderfully flawed characters, and those are usually the good guys. Annalisa consistently risks her life, her job, and her family. With Annalisa, her second greatest flaw is the pair of blinders she dons, refusing, just like the Fantastic Four, to deviate from the narrative they have independently constructed. A narrative that leads them all into blind alleys. Just like real police work.
Schaffhausen makes me feel the slush leaking into my run-down boots from the melting snow of a Chicago winter; the icy wind that seems almost permanent. I’m experiencing most everything the characters are experiencing. Yeah, thanks for that.
Annalisa stood for the dead in Gone for Good; and most everyone saw that as a betrayal. It was betrayal, the fact that she did the right thing provides cold comfort to anyone affected. Now most everything in her life is in shambles, it’s her fault, and may be impossible to mend.
The consequences continue through Long Gone as Annalisa’s family once again is affected by Annalisa’s investigation. There is one move Annalisa can make that might help rebuild her family, but she balks. She seems not to have heard Shakespeare’s “The Quality of Mercy monologue from The Merchant of Venice.
Annalisa cannot get beyond her tamped down rage, her greatest flaw. The rage is directed at most everything in her life including the greatest loss she will not admit to. The rage Annalisa keeps well hidden, especially from herself.
Schaffhausen doesn’t give her any easy outs, and few moments of grace. Her depiction of total anguish and painful conflict might require a few tissues
Long Gone, is not an easy read; it is intricate but not confusing. Again, just like life. It is also fascinating and original, and will stay with you for a long time. Chances are you will close the book thinking, ‘Now that’s a book.’
Long Gone, is at heart, an original police procedural with characters who will resonate for a long time. For those who are first discovering Annalisa Vega, you can read this exceptional book without missing any important plot points from Gone for Good. However, you will be doing yourself a great disservice if you don’t read it and the Ellery Hathaway series.
I was also been fortunate enough to receive the audiobook of Long Gone, from NetGalley and Dreamscape Media, narrated by Kelsey Navarro. For the most part Navarro did a good job. A bit too much of the falling tone at the end of narrative sentences, after awhile I adjusted. Here’s the thing, Navarro did a great job of really bringing the personalities to life. I found myself having different opinions and reactions to characters and actions then I did when reading it. Certain scenes seemed creepier, while I found myself almost liking certain characters who did not deserve it. Talking about you, Kayla, Ms. Homewrecker, Druggie, Airhead of 2022.
Thank you to NetGalley, Minotaur Books for an ARC for review purposes.