There’s something incredibly pleasant and delightful about Junji Ito’s works. The careful and deliberate lines. The soft round cheeks on female characters’ faces. The symmetry of their face with these large, dead/empty eyes. The endless spirals, circles, and swirls. There rarely is empty spaces, which I find exciting; there is so much going on and you need to look at everything closely. My favorite pages: 65-67 (soichi has such great teeth, lmao), 68 (looks like me), 79 (love how rich the blue is), 101 (hilarious), 106-107, 109, and the preview images from page 131 because of the metallic paper is is printed on.