What a BEAUTIFUL way to finish this trilogy? There’s a certain magic to the way that Freydis writes emotional connection between characters, and this book is so, so much more than a romance, but the heart of the interactions between Sophia and Juniper feel like acceptance. It feels like finding someone to call home.
Sophia is a testament (smirk) to anyone who’s felt lost inside themselves, pushed and pulled between one place and another, treated as expendable. It hurts to be treated like something rather than someone, and Sofia’s narrative screams with loss rage and grief over her past, the fact that she was destined to be expendable, and is now faced with an unexpected life dumped into her palms.
It was a joy to see the rest of the Gideon Gang all together in one book, Colin and Bishop, Tehlor and Lincoln, joined in their attempt to save Sophia’s life before the Breath of Judas can destroy her from the inside out. They’re all disaster queers, and I just adore their interactions, it felt like a true final arc which was so gratifying to read.
Sophia’s and Juniper’s relationship was the epitome of comfort. It was the feeling of “oh, I’ve been looking for you” written down amongst the hurt and healing and trauma of Sophia’s life. Juniper offers a pillar of strength for Sophia, and in turn is warmed by the surprising tenacity that Sophia discovers in herself. I adored them. The way that Freydis manages to craft such heavily emotive relationships in such a short time is nothing sort of admirable; their prose is lush, rich in feeling and totally addictive.
Because of the topic of this instalment - religious cults - I found this to be the heaviest in terms of religious imagery of the three in the Gideon Testaments. Sophia is chained to her belief, and in her journey to find herself she must challenge the foundation of her understanding about her place in the world - and so much of this is tied to her faith. Though I’m agnostic, I found the narrative powerful, gripping, as Freydis’ work always is.
Compared to the other two, I found this less “active”, plot wise. There was much more discussion and planning the main conflict between the Gideon Gang (you can’t change my mind they’re called this now) and the Breath of Judas. It felt much more slice of life than the other two instalments, particularly Wolf, Willow, Witch, which was heavy on action. However this wasn’t to its detriment, it allowed us a chance to explore Sophia’s trauma, and gave her space to find herself properly.
Not only is this gloriously comforting - despite the threat to Sophia’s life, how does Freydis manage it! - as all the Gideon Testament instalment, this puts trans and queer voices right to the forefront in a beautiful way in that celebrates the irrevocable and undeniable resoluteness of queer and trans existence. The world is queer normative, sure, but there’s a certain joy in Freydis’s rep, even while exploring elements of horror and trauma. It’s wonderful. Affirming.
Catch me rereading the entire trilogy immediately!