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272 pages, Paperback
First published October 7, 2014
True crime aficionados will enjoy Killers as Bonn relates the material in an intelligible fashion, making for effortless consumability. As a summation of how society reacted to serial killers long ago, Killers is a decent source and one that should be referenced as a matter of historical record. Hopefully, casual readers will eventually discover other, more rigorously researched works with greater bearing on the contemporary. This reviewer suggests that serious researchers leave Killers to decay on the true crime shelf. Any of the aforementioned works should be read instead, especially Ron Rosenbaum’s more astute (and concise) Slate piece, Why America loves serial killers [21] from which Bonn no doubt drew inspiration.
Overall, the experience of reading Killers was overly onerous, made worse by Bonn’s cognizance and full embrace of his role in the trafficking of human suffering. As a pioneer in the enterprising use of serial murder for profit, Bonn excuses his own “vested interest” (173) in continuing an “unending serial cycle” (7) by employing killers like Jeffrey Dahmer as an “entertainment commodity” (220). Bonn opens Killers by thoughtlessly dedicating it to the “victims and their families” all while maintaining the celebrity of these serial killers and re-victimizing victims’ families for the selfish purpose of financial profit (221).
In the closing line of Killers, Bonn pronounces that “we love serial killers because we need them” (229). One may scour Killers and find no truer words than this disclosure. Bonn desperately needs serial murderers to continue killing as a form of morbid job security. Offenders like Darren Deon Vann and Tiago Rocha present an invaluable opportunity to hock Killers to the masses, ensuring that future editions remain popular. Killers is undoubtedly deserving of its inevitable placement among the other superfluous books on the subject. This reviewer only hopes that before that happens, we direct some attention to the flagrant breach of human decency that works such as Killers represent.

