Corrina Antrobus, I Love Romcoms and I am a Feminist A manifesto in 100 romcoms, Quarto Publishing Group – White Lion, August 2024.
Thank you, Net Galley, for providing me with this uncorrected proof for review.
Corrina Antrobus has combined short, perceptive commentary with attractive graphics, making this (at first sight) a fun read. However, there is more to this work, and the way in which Antrobus has managed to pack so much wisdom into her commentary, and accompanying lists of suggested rom coms is instructive. While lengthy academic works have their place, so do works such as this – fun, attractive, perceptive, easy to read and providing so much to think about. I like the way in which films seen as women’s films, and therefore possibly lightweight have been given this sort of attention. Look beyond the fun and see what Antrobus really has to say about women, the rom com genre and its treatment of women, and the history of the genre.
Each piece is introduced with a title that designates the feminist concept that is to be covered by the film discussed and those listed. So opening at random, I see ‘Centred the teenage love of a black trans girl’ and Anything’s Possible is discussed with Alice Junior, One Stroke Boy and Tangerine listed. ‘Reminded Women that 30 is still young’ covers Someone Great and lists Celeste and Jesse Forever and Do Revenge. And, now for something I have seen – Top End Wedding, with the additional films, Ali’s Wedding and Saving Face. Familiar films such as Muriel’s Wedding, (under the title, ‘Deconstructed the fairy tale wedding’), When Harry Met Sally have their feminist credentials clarified; Phantom Thread, not one I’d have seen as part of this genre, is given a feminist treatment. Barbie is there, along with the celebrated Mama Mia, Notting Hill, You’ve Got Mail, My Best Friend’s Wedding and Legally Blonde. And the earliest example, seen as ‘Gave women an early lesson in self-respect, Miss Lulu Bett (1921), alongside It (1927) and Dance, Girl, Dance (1940).
Some of the examples are wonderfully eyebrow raising – can they really be seen as feminist? Much of the pleasure in this book is answering this question.