Nathan Ballingrud is a writer I have been keeping on my radar since I devoured his short story collection “North American Lake Monsters” a few years ago, and he has never let me down. I was very intrigued by the premise of his new novella, since he has shown with “The Strange” that he writes very interesting what I can only label as ‘weird sci-fi’. This one feels rather more Gothic than his Mars novel, but he obviously finds space eerie, and I am here for it.
The story is set in an alternate 1923, which includes not only space exploration by humans, but also a moon that is nothing like the one we know. On this moon, there are forests, and a very exclusive sanatorium a woman named Veronica is committed to by her husband. She suffers from melancholia, and the doctors who run this institution are reputed to be the best at treating such an ailment. But when she gets there, her room is hardly different from a jail cell, and the treatments are not what she expected at all.
At just about one hundred pages, this little novella can be gobbled up in one or two sittings, and carries Ballingrud’s trademark prose, which manages to be both strong and evocative, and his atmospheric and unsettling settings I love so much. Through the bizarre setting and unnerving events, there is a very interesting reflection about bodily autonomy and how violent the act of taking someone’s voice away actually is.
Despite the title, the spiders are not the scariest bit of this story. We learn early on that a huge spider once dwelt on the moon, and that its silk has medicinal property the sanatorium’s doctor is using on his patients’ brains – but the spider is said to be dead. The real terror dwells in Veronica’s isolation and helplessness when she is dropped in a place she is unfamiliar with, and tries to figure out what the true purpose of not only the institution she is clearly a prisoner in, but also why her presence seems to matter so much to those already there, especially a group of Scholars who are closely involved with the ‘treatments’ given to patients.
This story has a very fever-dream quality to it, and I have grown to appreciate books in which the author doesn’t give the readers all the answers and explanation. I like to understand what I am reading, but sometimes, the purpose is simply to make you feel the way a writer imagines their characters would feel, and this is where Ballingrud absolutely succeeds with “Crypt of the Moon Spider”. I see that he means for this to be a trilogy, and I am looking forward to see what else is going on with the moon Ballingrud has imagined.
Especially recommended for fans of psychological horror and anyone who likes weird stories that keep your brain churning. Watch out, however, if you don’t like body horror, because there is quite a lot of that here. Weird and haunting, which is Ballingrud at his best.