Nicole Mauro has published poems and criticism in numerous journals, including How2, Jacket, and Western Humanities Review. She is the author of six chapbooks, one full-length collection, The Contortions (Dusie Books, 2009), and is the co-editor of an interdisciplinary book about sidewalks titled Intersection: Sidewalks and Public Space (with Marci Nelligan, ChainArts, 2008). Her second full-length poetry collection, Tax-Dollar Super-Sonnet Featuring Sarah Palin as Poet, is due out from Black Radish Books in 2011.
Nicole lives in the San Francisco bay area with her husband Patrick, and daughters Nina and Faye. She teaches rhetoric and language at the University of San Francisco.
HOW BRILLIANT IS THIS, "Jackdaws Love My Big Sphinx of Quartz" taps against the words of Rimbaud with exquisite punctual time, time and again in Pangrams respectively: Bulgarian, Chinese, Czech, English American, Esperanto, French, Greek (Mother of Pangram), Hebrew, Japanese, Latvian, Polish, Serbian, Slovakian, Spanish, Swedish, and finally one of Unknown Origin. Here's a sample that'll make you want to read the entirety:
Slovakian Pangram
O hole of my anatomy---either a flock of happy woodpeckers by the mouth of the river Vah is teaching a silent horse to nibble on my cavitary, or I've eaten my heart out, ah ha. Elision of memory---why won't my lips move? Because Ich. Because Du. Once we kissed until we collapsed like pulsars and t'were poofed. Hereafter, Lippizanners. I hear through the hoof- beats I'm impenetrable to rhapsody, to your doppelgangers hunting mine in the fecund and loving them by the dragoon "under the red perfumes of a polar sun" reflecting forevermore the Danube.
The 10-part title poem, "The Contortions," each section flanks a Rorschach blot test (yes, that's right!), and they're compelling to listen to, meaning read aloud! I MUST share #3:
Head up the ass---I contorted, withdrew. To to, intellectually, I suppose, it drove in to inform the smaller-grammed organs what it knew---that they are viscous, caught between solid and fluid. They just sat there, they still sit, all the while my gourd halved like a rectum, plotted the calves it would shit. What a bestial day, I ought to be reminded of you. O nostalgia, O former splendor of everything wan and exhumed. The sun, askance. How do we get the fuck out of this room.
Nicole Mauro is A HELL OF A POET! When I win the lottery, this is one of the books I'm buying everyone I know whether they think they love poetry or not. They will!
What the psychic saw in the Rorschach: “snollyglostered,” “lollygag,” “hoosegow,” “schnockered,” “poon.” A total verbal world, soap opera- and sphinx-inclusive, where in chorus “all my nuclei go dur.”
If you are a fan of poetry that changes the way you think about language, that upends your expectations and recharges your enthusiasm for form, psychology, art and pornography, get your hands on this book (or really any of Mauro's work).