Thank you to the author for the e-arc in exchange for an honest review.
3 STARS
When I read the plot of Curse of the Nine-Tailed Fox for the first time I fell in love with it, especially seeing the tropes the author had listed, and I decided to read it 'cause it seemed very much my cup of tea. Unfortunately, I soon realized there were some problems.
First of all, I don’t really understand what's the target audience of this book. The story and how it is presented, with gore elements and that scene in the public baths, suggests that the book is a YA/upper-YA, since the MC is also 17 years old. The problem is that how Kuroko expresses himself is more middle-grade. The MC is a boy who has lived on the streets, who has many traumas and who has always had to fend for himself. Even the way Kuroko talks about himself, combined with his backstory, suggests that he should be more mature than his age (a bit like Kaz Brekker in Six of Crows). In reality, however, he talks and reacts to the things that happen in a very young and immature way. I mean, he feels twelve, not seventeen.
Two other very big problems that made it difficult for me to fully appreciate the book were the characters' reactions and the confusing narrative.
Starting with the characters, all of them (main, secondary and extras) behave very childish and react to events in an equally illogical way. One example is the scene in which the mob blame Kuroko for the attack of the Wretched Women, and after a lifetime of abuse he decides to fight back. I did not quite understand why, in that moment, Hikaru decided to side with the mob, slapping Kuroko and leaving him alone to fend for himself. Only to go, in the next chapter, to Kuroko to kiss him and declare his love. Another example is the gods' behaviour. They behave more like children than immortal creatures. The author tries to give a semblance of explanation, but it doesn't work. Japanese culture has a very articulated and at times really frightening mythology, so from a story like this I would expect a certain kind of attitude from the gods. An example I can give for what I mean is Seven deadly shadows, a book set in Japan and with a strong mythology element - it's not a perfect book, but it has very articulate immortal characters.
As for the narrative, I found it incredibly confusing. There are many parts in which characters do certain things or certain events happen that are difficult to understand. Several times I had to reread whole parts 'cause I didn't understand what had happened. In my opinion this lowers the quality of the story. I mean, if I only understand half of the action scenes there’s a problem.
One thing I didn’t understand at all is the worldbuilding. It's not clear if we’re in Japan, in a fantasy world, in a land between the world of the living and the dead or whatever. The historical period it's also not clear, as it seems ancient but then some characters - and especially the MC - use current slang and name things that should not exist in this worldbuilding, like chocolate.
One of the main tropes that attracted me was how the author presented the love story, as a SasukexNaruto. If on the one hand I found Hikaru and Kuroko cute, on the other their relationship is too botched. They spend like two days together, one of them leaves the other to die and then they're suddenly in love? It felt very much an instalove and the attempt to explain it does not work, as it only strengthens the idea it's an instalove. Maybe I was mistaken when I read the plot, but I understood that the story focused a lot on the journey to Yomi to recover the swords and there the relationship between the two characters would develop. The thing is... it happens too fast, in just a few chapters, and then it’s all back and forth. I think the author could have lengthened the story and focused on the adventure to retrieve the swords. This would've made the love story more plausible. But as it is I found it too forced.
Another thing I didn’t really understand was the gang leader. He's introduced immediately at the beginning like he's an important character, and when he appears again it makes it seem that he'll be a key element, but then the thing is just forgotten and he's never even mentioned again. I found it a little inconsistent. It would've been better to cut him out directly, as his presence is quite useless.
Where I liked the inclusivity and the use of the discrimination theme towards Kuroko (as it is very realistic), I also found it very caricatural the more it went on. In the first chapters it made sense the way this theme was represented, but I got annoyed as it never got more deep. I would've preferred a deeper social commentary and more diverse scenes, rather than the same crowd of people who insulted the MC and threw stones at him. In the long run it becomes redundant, a bit like the concept Kuroko repeats in almost every chapter, the fact that he will never go down without a fight. In the first 20% of the book it is said in every. Single. Chapter. Editing should have removed these repetitions.
A character that I appreciated but would've liked to be more dynamic is Su. He's key in the way the story unfolds and I enjoyed the way he was introduced, but I think the author could've made that extra effort to make him a more well-rounded character. At times he's too repetitive, and where I liked the attempt to show that there's more in him (making it clear that he's an immortal in the body of a child) I also found it too little explained.
A character I did not like at all was the Goddess of Creation. She was petulant and ridiculous for the whole book and her change at the end too sudden. A page she was in a way and the next she was completely different.
I liked the author's lexical ability, 'cause she can actually write very well. The story, however full of non-functional or confusing things, runs very smoothly. The descriptions are also very nice.
I don't know if it's a series or a standalone, but given the ending I think there might be a sequel. If this is the case I'm not sure if I'll read it. Towards the end it was difficult for me to continue reading, 'cause I felt it was all too childish. I decided to give 3 stars because I can see the author tried and because I really loved some of the descriptions, like those of the Wretched Women and Yomi, but the story could have been better.
I recommend this book to those who appreciate a Japanese setting, who likes to follow the MC's psychology and to those who don't focus too much on the romance.