I have received an ARC of ‘A Lion’s Pride’, the upcoming fourth book in P. L. Stuart’s fantasy series 'The Drowned Kingdom', in return for an honest review, and it is my pleasure to provide one. Because this is an ARC, comments will focus on plot, characterization, pace, and descriptive style.
I was caught up in the narrative power of this book from the Prologue to the conclusion, for the author balances revelations with hints in a most intriguing way. Throughout the Prologue, I had a deep sense of foreboding: There was something so familiar, yet so impossible to identify. When the revelation finally came, I had that familiar sense of “Of course! That makes sense now! But I sure didn’t see that coming!” I surged into the three sections of the book: The Coven, The Green Lady, and The Elephant.
This instalment covers the consolidation of alliances formed earlier and traces the political, social, military, and theological scheming involved in maintaining and extending these alliances, often with surprising new relationships (political and personal) formed. As the warlord leading the campaign to stabilize the land, Othrun must make hard decisions, suppress his conscience, and learn when to challenge his overlords. As a king, he must learn statesmanship, which might involve promoting adversaries instead of stabbing them to eliminate a threat. Although statesmanship also involves learning to accept advice from trusted and loyal advisors, Othrun does not always listen, and I suspect the outcomes in certain cases might become problematic in later books.
In this novel he saves a bride, marries again, and develops a deep attachment. Spoiler time: Two of these are the same person. He also leads troops into battle against insurmountable odds requiring brutal decisions, is lauded by enemies, and alienates family members. He is chivalrous and noble, lustful and shameful. He is coping with religious and personal confusion, filled with regrets but holding fast to dreams. He is human, so human.
Othrun's narrative ends with a summary of his campaign, his accomplishments, and his failures, followed by a most startling revelation. We as readers have inside knowledge here, but now we witness his response. The final chapter sets the stage for the next instalment in the saga in a chilling way. There is both conclusion and anticipation here: We emerge from the reading satisfied, yet eager to see the characters fulfill their destinies in subsequent books.
Othrun’s character continues to evolve. He sees the wisdom of employing a mage to defend the faith of the Single God, yet when the coven invokes the Single God, he sees this as an abomination, not an ecumenical step. (The coven is a meeting of many revelations, theological, historical, social, and political, for this is not the first time the coven prayed to the Single God.) Othrun despises, but feels the pull of, the elemental power of The Six. His acceptance of interpersonal relationships is expanding, but not to include his near family. He is learning to recognize the merits and strengths of other races. He is no longer shocked by capable females. He is a man coming to be, but he has not arrived.
Other characters, too, are evolving. The mercurial Lysi is at her best – passionate, devoted to the demands of her calling as a mage and monarch, tender but also ruthless. As Nulthe, the Great Wika, declares, “Who is behind more plots than her among us?” (136) Lysi can be depended on to dissemble, demand, and shift directions as she deems the situation requires. She also is starting to remind me of Morgan le Fey, and I wonder what lies ahead.
Ingersa, whom you will remember as the seven-year-old Anibian prince from Book 3, has now grown into a warrior of great skill and nobility of spirit – a man of courage and honour.
Character is vividly revealed through physical attributes, actions, thoughts, and words. Rupaa emerges as a warrior, a chieftain with ambition, and a very sensual being. Viris, She-wolf of Carthlughe, is one to watch: A ruthless and fearless warrior, a slayer of kings, with a core of child-like innocence, she intrigues me.
The author’s descriptive force does engage the reader: When Ingersa charges into battle against impossible odds, fearless and indomitable, I, a peace-loving senior citizen, want only to clamber into the chariot beside him, shrilling my own battle cry. There is an overwhelming sense of history in the coven meeting, of something that has always been, something that predates all history; overall, the coven gathering fills us with dread and also anticipation. The scene of passion between Lysi and Othrun is raw and very physical, not a love scene. For it is not a love scene. Battle scenes are intense and vivid; the devastation of war comes through – the corpses, the civilian population in despair. Each scene has its unique style.
There are scenes to stir the blood, moments of gallantry: “’Then let’s make his death worthwhile!’ said ________, and I couldn’t help but admire how he relished battle.” 605 (Names are omitted to avoid spoilers.) In Ch. 39 as Othrun and his closest group ride forward to parley before a battle of hopeless odds, the author creates a sense of dignity and nobility: they ride forward thinking not of themselves and their impending death, but of hope for a future for their people. Here, we see Othrun the warlord becoming true king.
However, my favourite scene is the theological debate between the Prelate Fridlyr and Othrun, on the failings of monotheism. Fridlyr, from a lifetime of observation, has developed a scandalous view of worship and the role of religion in the state, or so it appears to Othrun.
It is a novel of complex negotiations, political intrigues, and unexpected alliances -- there is nothing dull or predictable here. There is mastery of detail; the author maintains momentum and manages an extensive array of places, alliances, intrigues, and characters. I am curious to see how this will be managed in book five, for to control a work of this scope is no small feat. I feel the framework of seven books is a solid plan, and I am confident that P. L. Stuart will continue to deliver excellence. Highly recommended!