On a desert planet the giant sandminer crawls through the howling sandstorms, harvesting the valuable minerals in the sand.
Inside, the humans relax in luxury, while most of the work is done by the robots who serve them.
Then the Fourth Doctor and Leela arrive – and the mysterious deaths begin. First suspects, then hunted victims, Leela and the Doctor must find the hidden killer – or join the other victims of the Robots of Death.
Terrance Dicks was an English author, screenwriter, script editor, and producer best known for his extensive contributions to Doctor Who. Serving as the show's script editor from 1968 to 1974, he helped shape many core elements of the series, including the concept of regeneration, the development of the Time Lords, and the naming of the Doctor’s home planet, Gallifrey. His tenure coincided with major thematic expansions, and he worked closely with producer Barry Letts to bring a socially aware tone to the show. Dicks later wrote several Doctor Who serials, including Robot, Horror of Fang Rock, and The Five Doctors, the 20th-anniversary special. In parallel with his television work, Dicks became one of the most prolific writers of Doctor Who novelisations for Target Books, authoring over 60 titles and serving as the de facto editor of the range. These adaptations introduced a generation of young readers to the franchise. Beyond Doctor Who, he also wrote original novels, including children’s horror and adventure series such as The Baker Street Irregulars, Star Quest, and The Adventures of Goliath. Dicks also worked on other television programmes including The Avengers, Moonbase 3, and various BBC literary adaptations. His later work included audio dramas and novels tied to Doctor Who. Widely respected for his clarity, imagination, and dedication to storytelling, he remained a central figure in Doctor Who fandom until his death in 2019, leaving behind a vast legacy in television and children's literature.
Easily one of my favourites serials in the whole of Classic Who. It's Agatha Christie but with Robots - what's not to like!
The novelisation is more of a reflection on how quickly Dicks was needed to turn these out. I was actually quite surprised to see on Wikipedia that this had the lowest page count of all the Target novels as there's been other audiobooks in the range with a much shorter runtime.
You're a classic example of the inverse ratio between the size of the mouth and the size of the brain.
Despite the limitations of a workmanlike prose, Dicks hits all the right notes with the vast amount of memorable scenes in this story - particularly Leela and the yo-yo.
I'd always bemoaned the fact that many titles are currently out of print. Of course they served a purpose before Video/DVD/Blu-Ray releases, but these audio versions are really winning me other. They're perfect to have on in the background whilst doing jobs around the house - or even taking the dog for a walk!
This is a novelization of the fifth serial of the fourteenth season of Doctor Who, and was broadcast in January and February of 1977. The fourth regeneration of The Doctor is featured, along with his most kickass companion, Leela of The Sevateem. The teleplay was written by Chris Boucher, and the episode was one of the best and most popular of the classic run of the series. Unfortunately, Terrance Dicks' adaptation is his shortest and one of his poorest. He doesn't add any description or background to the story, and it feels a bit muddled in spots. (Such as the scene where Cass appears to attend a meeting in the chapter after the character has died.) It's an excellent mystery story in the best Agatha Christie tradition, with a fascinating setting on a sand-crawler mining machine that's crewed by robots. There are nods and homages to many literary science fiction authors, including Isaac Asimov, Poul Anderson, Frank Herbert, and Karel Capek. The book does tell the story pretty well and is easily finished in a single sitting, but in this case I definitely recommend watching the tv episode instead.
In an interview for a DVD extra, author Terrance Dicks notes that one aspect of his career he's most proud of is his ability to meet deadline. As a person who understands the importance of writing on deadline, it's easy to admire that about Dicks.
However, it's also easy to lament that having to meet that deadline for a lot of Target Doctor Who novels in the mid-70's means the adaptations are a bare-bones retelling of the script with little or no room for expanding the story. The image of Dicks handcuffed to his typewriter and having to churn out a new adaptation of a fourth Doctor script often springs to mind when I think of this era in Doctor Who publishing.
Which is what makes it a shame that Dicks wasn't given the time to embellish and enhance stories like "The Robots of Death" like he did with "The Auton Invasion" or "Day of the Daleks."
One of the best regarded stories of the Phillip Hinchcliffe/Robert Holmes era (the story was one of the first fourth Doctor stories to hit both the VHS and DVD lines), "Robots of Death" is a Doctor Who version of a locked-room mystery. Arriving aboard an isolated sand miner in the middle of the desert, the Doctor and Leela discover that the human crew is being picked off one by one by (in case you missed the title) robots. The duo are prime suspects in the murders until it becomes apparent a robot revolution led by the megalomaniac Taren Capel is underway.
With a richly realized cast of characters, all of whom have plenty of motives to eliminate each other and a fascinatingly hinted at society, "The Robots of Death" on-screen is a richly realized corner of the Doctor Who universe. The implications of robot revolution with Capel able to override the robots' first rule that no harm can come to humans and what that means if the robots get loose on the larger world of this story is fascinating and part of what drives the final two episodes of the story.
But, it's sadly not as well developed here. Yes, we get hints and Dicks brings in the references from Chris Boucher's original script. But they're brought up and quickly dropped again. It's easy to imagine the Dicks who wrote "Day of the Daleks" spending a short chapter examining things in Kalador City so the reader really understands why the crew has to stay isolated until the robot revolution is quelled. The book left me wondering, "What if" and how it could have been so much richer.
It also reminded me of why this one may not have been part of my Target collection back in the day.
As an audio production, there is little, if anything, to fault here. Louise Jameson continues to be an asset to the audio range with her reading of the story. The sound effects and music enhance the listening experience and help elevate this adaptation. I tend to listen to these books while running, so having a straight-forward adapting of screen to page wasn't necessarily the worst thing for this audiobook.
Doctor Who titles are always refreshingly transparent: it's called the Robots of Death because the robots KILL PEOPLE. The villain has decided that robots have been used as slave labor for too long, so reprograms them to start killing their former masters. Of course no one believes that robots could ever harm humans--until the Doctor and Leela come along.
And then the Doctor saves the day by giving the villain a helium high. I am not kidding.
Doctor Who and the Robots of Death loses in the transition to the written page; the TV version just looks so memorable, and I think hints better at the background setting of Kaldor City.
Not my favorite doctor who story I’ve read, but still enjoyable! I think it lacked some of that classic charm and I wish the plot felt more suspenseful and exciting. But a good quick read.
When robots are meant to help but are programmed to kill... But, who is programming them? Well, Doctor Who is trying to find out as he and Leela have come upon a desert planet...
Should be a 2.5 really, but I can't round a Terrance Dicks novel down. This is an accurate but very perfunctory retelling of a classic Tom Baker story. At only 108 pages this is one of ( if not the) shortest Target books - it's almost as if Dicks was at the end of a contract, or just fed up as there are no embellishments at all. A bit disappointing ashe could have easily added backgrounds to all the human characters. A quick read due to the length, but not my favourite novelisation by Dicks, I'm sorry to say.
What can I say, I'm a fan of Terrance Dicks. Fast paced reading, great book. I just watched the Serial, and this book helped me understand the overall plot.
Quite an interesting tale this one. Is a bit of a whodunnit in an enclosed area that the Doctor and Leela walk into, with quite a bit of mystery nicely maintained for the reader as well as the characters for quite some time as to who the villain of the piece is. At the same time, gives a good view of what a robot supported society can be like, with how humans react to robots, both with relying on them for any mundane / physical activity, leading to a degree of laziness, plus the fear of dealing with beings that look a lot like humans, but not quite. Leela in good form here in her first adventure after entering the TARDIS, quite happy to threaten violence, and while wary, not afraid of the dangers they encounter. The Doctor also in good form here, stepping up and taking charge readily, and can see the gears moving in his head as such as he works out who the villain is. Overall a pretty good read.
Was given this as a Xmas present by my son. Have to say the plot is terrific. The Doctor, a time traveller from the planet Gallifrey and his knife weilding travelling companion Leela, land aboard a sandcrawler crewed by humans and robots mining valuable mineral deposits on a human colony in the far future and distant realms of the galaxy. Just as they arrive a death of a crew member occurs and they instantly placed under suspicion. It soon becomes clear that not everyone is as they seem and a deadly game of cat and mouse unravels. Can robots be trusted? Maybe could be a tad more descriptive ( when written probably assumed readers were familiar with the characters) and lacking in thought description. On the plus side no bumph, fast actioned plot conveying claustrophobia and a race against time. A quick and satisfying read.
Terrance Dicks was the master of Target’s Doctor Who novel range, and once again he proves it with this adaptation of Chris Boucher’s beloved serial from Season 14 with Tom Baker as the Doctor and Louise Jameson as Leela. Although Leela had her fans at the time, it’s often in hindsight that people have come to appreciate how brilliant Jameson was (and what a fine actress she’s become) - which is prominently on display here as she sinks her teeth into narrating this classic tale while adding new layers to her portrayal of Leela. Whether you want a stroll down memory lane, a pleasant distraction or to discover some nice tight writing, you’ll find what you’re looking for here.
Doctor Who and the Robots of Death (1979) by Terrance Dicks is the novelisation of the fifth serial of season fourteen of Doctor Who.
The Doctor and Leela land on a large sandminer where a small human crew live in luxury while many robots work around the ship keeping it going. There is a mysterious murder, then another and first suspicion is cast on the Doctor and Leela before the titular robots are revealed as the culprits. But there is more and it plays out as a murder mystery as well.
It’s quite a good serial. The sci-fi trope of sand mining is mixed up with robots that have strayed.
An iconic TV story from 1977, this much-maligned novelisation is supposedly one of the worst of the entire range, although I rather enjoyed it. It's not perfect, and it's very clearly a book written to get a pound out of the pockets of schoolchildren. There's a laughably bad moment where a murder victim has another scene a few pages later. But it is better than its reputation suggests, although nowhere near one of the classics of the range.
A weak adaptation of Chris Boucher’s best script for Doctor Who. Dicks overeggs the foreshadowing and tension in the early parts but a couple of continuity errors highlight the conditions under which he wrote it. Some lovely background details but it’s an imitation of rather than a companion to a great story. Also, I know everyone says it’s an Agatha Christie-style mystery but it really put me more in mind of Asimov’s SF mysteries with Poul and D84 standing in for Bailey and Olivaw.
The book is a solid, if slim, adaptation of one of "Doctor Who's" most famous tales. However, every time I look at the evocative cover, it takes me back decades to the little boy I was, borrowing it from the public library, in its hardcover edition, for the very first time. Lots of nostalgia value around this particular book.
A sprint through this streamlined version of the script. Considering the sheer number of spin-offs (Kaldor City audios, the novel Corpse Marker, Big Finish audio series The Robots... ) this novelisation barely scrapes the surface - the baroque design of the robots, the human costumes and make-up lack 'sparkle' when described somewhat perfunctorily as here.
I remember the first time I watched this as a child hiding behind the cushion really scared of the robots. It amazed me that leader of the robots was a human at the time. However now working in IT I can watch/read with detachment as I no longer find robots scary.
Pretty straight forward adaptation of the TV show. Harder to track the characters in this because you don't have faces to match. A couple of strong personalities stood out but there are a lot of people at least initially.
Super quick read. Lots of fun, and it maintains the mystery of who is responsible for the robots of death better than the TV show did (or could have done).
The Robots of Death, on of the top Doctor Who stories ever. There are certain books covering the original series that you would like to see in a version other than the Target format. For a book that we probably won't get a more detailed version, the Target novelization works.
This book did come out during the time where I think Target just chained Terrance Dicks to a typewriter and he wrote non-stop. The length is about normal for a Target book. Yet while reading it some how it did bring across the charm and intensity of the story. Of course the villain is not revealed early on since you can't see his shoes.
We have the Agatha Christie format of someone killing of the individuals on the Sandminer one by one. The question is who is behind it. Yet even though Terrance Dicks does not add extra into his writing, it still captures the story very well.
I will state I might be biased because I do enjoy this, and could visual bring up the story in my mind. Someone else might not be able to. However, you can get the feel of a great story within this novelization of it.
As I am trying to watch some of the classic Who, I am reading also the Classic Who novels ( I found a local bookstore that sold them for $2 a book, and I bought around 10). This is the first classic who novel I have read, even though I was quickly able to guess the killer, there were some great lines, and also interesting way to deal with the killer. With only 102 pages in this small book, I got a great read, and it felt like a Doctor Who adventure!
One of the very best of the Dr Who series. The novelisation is primarily aimed at young teens so not a brilliant read for an adult and does not fill in any more that was shown the in TV series; very little examination of characters or motivation. But it is a good read and follows the TV episodes blow for blow.