This is a not-short review of short fiction, because this short story is that good.
I obtained this book for free through my local library.
“Christian followed the man Fallows out of the tent. The killer crossed the ground in slow, careful steps, always planting his feet just so, like a pallbearer lugging one corner of an invisible coffin. He laughed and smiled easily, but he had attentive, chilly eyes, the color of lead. Those eyes made Christian think, randomly, of the moons around Saturn, airless places where the seas were acid... The way Fallows killed, it was as if he himself were the weapon and the gun was only incidental.” “Faun” by Joe Hill
Final Rating: SS-tier / FIVE stars
Genre: Urban fantasy / horror / fairy-tale but grim
Content warnings: animal death, cannibalism
Page count: 42 pages
Estimated time to read: 1 hour
Recommended for people who want GrimDark chronicles of Narnia; those who want to forget our world exists for an hour because the escapism here potent.
Overview: The story begins during an African safari where a big-game hunting party assembles in hopes of bagging a lion. We are introduced to Mr. Fallows — an injured war veteran — and the very wealthy Mr. Stockton, Stockton’s son Peter, and Peter’s scholarship friend Christian. Billionaire-Stockton baits Fallows with information regarding a little door through which a man named Charn will guide a hunting party for “the hunt of a lifetime” all for the low, low price of $250,000. This hunt is invite only and ONLY occurs twice annually. Very exclusive. All trophies for the hunt must remain on Charn’s property. No other hunts will ever be able to compare.
Reflection: In “Faun” Joe Hill crafts something that is distinct and NEW — he evokes in me a feeling of *novelty* that as a lifelong reader Is becoming more an more rare. Within our vast libraries of literature, the pool of stories that remain untold dwindles. Hill demonstrates remarkable precision with his narrative choices and the architecture of foreshadowing culminates to an incredibly powerful resolution for the reader. By conjuring images of death and pain in the excerpt above — Fallows ambulating with deliberate and painful steps “like a pallbearer lugging one corner of an invisible coffin” — Hill immediately achieves a foreboding and ethereal tone within the narrative. This sets the table for the rest of the tale, the reader tense with knowledge of the inevitable wrong turn that is featured consistently throughout the horror genre. “Faun” uses a 3rd person limited narrator with shifting POV / Multiple protagonists — which is difficult to pull off with grace in such a brief span — but Hill is able to make it work without stuttering the action and the choice even makes for a stronger experience, IMO.
Depth/Impact: I am still hungover from “Faun” and I read the story at *the end of May — over 30 days ago now*. It finally satisfied the longing left by “The Rampart Trilogy” in early April, but now I am dealing with larger and more unyielding void after “Faun.” You know that ache that gnaws after you have finished a work of fiction for the first time, and you recognize that it has forever changed you. That is the feeling that haunts me after completing Faun. The rights to Faun were recently purchased by Netflix after a relentless bidding war, and I eagerly anticipate the story’s adaptation to film.
I will regard this work as an all-time favorite for the rest of my life and look forward to reading it again in time to come.
One hour of reading bliss in exchange for (at least) a month of feeling globally unsatisfied by reading anything else… worth it? You decide.
I read this in ebook format for free through my local library system via the Libby App. Can’t afford books? Me either. Libraries steal from the rich and give to the poor. Check out what kind of digital catalog is available at your local library system.