Jonathan Anthony Stroud is an author of fantasy books, mainly for children and youths.
Stroud grew up in St Albans where he enjoyed reading books, drawing pictures, and writing stories. Between the ages seven and nine he was often ill, so he spent most of his days in the hospital or in his bed at home. To escape boredom he would occupy himself with books and stories. After he completed his studies of English literature at the University of York, he worked in London as an editor for the Walker Books store. He worked with different types of books there and this soon led to the writing of his own books. During the 1990s, he started publishing his own works and quickly gained success.
In May 1999, Stroud published his first children's novel, Buried Fire, which was the first of a line of fantasy/mythology children's books.
Among his most prominent works are the bestselling Bartimaeus Trilogy. A special feature of these novels compared to others of their genre is that Stroud examines the stereotypes and ethics of the magician class and the enslaved demons. This is done by examining the perspective of the sarcastic and slightly egomaniacal djinni Bartimaeus. The books in this series are The Amulet of Samarkand, The Golem's Eye, and Ptolemy's Gate, his first books to be published in the United States.
Stroud lives in St Albans, Hertfordshire, with his two children, Isabelle and Arthur, and his wife Gina, an illustrator of children's books.
A Portland Row Christmas is a vignette depicting 35 Portland Row on Christmas Day, between novels four, The Hollow Boy, and five, The Empty Grave. It is barely a story, since very little happens. Instead, it is an intimate portrait of a moment of peace for the Lockwood Agency, relaxing with themselves. I enjoyed it.
It reminds me in form of Ben Aaronovitch's "Moments", most of which depict characters of his Rivers of London series at moments of ease.
I like Ben Aaronovitch's Moments and Jonathan Stroud's A Portland Row Christmas. Even without a story, they reveal intimate details of the relationships between the characters. For instance, in this one it is obvious that Lucy has gotten over her quondam resentment of Holly, and that she and Lockwood are becoming increasingly intimate. (I had never heard of the game "Sardines" -- had to look that up.)
The story consists of five images: a cover and four printed pages, that are, as far as I can determine, available only on social media: Xitter or facebook. Those are not permalinks, so you may have to hunt for it. Jonathan Stroud does not seem to have put it in what I thought would be the obvious place, his web site.
2024 re-read: I had to dive into this tiny story because this year's story, The Apple Tree, broke my heart into pieces (IYYK) Slice of life of our favourite ghost - hunting agency in London. And after all they've been through it's a well deserved fluff.
Je ne vais pas mentionner de dates pour pas qu'il apparaisse dans mon rendu de fin d'année aha... Il fait trop peu de pages et c'est juste un chapitre qui ne fait pas parti d'un livre ! Je suis toujours contente d'avoir des nouvelles de mon trio préféré cela dit 🩷
It's a nice little scene, but there is no story involved. So, if you want descriptions of them sitting around a table with food, with Lockwood and Lucy going to grab presents, enjoy. If you are looking for something with a narrative, might I suggest going to one of the books