5★
“so you do the only thing possible,
you avoid the rules.”
What an absolutely delightful Aussie book this is for both adults and young readers. The layout is long, slender strings of free verse. No arty rhymes or fancy rhythms, just a flowing, straight-forward, thoughtful story.
Billy is a 16-year old kid who’s walked out on his drunk, abusive father and hopped a train, in the tradition of the old-time hobos ridin’ the rails.
He doesn’t have much, but he has his freedom and has found a friendly local library where he’s allowed to sit and read to his heart’s content—so he does. It's the sort of place he probably first read about hobos and dreamed about adventure.
“It’s a good library.
Lots of books, sure,
and lounges soft and comfortable
for real reading,
and I choose one
in the corner
and I settle down
with a book about these kids
stranded on a deserted island
and some try to live right
but the others go feral
and it’s a good book
and I’m there, on the island,
gorging on tropical fruit,
trying to decide whose side I’m on
And then it hits me.
I’m on neither.
I’d go off alone,
because you can’t trust
those who want to break the rules
and you certainly can’t trust
those who make the rules,
so you do the only thing possible,
you avoid the rules.
That’s me,
on the deserted island
of a soft lounge
in Bendarat Library.”
He scavenges McDonald’s left-overs, adopts “Old Bill” (probably still in his 40s, but from the vantage point of a 16-year-old kid, that’s old), and squats in the old railroad carriage next to Old Bill’s adopted accommodation.
Chapters alternate between Billy, Old Bill, and later Caitlin, a 17-year-old McDonald’s employee, daughter of a local well-to-do family. It was never confusing whose chapter it was, but I thought each character narrated in the same tone and language, almost as if Billy were telling their stories, too.
Beautiful style, good characters and story, and an excellent one to get young readers started on, with its many types of language, metaphors, descriptive phrases, etc. The poetic format makes it physically very easy to read, too. The sentences ramble on, with erratic punctuation (which kids would probably enjoy), but it is never confusing.
There would be many conversations about the various 'gifts' in the story, I'm sure.
A welcome discovery! I do have a soft spot for a well-written YA book.