Maceo Parker's signature style became the lynchpin of James Brown's band when he and his brother Melvin joined the Hardest Working Man in Show Business in 1964. That style helped define Brown's brand of funk, and the phrase “Maceo, I want you to blow!” became part of the lexicon of black music. He took time off from James Brown to play with George Clinton's P-funk collective and with Bootsy's Rubber Band; he also formed his own band, Maceo and All the King's Men, whose records are cult favorites among funk aficionados.
Here Maceo tells his own warm and astonishing story, from his Southern upbringing to his career touring the world and playing to adoring fans. Maceo has long called his approach to the saxophone “2% jazz, 98% funky stuff.” Now, on the eve of Maceo's 70th birthday, in prose as lively and funky as his saxophone playing, here is the definitive story of one of the funkiest musicians alive.
Some people are storytellers. Some people just give you the facts. And when these people write an autobiography, those qualities shine through. Maceo Parker is not a storyteller. He is a man interested in telling you about his life and how he feels about things he's gone through and especially how he feels about music, but he is not especially engaging. You don't get the tasty bits of dealing with James Brown, or the drug-fueled orgy play-by-play of his George Clinton/P-Funk years, but you get a solid recounting of the life of a very influential musician.
I have always been a proud North Carolinian, especially of people like Maceo Parker. This is a feel good story that details the hard work and honesty that are the cornerstones of success. I enjoyed every word of this book and we are blessed to have lived in the same times as Maceo. There are so many great musicians from NC. Maceo is that plus a great human being who only wants us to love each other.
This is a great autobiography of a man who brought love, good vibes and funky music into the world and made people's lives all the richer for it! Destined to be a musician at the age of four when he tinkered with his Uncle's piano, Maceo went on to play with giants such as James Brown and Ray Charles. He also recorded with more contemporary outfits like The Red Hot Chilli Peppers, Prince and The Dave Matthews Band. Aside from the captivating tales of touring and playing in a band, Parker brings to light the importance of good family values, standing up for one's own rights and fighting for human rights in an era of racism. Parker used music to unite people and drive a wedge of change through laws which supported the suppression of black Americans. In his way of thinking, simply put, Blacks and Whites both love to dance!
A breezy and delightful memoir that spans the arc of Parker’s musical career, gives insight into life on the road with James Brown, and proves that Parker is not only a world-class musician but also an admirable person. It’s a fun and interesting read.
A slim but welcome memoir from alto sax man Maceo Parker, who recounts his rise from rear guard reed man to top-billed titan of funk. We meet a suspicious, tempermental James Brown (who once drove Parker into the rubbish removal racket,) an enigmatic George Clinton, and a funny, foul-mouthed Ray Charles. A feel-good (as in "I Feel Good," the Brown hit featuring Parker's animated horn) autobiography.
Informative account of a leading R&B sax player who came of age in the 60's and played for years with James Brown. Very matter-of-fact in his accounts of playing gigs beginning in an age of segregation and moving into an era of drugs and excess, all the while sticking to his own groove. Although I found it interesting in those respects, I often wished for something a bit more personal either in terms of the author's reflections on the times, or even on the music
Very anticipated book from such an influential artist of funk genre. But was looking for something a little meatier. Perhaps some color or outspokeness of what must have included outrageous events. But still love you MACEO. I was just hoping for more insight.