Jump to ratings and reviews
Rate this book

Arden Shakespeare Library

Shakespeare's Theatres and the Effects of Performance

Rate this book
How did Elizabethan and Jacobean acting companies create their visual and aural effects? What materials were available to them and how did they influence staging and writing? What impact did the sensations of theatre have on early modern audiences? How did the construction of the playhouses contribute to technological innovations in the theatre? What effect might these innovations have had on the writing of plays?

Shakespeare's Theatres and The Effects of Performance is a landmark collection of essays by leading international scholars addressing these and other questions to create a unique and comprehensive overview of the practicalities and realities of the theatre in the early modern period.

320 pages, Paperback

First published February 28, 2013

3 people are currently reading
48 people want to read

About the author

Farah Karim-Cooper

28 books17 followers

Ratings & Reviews

What do you think?
Rate this book

Friends & Following

Create a free account to discover what your friends think of this book!

Community Reviews

5 stars
7 (36%)
4 stars
10 (52%)
3 stars
1 (5%)
2 stars
1 (5%)
1 star
0 (0%)
Displaying 1 - 4 of 4 reviews
Profile Image for Michael P..
Author 3 books74 followers
December 11, 2014
This is a fresh and fascinating study of the interactions of early modern English plays and the stages for which they were written. There is too much fresh material here to enumerate. You must read this book.
Profile Image for Tom.
413 reviews4 followers
August 4, 2022
A brilliant book, especially for someone like me who tends to encounter Shakespeare on the page, or maybe on screen.

What Karim-Cooper, Stern and their colleagues do is remind us of the physicality of the theatre of 1600 or so: the sights, the smells, the props, the auditory experience, the physical spaces, and how that fitted into the reality-tunnel that Shakespeare and his near-contemporaries experienced.

Particularly interesting for me were Bruce Smith's exploration of the inward, the outward and the toward, and Holly Dugan's explorations of the smells of renaissance theatre, but I suspect anyone wanting to understand Shakespearean "context" would get something fascinating from this book.
Displaying 1 - 4 of 4 reviews

Can't find what you're looking for?

Get help and learn more about the design.