This has a couple of really obvious differences to The Path To Nowhere: the absence of the Jedi Das Jennir (who's now gone his own way) and the change of artist. Now, the Jennir's absence wasn't a problem and actually gave the writers an opportunity to give a little more detail about the Uhumele's crew - particularly regarding the human female Crys. Something that was only hinted about in The Path To Nowhere is finally revealed in full, giving the character far more exposure. Something that the new artist was also keen on doing. Somehow, since meeting Bobo Greenbark and Das Jennir, her bust has suddenly swelled a few sizes and her clothing is barely able to cope with such a change. This, coupled with some really interesting wardrobe changes and PoVs somewhat cheapens her character from a woman mourning the loss of her family, to eye-candy. This is especially exaggerated when compared to her more conservative portrayals in the preceding The Path To Nowhere and subsequent Vector Vol. 1. What's also worth pointing out is that the other prominent human female, Chase Piru, is drawn a lot less provocatively (actually, she could be mistaken for being male in a few panels) - she's also black...
That's quite a lot written about the artwork, but when a story is largely portrayed in a pictorial form, it is important, particularly if it distracts the reader from the plot.
The plot itself was largely empty, with two 'parallel' stories running along in tandem. The only thing linking the two are that Crys's believed-to-be-dead son is one of the young padawan's under K'kruhk's care. A point so meaningless (due to the subsequent events in Vector - Crys never finds out he survived) that it's a wonder it was even there in the first place. Also, after stealing from the Uhumele a group of thieves crash land on the very moon that K'kruhk is hiding out on. What a coincidence - that also has no relevance to anything at all.
However, unlike the Dawn Of The Jedi stories I read earlier this month, there are permanent consequences for the crew of the Uhumele with the loss of not one, but two of their number (not counting Jass), and then next up it’s Vector which now has the emotional impact it lacked when I read it earlier out of context.
Also, Bomo's "I think I got that out of my system" scene was a pretty epic conclusion to what he's gone though both physically and emotionally in the last two story arcs.