In un lontano Giappone feudale, gli uomini vivono in pace al fianco di spiriti e demoni… finché uno di questi ultimi non si mette alla ricerca di un’antica arma che gli permetta di soggiogare il mondo intero. L’unico in grado di fermare il suo piano è un ragazzo alto pochi centimetri ma dal cuore immenso, e che ha un legame misterioso con la sacra arma!
DAL TALENTO DI RYAN LANG, ARTISTA NOTO PER IL SUO ECCEZIONALE LAVORO NELL’AMBITO DEL CINEMA DAL VERO (DOCTOR STRANGE, GUARDIANS OF THE GALAXY VOL. 2, AVENGERS: ENDGAME) E DELL’ANIMAZIONE (RALPH SPACCATUTTO, BIG HERO 6, OCEANIA) (Trama dal sito dell'editore)
Ryan Lang is a Los Angeles-based production designer and visual development artist. At a young age, he fell in love with the art and storytelling of comic books, which eventually led to a career in both animation and live-action.
"Summoning all of its power, the spirit disappeared from the sky...and was reborn a baby boy no bigger than a thumb." "We knew from the moment you came to us that you weren't the answer to our prayers, [said his parents] but to something much greater." Issunboshi, a six-inch would be samurai, wielding a sewing needle-sized sword.
Issunboshi was the manifestation of the spirit of good. He would be relentlessly pursued by an Oni who represented chaos and evil in the world. The Oni traveled with Gashadokuro (warriors created from the bones of victims of starvation), insatiable evil creatures who banded together to make the world perilous and dark. The Oni was consumed by visions of unimaginable power and the chance to be King of all Demons if he could eliminate his roadblock, Issunboshi. The good of mankind was balanced on the tip of Issunboshi's sword. He must defend the soul of the powerful spirit.
Issunboshi's training included lessons in agility, stealth, hand-to-hand combat and conditioning. How could a warrior the size of a blade of grass overcome his doubts to engage in battle? Words of wisdom ensued. "Even the strongest of hearts can be clouded with doubt." "You don't need to be a hero to stand up against evil."
"Issunboshi: A Graphic Novel" written, illustrated, and colored by Ryan Lang is a graphic treat. The artfully drawn characters, textured in black and white, and beautiful back lighting, enhance the beauty of this tale. The raw emotions expressed by Issunboshi and his friends were palpable. I felt fully invested in the outcome of the battle against the forces of darkness. Author Ryan Lang states that he "has a passion for stories about what it takes to be a hero." For this reader, he has projected positivity and self-worth, for readers young and old, through the retelling of a famous story in Japanese folklore. Highly recommended.
Thank you Oni Press and Net Galley for the ARC in exchange for an honest review.
✨ "We fight not because we have no fear, but in spite of it."
Goddamnit, I'm not expecting to cry when I read a book about war and folklore but that's exactly what happened here.
This is a riveting story full of action and adventure, sprinkled with humour and emotionally powerful scenes. I enjoyed learning about the various Japanese mythical creatures and yokai. Issunboshi might be physically small but he's larger than life and has a big heart.
The artwork makes everything feel so vivid and animated despite being grayscale. I would love to see this graphic novel in full colour as I imagine it would be breathtaking. More conflict and detail would have been preferred, as the story feels rather simplistic and straightforward on the whole.
Overall, this is a greatly engrossing read with timeless themes and magical moments ;)
Thank you to Oni Press and Netgalley for an ARC of this book.
Beautifully drawn monochromatic panels. Based on a Japanese folktale, the story is a blended coming of age / hero's journey as the one-inch son of an obscure but loving peasant couple leaves home and discovers his destiny.
This could've been a Shonen parody. The main character lives on a farm, gets snatched away with his parents in peril, fights for a bit, learns of a powerful enemy that threatens the whole world, there's a training montage, hero gets his ass kicked, the villain gets what he was looking for and earns the ultimate power-up, then hero comes back and gives a really simple obvious moral and somehow, against all odds, even though he's done absolutely nothing to earn a power boost in the interim, manages to clinch the win this time. Easily, even.
But if it were such a parody, then - the villain's Super Saiyan Hair notwithstanding - it was rather too subtle to work as such. It didn't go for any of the laughs it could have, it didn't wink at the audience, and it played the drama straight. The Disney-esque art style was too far removed from the Shonen to make it clear what it was going for, yet not nearly far enough to really play with the contrast.
On the other hand, if it actually were trying to be a straight serious story - and I rather suspect it was - then it was the most clichéd, by-the-numbers, pre-digested porridge I've read in years. In all that two hundred pages I didn't see a single unique thought or a single detail worth remembering. The art started out charming at the beginning when I thought it was going somewhere, but at the end, when I realized what it really was about (that's to say, nothing at all), that too turned against it.
It doesn't even seem to have much to do with the original fairy-tale, apart from the tiny main character and his pin-needle sword. Didn't even use that sword in the end. Punched out the main villain like Goku would have. And became a big boy.
Just a big ol' disappointment. It had me going for a little while but quickly wore out its welcome. Skip.
Issunboshi adapts a traditional Japanese folk tale. A legendary spear wielded by the gods is separated into four parts which are scattered throughout Japan. Much later, an elderly couple prays at a shrine for the gods to grant them a child, even if he's no bigger than a thumb. The spirit of the spear is moved to incarnate itself as said tiny child. As he eventually comes of age, we learn that a fierce demon is gathering the pieces of the spear, with the intent of shattering the gate to the Underworld, releasing peace and prosperity upon the lan … wait. I read that wrong. Hell on earth, I meant. Clearly, Issunboshi–all three inches of him–is going to battle the demon …
I was unfamiliar with the folk tale. In fact, I thought this was possibly some manga-influenced take on Tom Thumb for a brief moment. It's not, just to be clear. Ryan Lang's artwork is lovely, with his animation background shining through strong and clear. His character designs are well thought out, his facial expressions nicely subtle, and his action poses suitably dynamic. The story flows nicely, hitting all of its emotional beats with perfect timing. I was almost in tears on the last page.
Issunboshi is a lovely book that should delight ardent fans and casual readers alike. Highly recommended!
I received an Advance Review Copy from the publisher via Netgalley in exchange for an honest review.
Final rating: 3.5 ⭐
Issunboshi is based on the classic Japanese folktale of the same name which can mean "Little One-Inch". It is fast paced, brimming with action, and the art is so good. The character designs, both humans and monsters, were so cool! The sceneries and the feudal Japan setting were so intricately drawn, I took my time appreciating the full-length panels. In terms of the plot, it is fairly simple and follows the generic pattern of any classic, hero story. It's about doing your best despite your fears, and how no matter how small we feel, there is something we can always do. Overall, Issunboshi was an entertaining read that can be consumed in one sitting.
I received an Advance Review Copy from the publisher via Netgalley in exchange for an honest review.
I was excited about Issunboshi, being a fan of Japanese mythology, but unfortunately I found it to be a pretty underwhelming read. If you’re even slightly familiar with Japanese mythology, all the creatures featured will be familiar to you– but I couldn’t help wondering if it would be the best introduction for someone who wasn’t. The narrative moves so fast, we don’t really get to spend time with any of them, and they seem to be included just for the sake of it, which undermines their effectiveness.
It’s tricky to get readers invested in characters and a huge, world-ending threat in such a short space of time, and as far as I was concerned Lang didn’t achieve that goal here. The pacing felt extremely uneven and often rushed. The characters are ciphers- the women in the narrative suffer particularly from this, but it's a universal problem- with predictable, spouting overfamilliar dialogue, and mostly seemed to exist for exposition, which is copious. Issunboshi’s quips are just stock-phrases, and he himself feels pretty devoid of personality, which is always unfortunate when seeing a character from legend who has already been reimagined again- it’s difficult to put out of mind reinterpretations you’ve preferred when coming across a flavourless one.
Returning to the plot, Lang didn’t really sell me on this particular version of the story. Issunboshi being borne of the soul of a legendary spear is an extremely cool concept, but the magic in this story all feels very hand-wavey and the resolution was ultimately a bit of a Deus Ex Machina. Additionally, I know that Issunboshi usually ends his tale at a typical height, but it didn’t feel thematically appropriate in this instance. I wasn’t sure what it was supposed to represent, in the wake of the cliche of “even the smallest person can make a difference.” It’s a retelling, already straying pretty far from most versions of the folktale I’m familiar with, so I was pretty baffled by this choice. Apart from some bog-standard self-dobut, Issunboshi doesn’t really have an arc to be resolved, and the one he does have doesn’t parallel the plot: he’s pure of heart from the start, so the resolution isn’t really satisfying.
I’m not a huge fan of the art style either, unfortunately- it feels pretty generic and Disney-ish, unmemorable and inconsistent. Certain panels were impressive- for instance, many of the action panels, particularly those that got creative with perspective, but I couldn’t help but notice a few unintentionally goofy facial expressions that felt rushed in others. Whilst the Kappa was a stand-out, the rest of the character designs, including that of the main villain, were underwhelming. As other reviewers have observed, this graphic novel felt less like it was intended to be a graphic novel and more like a storyboard for an animated film, which follows, considering Lang’s background. I adore animation- it’s one of my favourite mediums- but this is an unhappy compromise. This story feels like it wants music, wants quick, funny cuts for comedic timing, wants dynamic movement that Lang just isn’t conveying in stills.
I come away from this read unsure who I’d recommend Issunboshi to– those interested in Japanese mythology retellings have countless stronger reimaginings to turn to, and there are countless stories that explore these very classic themes with more originality, eloquence, or entertainment.
Issunboshi: A Graphic Novel, is written and illustrated by Ryan Lang, who has worked on numerous Disney films. This book follows Issunboshi, a man born of the soul of a great weapon, who is the size of a thumb. He nevertheless has great strength and courage, and is soon on a quest to defeat a powerful Oni, who is working to reforge the great weapon, and trying to harvest Issunboshi's soul in the process. This is a retelling of a Japanese folktale.
This was a fun and quick graphic novel read with some excellent art and illustration, done in a black and white style, reminiscent of an old Japanese film. The tone is mostly light hearted, and although there are monsters and demons, the book never gets too dark or disturbing, so this one would be an appropriate read for younger readers. I really enjoyed the overarching world and illustration here, but found some of the characters, including the main character, to be a little bit too light on said character, greatly reminding me of Disney story-telling, in fact. This is a light criticism, and I enjoyed my time with this novel. Would recommend to those looking for a one part newer graphic novel to try out. This one contains some excellent illustration, and is worth the time.
Questa graphic novel: Issunboshi, riprende una storia del folklore giapponese ed aveva tutte le carte in tavola per appassionarmi, ma non è stato, assolutamente, così!! La storia e i disegni sono palesemente un rifacimento disneyiano della storia. Non ho mai sopportato i cartoni animati Disney e questo, appena iniziata la lettura, mi ha ricordato subito Mulan, Oceania e roba simile. Poi la narrazione ed i dialoghi solo tremendamente americanizzati contemporanei, visto che la storia è ambientata nel Medioevo, mi pare una pessima trovata. Ma poi la retorica è all'ennesima potenza e mi è scoppiato il cervello :O Pessimo!
What a wild ride this was. Packed with actions, emotions and gut punching scenes, the story was told in beautiful artworks that captured me from beginning to end. Loving the fantasy, myth and folk tales this story was. It was incredible reading this.
Thank you to Netgalley and Oni Press for the arc in exchange for an honest review
This is an excellent graphic novel adaptation of the Japanese folktale about Issunboshi, the one-inch Samurai. In feudal Japan, where mythical and folkloric creatures exist, a devil seeks to reassemble an ancient weapon to rule the entire planet. Our one-inch Samurai Issunboshi happens to be the last and most important part of the weapon, also the only one who can stop the devil.
In this graphic novel, there is excellent and detailed artwork that makes the general composition richer, and superb storytelling that takes its inspiration from folktales. Generally, I don't like retellings of myths and old tales, but here the artist successfully captures the heart of the story. There is even a cultural consultant mentioned in the list of contributors. Lettering, with which I always struggle, was bold and neat enough to read.
Considering the last couple of pages that contain sketches, we are expected to wait for the second volume. I am looking forward to it.
Many thanks to NetGalley and Oni Press for providing an ARC of this book for reviewers.
Thank you to Netgalley and the publisher for the ARC
This is a beautifully illustrated story about a tiiiiny man who is destined to fight the yokai and save humanity. The style is very Disney like, which makes sense since the author has contributed to many Disney movies. It was a easy and enjoyable read, perfect for fans of japanese lore and folk tales, with very cool representations of yokai.
A retelling of the Japanese folktale about the one inch Samurai. Written, illustrated, and colored by Ryan Lang with letters by Steve Wands. The book is stunning. It has a Disney animation feel to the art. Everything comes across as sweet. It was an excellent retelling.
*I received an ARC via Netgalley in exchange for an honest review. Thanks for the free graphic novel*
Issun-bōshi (一寸法師) is a Japanese fairy tale from the Muromachi period that tells the story of a tiny warrior (think Tom Thumb) fighting monsters. The graphic novel by Ryan Lang reminds one strongly of the Wreck-It Ralph movie (he worked on that) in terms of the illustration style, but also a bit like Mulan. I liked it and it was easy to read, I just thought that the graphic novel lacked a bit of the Japanese background. Don't get me wrong, it's not adapted to take place in New York or anything, but I felt like it could have also worked a bit more with the illustrations connected to the original fairy tale. I was kinda expecting that. But overall enjoyable, 4 stars
Issunboshi was a very fun entry into graphic novels for me, and hopefully the first of many.
I have received this book in exchange of an honest review, thank you to Oni Press and Netgalley for the opportunity.
I have my own blog now, so please do give it a visit if you're interested in my other reviews :)
Release date: 25th of October 2022.
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I'm a big fan of Japanese culture and media, which made manga the only media of this type that I have consumed in my life. And that in turn, made me a little extra excited to try and get an ARC of Issunboshi, to see how it would feel.
And as a first entry into the graphic novel world, Issunboshi was great.
When it comes to drawn visual media, I'm very rigid about it being very appealing to my eyes in its artwork or animation, before I even think about the story itself. As it is the way said story is going to be told, in my humble opinion and Issunboshi is fantastically drawn. The Japanese feel of the settings, the character/creatures designs that match it while also retaining variety, the action scenes and the shown creatures was phenomenal.
If it was read from right to left, like in an actual manga, I doubt I would have noticed that it wasn't a Japanese production. Extremely clean artwork, and I also absolutely loved the depiction of the action scenes in it. It was more than enough to showcase the power of both Issunboshi and his opponents, without being overwhelming to the story Ryan Lang wanted to tell. It also made the world they're in very clear, and the added pieces of dialogue only enhanced the experience.
Issunboshi is a folktale, and despite the multiple tellings of it, I believe that the author chose what worked best with his style and direction. Merge that with the needed faster pace of this graphic novel, and it works incredibly well. The flow of the story was still very smooth, the background information provided and the lore/mythology included enhanced that experience even further.
It's also not a one tonal progression because there is training, there is loss and there are hard moments to see. But, it all happened in a way that made sense to the world they're in, and I'm truly saddened that it wasn't longer. Japan could be a treasure trove for supernatural and mythical creatures, and I really hope the author comes back for more some day.
The only part of it that I thought might have used some work would be the characters. There are 6 characters in question here that aren't enemies, and other than Issunboshi and one other, they didn't feel as fleshed out or as utilized beyond a single function. Which isn't to say that they are bad, not by any means, because they do fit the roles chosen for them in the story. But I guess, that I just wanted to know more.
Other than that slight remark, the novel is truly great and I would love to read whatever else Ryan Lang ends up creating. If this was any indication, it would be awesome!
“Sometimes we need to reach deep within to find the strength to do what the world needs us to do, to become who the world needs us to be”
My thanks to Oni Press for a review copy via NetGalley of ‘Issunboshi’ written and illustrated by Ryan Lang.
This graphic novel has been a five-year passion project for Lang and is a retelling of the classic Japanese folk tale about the six-inch Samurai, Issunboshi. He stresses the message that no one is born a hero but must discover the hero within.
When the world was new the gods used the Ame No Nuhoko, the Heavenly Spear, to create the first island from which all the islands of Japan were eventually born. Given the power of the spear, the gods separated it into four pieces and hid them.
Ages pass and a powerful Oni, a demon, is seeking to retrieve and reforge the spear in order to take over the world. The only one who can stop him is Issunboshi, a six-inch-tall would-be samurai, who also is the final and most important piece of the spear.
After the spear was broken the final part, the spirit of the spear, flew into the air and wandered. When the Oni began his quest for the spear, the fourth part became aware that if the Oni succeeded it would plunge the world into chaos. So the spirit answered the prayers of an elderly peasant couple, who for years had wished for a son even if only the size of a thumb. Thus, Issunboshi was born.
Time passes and Issunboshi becomes a young man, still tiny though blessed with great strength and a lively wit. Eventually the Oni finds him and Issunboshi has to fight… to not only save himself but his family, friends and ultimately the world.
Ryan Lang’s text combines seamlessly with his black and white illustrations creating a sense of flow between its panels. It has moments of quiet reflection as well as exciting action.
In addition, Lang’s characters have faces that are very expressive, effortlessly conveying their feelings. I especially liked the appearances of Kaze, the Owl. Following the main story there are a few full colour illustrations.
The cover art depicting the tiny Issunboshi standing on a stump, overshadowed by forest trees was very striking.
Overall, this is an uplifting and positive story about discovering the hero within. An excellent example of how words and pictures can be creatively combined in the graphic novel format.
This is an absolutely stunning graphic novel, the art work is some of the most detailed and beautiful I have seen, each frame has so much depth and detail, the scales are spot on and the way the artist captures the speed and movement of the characters works really well in actions scenes.
It really cant be ignored that the highlight of this graphic novel is the art work. The story is just fine, it follows a classic tale of a hero defeating evil despite personal and physical challenges but I did feel a distinct lack of any depth and time to the story. As is often the way with graphic novels, the story moves extremely quickly and lacks the development of skills over time for Issunboshi and almost skips the building of meaningful friendships as there is very little time to get to know other characters with any sense of depth and event happen quickly and a little inexplicably. I Would have loved for this to have been a series so that we could have explored the world and its characters in more detail in future volumes.
That being said, this is a 200 page graphic novel, I'm mostly here for the art work and although the story is one we know well, its beautiful visually and easy read. You can get lost in the detail of the art work and the layout of frames works really well for me and this can be read in one sitting but don't forget to check out the final art work at the end for some beautiful bonus pieces.
If you want a quick, relaxing read, enjoy artistry and don't mind fast pacing this is the graphic novel for you! Thank you to NetGalley and Oni Press for an ecopy to review
Edition: Ebook, 204 pages, first published in 2021, Graphic Novel ISBN 978-1-63715-081-8
Disclaimer: I got this ARC from Netgalley in exchange for my honest review. Thank you so much for this amazing opportunity
This graphic novel is a retelling of a Japanese folktale. It's about an one-inch tall and super strong samurai names Issunboshi who has to fight against different creatures of Japanese folklore. Issunboshi himself is born out of a part of the Heavenly Spear, which was seperated in four parts by the gods. And while an oni found the other parts and wants to bring hell down on earth with the Heavenly Spear, Issunboshi gets trained by samurais to fight the demon.
As the story pre-existed I was more interested in how the artist put it into a graphic novel. And he did a really great job! I like the art style, it is dynamic and fits the Japanese narrative well, as far as I can tell. The monsters are sometimes really creepy (the Kappa kind of gave me nightmares), sometimes a tiny bit too cartoonish for my taste (the oni as the main villain didn't feel impressive to me because of this). We get introduced to different characters and the myth itself and I could easily follow the story, so well done! Issunboshi's character is likeable and it is fun to follow him while his development takes turns.
All in all I really enjoyed this graphic novel and I would like to read it in a printed version because some secenes went over two sides and that's not as cool in an ebook as when you can see both pages at the same time.
This was such a fun read! I've personally am not familiar with the folklore this story is based off but this retelling was a really fun and exciting read.
The story is about Issunboshi who is only 6 inches tall and one day is attacked and finds out an oni is after him! Issunboshi sets out to grow stronger to protect his loved ones and everyone else from this power hungry oni who wants to gain all the pieces of the legendary weapon to wreak havoc over the world and rule.
The story was set at a good pace and never had a dull moment. The art was gorgeous and it was a highly enjoyable read.
The author works for Disney and it makes a lot of sense since this story easily feels like a Disney movie. I would love to see it one day adapted to a full length film. That would be amazing.
I highly recommend!
Thanks to Netgalley and Oni Press for an ARC in exchange for an honest review.
Issunboshi which was based on a classic Japanese folktale, was a nicely written graphic novel with fast pace, some really beautiful art and good action sequences. The story's pretty straightforward and easy to understand. The characters were likeable and though I would've wanted a bit more background for the other supporting characters, were unique and interesting.
The artwork did an excellent job in expressing the emotions of the character and in making everything feel vivid and alive. The world felt rich and believable with the lore explained in a manner that was easy to digest and worked wonderfully for the tale being told. It was easy to get lost in the story once one started reading. It was definitely an enjoyable adventure.
I do recommend giving Issunboshi a try.
I received an ARC of this book from Netgalley and I have chosen to publish my fair and honest review.
This was such a fun read! I enjoyed getting to experience some unfamiliar folklore through this simultaneously action-packed and heartfelt tale. There's also quite a bit of campy humor that is perfect for the middle grade audience. It's a quick read that is broken into neat little chapters. Perfect for emerging graphic novel readers and folks who like to one-sitting binge alike!
The art style is absolutely stunning! Every single page is beautiful and so intricately detailed. I've never seen an artist who can draws eyes as expressive as the ones in this book - just a look was enough to make my heart ache. There's also something just slightly playful and cartoony in the art that reminded me of Pixar animations. I will admit that the black-and-white illustrations surprised me at first, but I adjusted quickly and actually ended up liking that style choice for this particular story.
Overall, a great read that I'm glad I got to experience. I'll definitely be keeping an eye out for future works by this author.
Thank you Oni Press and NetGalley for the ARC in exchange for an honest review.
Key words: graphic novel, retelling, Japanese folktale, fantasy
This graphic novel is based on the Japanese folktale about a one-inch samurai. I don’t think I had ever heard of this tale before, or maybe it was just quite different.
First of all, I’ll start with the drawings. They were quite pretty and poetic. I can definitely imagine an animated version of this book. Now, about the story. We follow this young samurai who, one day, is kidnapped by a demon. Thankfully, he escapes but has to learn how to fight in order to finish the big boss. I enjoyed the characters, especially Issunboshi and his parents. The plot in itself is quite classic but it works and it was enjoyable.
I recommend to people looking for a full-of-action graphic novel
3.5/5
Thank you Netgalley for this eArc in exchange of my honest opinion
Thank you Oni Press and Netgalley for providing a copy of this novel in exchange for a fair, honest review.
This is a beautifully illustrated graphic novel based on a Japanese folktale that might strike readers as a Japanese version of Thumbelina. It tells the story of the thumb-sized hero whose heart and strength helps him take on much bigger villains, and save the day. The style is very modern Disney, so very expressive and appealing, black and white images, with action that has probably been inspired by Anti-man movies, and the violence is appropriate for middle grade/secondary school. The story is relatively simple and straight forward, and tells it well for the number of pages (under 200 pages) but I feel like there was potential for a deeper story and more detail, if it had been a longer novel or a short series.
I've enjoyed this immensely! Based on an old Japanese fairy tale of a one-inch Samurai who wields a needle, Issunboshi is the story of a SIX-inch, would-be Samurai who.... wields a needle! The artwork is absolutely STUNNING and there were so many pages where I paused just to take in a gorgeous shot or an energetic fight scene, and the character design was very Disney-esque (I just found out the author has contributed to Disney movies like Wreck It Ralph and Big Hero 6, so it all checks out!)
I did wish the plot was a little more developed/fleshed out as the author's adapted the story into something quite intriguing and I would loved to spend more time with certain characters or in certain scenes.
Overall it is a beautiful and fun graphic novel that is suitable 13+ readers.
Thank you to NetGalley for the opportunity to read this gem!