Galley provided by publisher
You Belong With Me was a book that, to put it bluntly, felt unnecessary. I know the ending of Who’s That Girl was somewhat of a cliffhanger, and sure, I did also want to see the reunion scene on the page, but. A whole book?
This is not to say I didn’t find the experience of reading this broadly enjoyable. I liked having Edie and Elliot back and I thought this was possibly Mhairi McFarlane’s funniest book yet. And I think if I read the two books back to back and treated it as one long book, it’s entirely likely I’d come to a different rating.
The thing is, it felt like there wasn’t enough unmanufactured conflict to make a whole 320 page book of Edie and Elliot round two feel anything more than a repetition of the greatest hits (their individual insecurities, some jealousy from both, the whole fame question) in a somewhat cyclical fashion. It felt especially manufactured when Edie first experiences the media twisting photos to suit a narrative, over which she has a valid reaction, sure, but one that felt very excessive (and also, completely against type, since she had, mere chapters before, talked about shutting down when it came to emotions and conflict). Honestly, towards the end, I was even thinking that maybe they should break up because they clearly weren’t working together.
What’s clear, though, is that Edie and Elliot had something that couples from McFarlane’s more recent books have sort of been missing. It was a strange juxtaposition: to love the characters and to want more of them, but to also not feel that any of it was necessary. So, while I did love reading about them again, I have to admit I came to the conclusion that this, really, is a book that should have been a novella.