Again I return to the Who Let The Gods out series. This time, the main characters are killed. This does not make their parents particularly happy, and the heroes aren't thrilled either. Just to add to the drama, it all happens right after Vesper finds out Morgan Le Fay is her mother! This of course raises the question of who the father was, a question that will not be answered in this book.
The first problem here is that this is pretty much a redo of Oh Maya Gods. The hero travels deep into the underworld of (insert mythology), in this case Egyptian, faces trials and tribulations, and then faces one final challenge to escape. Actually, this happened in the originals too. It works well the first time, but eventually it gets tedious. It seems like we're moving through the same motions over and over again. Worse, this book's underworld is definitively safer than the last. There is a deadly river, but this time it's a normal river, with no blood involved. It's less oppressively hot, and the pyramids don't require the characters to climb up thousands of steps.
Then there are the interludes. Oh Maya Gods also had interludes to the villain's point of view, but it's more common here. By switching between the main characters, Maz can focus on what he's good at: engaging character arcs and family drama. The villain interludes, however, mainly exist as easy ways to keep us informed on what the villains are doing without committing to the constraints of actually having the heroes in the same room as the villains at all times. The main villain of the book, Seth, only meets Vesper once to give her a deal. He's killed by Thanatos later without anyone else finding out. It's actually a bit strange that nobody is worried about Seth after the heroes escape from the underworld. Perhaps they also read the interlude?
However, those characters I mentioned still shine as much as they did the first time. Vesper and Aster's relationship evolves, especially with the drama of the Seth deal. Vesper struggles a little with the fact that everybody is convinced her mother is evil, and Morgan herself keeps up her great villainous performance. We get some oath-based trickery between Morgan, Seth, and Thanatos, because there's nothing more exciting than people getting extremely angry about oaths.
Finally, the comedy is still rolling out. They really go deeper into the idea of gods living in the modern age. The great god Horus, destined ruler of all the Egyptian gods, lives in his mum's house and stares at his phone literally all day. Seth seems to speak in internet language, although I wouldn't be able to recognize exactly what that is. My favorite moment, though, is completely unrelated to that theme. When travelling to the Diabolon, Zeus and Hermes meet near-identical versions of themselves from the Roman pantheon. Those annoying Romans are always going around stealing Greek mythology!